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Research

Professor Geraldine Harris

Emeritus

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  1. Chapter (peer-reviewed)
  2. Published

    Differences in Degree or Kind? Ockham’s Razor’s Not Until We Are Lost and Punchdrunk’s The Drowned Man

    Harris, G. M., 2016, Reframing Immersive Theatre : The Politics and Pragmatics of Participatory Performance. Frieze, J. (ed.). UK: Palgrave, p. 265-288 23 p.

    Research output: Contribution in Book/Report/Proceedings - With ISBN/ISSN › Chapter (peer-reviewed) › peer-review

  3. Published

    Entertaining discussion: the Long Table and Porch Sitting

    Harris, G. M., 2015, The only way home is through the show. Harvie, J. & Weaver, L. (eds.). London and Bristol: Live Art Development Agency and Intellect, p. 204-209 6 p.

    Research output: Contribution in Book/Report/Proceedings - With ISBN/ISSN › Chapter (peer-reviewed) › peer-review

  4. Published

    The ethics and politics of witnessing Whoopi

    Harris, G., 2013, Visions and revisions: performance, memory, trauma. Trezise, B. & Wake, C. (eds.). Copenhagen: Museum Tusculanum Press, University of Copenhagen, p. 115-130 16 p.

    Research output: Contribution in Book/Report/Proceedings - With ISBN/ISSN › Chapter (peer-reviewed)

  5. Published

    Apres toutes ces elles/ after all this else: ‘new’ French feminisms translated to the British scene

    Harris, G., 2011, Contemporary French Theatre and Performance. Finburgh, C. & Lavery, C. (eds.). Palgrave Macmillan, p. 224-235 12 p.

    Research output: Contribution in Book/Report/Proceedings - With ISBN/ISSN › Chapter (peer-reviewed)

  6. Published

    Integrity: the essential ingredient

    Harris, G. & Aston, E., 2007, Bobby Baker: redeeming features of daily life. Barrett, M. & Baker, B. (eds.). London: Routledge, p. 109-116 8 p.

    Research output: Contribution in Book/Report/Proceedings - With ISBN/ISSN › Chapter (peer-reviewed)

  7. Published

    How to shop

    Harris, G., 2007, Bobby Baker: redeeming features of daily life. Barrett, M. & Baker, B. (eds.). London: Routledge, p. 191-195 5 p.

    Research output: Contribution in Book/Report/Proceedings - With ISBN/ISSN › Chapter (peer-reviewed)

  8. Published

    Introduction to Part II: Women Taking the Stage: Women in Theatre 1660-1960

    Harris, G., 1998, The Routledge Reader in Gender and Performance. Goodman, L. (ed.). London: Routledge

    Research output: Contribution in Book/Report/Proceedings - With ISBN/ISSN › Chapter (peer-reviewed)

  9. Published

    The I of the Beholder: Annie Sprinkle Revisited

    Harris, G., 1998, Shattered Anatomies: Traces of the Body in Performance. Heathfield, A., Templeton, F. & Quick, A. (eds.). Arts Council Great Britan/Arnolfini

    Research output: Contribution in Book/Report/Proceedings - With ISBN/ISSN › Chapter (peer-reviewed)

  10. Published

    Yvette Guilbert: la femme moderne on the British stage

    Harris, G., 1992, The New Woman and Her Sisters. Gardner, V. & Rutherford, S. (eds.). Ann Arbor: University of Michigan Press, p. 115-133 19 p.

    Research output: Contribution in Book/Report/Proceedings - With ISBN/ISSN › Chapter (peer-reviewed)

  11. Chapter
  12. Published

    Turing Test: doo-cot Theatre Company's Frankenstein : The Final Blasphemy and the limits of the (post) human.

    Harris, G. M., 2006, Performing Nature: Explorations in Ecology and the Arts. Berne: Peter Lang, 133 p.

    Research output: Contribution in Book/Report/Proceedings - With ISBN/ISSN › Chapter

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