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  1. Published

    Crossing Borders I: the historical context for Ravel’s North American tour

    Gebhardt, N., 11/2010, Ravel Studies. Mawer, D. (ed.). Cambridge: University of Cambridge, p. 92-113 22 p.

    Research output: Contribution in Book/Report/Proceedings - With ISBN/ISSNChapter

  2. Published

    Crossing borders II: Ravel’s theory and practice of jazz.

    Mawer, D., 11/2010, Ravel Studies. Mawer, D. (ed.). Cambridge: Cambridge University Press, p. 114-137 24 p.

    Research output: Contribution in Book/Report/Proceedings - With ISBN/ISSNChapter (peer-reviewed)

  3. Published

    Encountering La Valse: perspectives and pitfalls.

    Epstein, D. & Mawer, D., 11/2010, Ravel Studies. Mawer, D. (ed.). Cambridge: Cambridge University Press, p. 138-164 27 p.

    Research output: Contribution in Book/Report/Proceedings - With ISBN/ISSNChapter (peer-reviewed)

  4. Published

    Introduction: the growth of Ravel studies

    Mawer, D., 11/2010, Ravel Studies. Mawer, D. (ed.). Cambridge: Cambridge University Press, p. 1-8 8 p.

    Research output: Contribution in Book/Report/Proceedings - With ISBN/ISSNChapter (peer-reviewed)

  5. Published

    Ravel Studies

    Mawer, D. (ed.), 11/2010, Cambridge: Cambridge University Press. 220 p.

    Research output: Book/Report/ProceedingsBook

  6. Published

    Dub in Babylon: understanding the evolution and significance of dub reggae in Jamaica and Britain from King Tubby to post-punk

    Partridge, C., 10/2010, London: Equinox Publishing. 256 p.

    Research output: Book/Report/ProceedingsBook

  7. Unpublished

    (Re)moving boundaries? Debussy, Ravel and the Lydian jazz theory of George Russell

    Mawer, D., 08/2010, (Unpublished). 10 p.

    Research output: Contribution to conference - Without ISBN/ISSN Conference paper

  8. Published

    Book review: Millicent Hodson, Nijinsky’s Bloomsbury Ballet: Reconstruction of the Dance and Design for Jeux

    Mawer, D., 02/2010, In: Music and Letters. 91, 1, p. 123-126 4 p.

    Research output: Contribution to journalBook/Film/Article reviewpeer-review

  9. Published
  10. Published

    Narrativity in Thomas Adès’s Asyla.

    Venn, E., 2010, In: Res facta nova: Teksty o muzyce współczesnej. 11, 20, p. 61-70 10 p.

    Research output: Contribution to journalJournal articlepeer-review

  11. Published

    On Jazz, memory and history: A response to Alyn Shipton

    Gebhardt, N., 2010, In: Jazz Research Journal. 4, 1, p. 7-14 8 p.

    Research output: Contribution to journalJournal articlepeer-review

  12. Published

    A Very British Modernism? A review of Hugh Wood, Staking out the Territory and Other Writings on Music

    Venn, E., 09/2009, In: Twentieth-Century Music. 6, 2, p. 237-253 17 p.

    Research output: Contribution to journalJournal articlepeer-review

  13. Published

    Jazzing a classic: Hylton and Stravinsky’s Mavra at the Paris Opéra.

    Mawer, D., 09/2009, In: Twentieth-Century Music. 6, 2, p. 155-182 28 p.

    Research output: Contribution to journalJournal articlepeer-review

  14. Published
  15. Published

    Active Figuration for violin and computer, 13'

    Rai, T., 2009

    Research output: Exhibits, objects and web-based outputsComposition

  16. Published

    Horizontal stillness for electroacoustic, 11'

    Rai, T., 2009

    Research output: Exhibits, objects and web-based outputsComposition

  17. Published

    Some remarks on Webern's Variations Op. 27

    Boynton, N., 2009, Webern_21. Schweiger, D. & Urbanek, N. (eds.). Vienna: Böhlau Verlag, p. 199-219 21 p. (Wiener Veröffentlichungen zur Musikgeschichte; vol. 8).

    Research output: Contribution in Book/Report/Proceedings - With ISBN/ISSNChapter

  18. Published

    'What was the question?': music analysis and the computer.

    Marsden, A., 2009, Modern Methods for Musicology. Crawford, T. & Gibson, L. (eds.). Farnham: Ashgate, p. 137-147 11 p. (Digital Research in the Arts and Humanities).

    Research output: Contribution in Book/Report/Proceedings - With ISBN/ISSNChapter

  19. Published

    Positioning Milhaud’s late chamber music: compositional 'full circle'?

    Mawer, D., 12/2008, In: Musical Times. 149, 4, p. 45-60 16 p.

    Research output: Contribution to journalJournal articlepeer-review

  20. Published

    ‘Parisomania'? Jack Hylton and the French connection.

    Mawer, D., 11/2008, In: Journal of the Royal Musical Association. 133, 2, p. 270-317 48 p.

    Research output: Contribution to journalJournal articlepeer-review

  21. Published

    Jolivet’s search for a new French voice: spiritual 'otherness' in Mana (1935).

    Mawer, D., 05/2008, French Music, Culture and National Identity, 1870-1939 . Kelly, B. L. (ed.). Rochester NY: University of Rochester Press, p. 172-193 22 p.

    Research output: Contribution in Book/Report/Proceedings - With ISBN/ISSNChapter (peer-reviewed)

  22. Published

    Exploring complementation in Bartók’s Third Quartet.

    Mawer, D., 12/2007, In: Music Theory Online. 13, 4

    Research output: Contribution to journalJournal articlepeer-review

  23. Published

    Tools for Searching, Annotation and Analysis of Speech, Music, Film and Video: A Survey.

    Marsden, A. A., Lindsay, A., MacKenzie, A. & Nock, H., 30/11/2007, In: Literary and Linguistic Computing. 22, 4, p. 469-488 20 p.

    Research output: Contribution to journalJournal articlepeer-review

  24. Published

    Automatic Derivation of Musical Structure: A Tool for Research on Schenkerian Analysis.

    Marsden, A. A., 23/09/2007, p. 55-58. 4 p.

    Research output: Contribution to conference - Without ISBN/ISSN Other

  25. Published

    Book review: Jane F. Fulcher, The Composer as Intellectual: Music and Ideology in France 1914-1940

    Mawer, D., 05/2007, In: Music and Letters. 88, 2, p. 367-370 4 p.

    Research output: Contribution to journalBook/Film/Article reviewpeer-review

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