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  1. Published

    Music, intelligence and artificiality.

    Marsden, A. A., 2000, Readings in music and artificial intelligence. Miranda, E. R. (ed.). Amsterdam: Harwood Academic, p. 15-28 14 p. (Contemporary music studies ; v. 20).

    Research output: Contribution in Book/Report/Proceedings - With ISBN/ISSNChapter

  2. Published

    Musical objects and machines.

    Mawer, D., 2000, The Cambridge Companion to Ravel. Mawer, D. (ed.). Cambridge: Cambridge University Press, p. 47-67 21 p. (Cambridge companions to music).

    Research output: Contribution in Book/Report/Proceedings - With ISBN/ISSNChapter

  3. Published

    The Cambridge Companion to Ravel

    Mawer, D., 2000, Cambridge: Cambridge University Press. 294 p. (Cambridge companions to music)

    Research output: Book/Report/ProceedingsBook

  4. Published

    Transfiguration for clarinet and computer (rev. 2003) [10 minutes]

    Rai, T., 1999

    Research output: Exhibits, objects and web-based outputsComposition

  5. Published

    Combinazione di forme musicali nelle Variazioni Op. 30 di Webern

    Boynton, N., 1998, Anton Webern: Un punto, un cosmo. Casadei Turroni Monti, M. (ed.). Lucca: Una cosa rara, p. 113-141 29 p.

    Research output: Contribution in Book/Report/Proceedings - With ISBN/ISSNChapter

  6. Published

    René Leibowitz: Schoenberg et son école

    Boynton, N., 1998, Settling New Scores: Music manuscripts from the Paul Sacher Foundation. Meyer, F. (ed.). Mainz: Schott, p. 232-234 3 p.

    Research output: Contribution in Book/Report/Proceedings - With ISBN/ISSNChapter

  7. Published

    Embedding CD-tours in HE courses: experience with the Analytical Listening Guide to 'Darius Milhaud: La Création du monde'

    Mawer, D., 06/1997, In: Musicus: Computer Applications in Music Education. 5, p. 19-29 11 p.

    Research output: Contribution to journalJournal articlepeer-review

  8. Published

    Book review: Howard Boatwright, Chromaticism: Theory and Practice

    Mawer, D., 03/1997, In: Music Analysis. 16, 1, p. 137-144 8 p.

    Research output: Contribution to journalBook/Film/Article reviewpeer-review

  9. Published

    Compositional Technique 1923–1926: The Chamber Concerto and the Lyric Suite

    Boynton, N., 1997, The Cambridge Companion to Berg. Pople, A. (ed.). Cambridge: Cambridge University Press, p. 189–203, 286–292 22 p.

    Research output: Contribution in Book/Report/Proceedings - With ISBN/ISSNChapter

  10. Published

    Darius Milhaud: Modality & Structure in Music of the 1920s

    Mawer, D., 1997, Aldershot: Ashgate. 408 p.

    Research output: Book/Report/ProceedingsBook

  11. Published

    Impulse for percussion and computer (rev. 2004) [20 minutes]

    Rai, T., 1997

    Research output: Exhibits, objects and web-based outputsComposition

  12. Published
  13. Published

    Bibliography

    Boynton, N., 1996, Webern Studies. Bailey, K. (ed.). Cambridge: Cambridge University Press, p. 298-362 65 p.

    Research output: Contribution in Book/Report/Proceedings - With ISBN/ISSNChapter

  14. Published

    Darius Milhaud: La Création du monde (Analytical Listening Guide)

    Mawer, D. & Pengelly, M., 1996

    Research output: Exhibits, objects and web-based outputsDigital or Visual Products

  15. Published

    Review of Walter Frisch, The Early Works of Arnold Schoenberg 1893–1908, Berkeley and Los Angeles: University of California Press 1993

    Boynton, N., 1996, In: Music Analysis. 15, 2-3, p. 373-381 9 p.

    Research output: Contribution to journalBook/Film/Article reviewpeer-review

  16. Published

    Formal Combination in Webern's Variations Op. 30

    Boynton, N., 1995, In: Music Analysis. 14, 2-3, p. 193-220 28 p.

    Research output: Contribution to journalJournal articlepeer-review

  17. Published

    Seven Refractions for flute and a signal processing computer (rev. 2003) [14 minutes]

    Rai, T., 1995

    Research output: Exhibits, objects and web-based outputsComposition

  18. Published

    Translation of Rudolf Kolisch, ‘Schönberg als nachschaffender Künstler’

    Boynton, N., 1995, In: Tempo. 193, p. 34-35 2 p.

    Research output: Contribution to journalJournal articlepeer-review

  19. Unpublished

    Beyond Le Boeuf: analysing Milhaud’s Fifth Chamber Symphony (1922)

    Mawer, D., 09/1994, (Unpublished). 10 p.

    Research output: Contribution to conference - Without ISBN/ISSN Conference paper

  20. Published

    Structural analysis in string teaching and performance: 'Voice-leading for Strings'

    Mawer, D., 07/1994, Towards a Change of Attitude regarding the Purpose, Goals and Values in the Education of the Professional Musician : ISME Commission on the Education of the Professional Musician. Tampa, Florida: University of Florida, p. 57-71 15 p.

    Research output: Contribution in Book/Report/Proceedings - With ISBN/ISSNChapter

  21. Published

    Kinetic figuration for MIDI piano, VP-1 synthesizer and IRCAM signal processing workstations (rev. 2000) [16 minutes]

    Rai, T., 1994

    Research output: Exhibits, objects and web-based outputsComposition

  22. Published

    Meteor for harp solo, in memory of Dr.Mori [9 minutes]

    Rai, T., 1993

    Research output: Exhibits, objects and web-based outputsComposition

  23. Published

    Review of Gareth Cox, Anton Weberns Studienzeit, Frankfurt a.M.: Lang 1992

    Boynton, N., 1993, In: Music and Letters. 74, 3, p. 462-463 2 p.

    Research output: Contribution to journalJournal articlepeer-review

  24. Published
  25. Published

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