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    Rights statement: The final, definitive version of this article has been published in the Journal, Animation, 14 (1), 2019, © SAGE Publications Ltd, 2019 by SAGE Publications Ltd at the Animation page: https://journals.sagepub.com/home/anm on SAGE Journals Online: http://journals.sagepub.com/

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Rocko’s Magic Capitalism: Commodity Fetishism in the Magical Realism of Rocko’s Modern Life

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Rocko’s Magic Capitalism: Commodity Fetishism in the Magical Realism of Rocko’s Modern Life. / Golding, David.
In: animation: an interdisciplinary journal, Vol. 14, No. 1, 01.03.2019, p. 52-67.

Research output: Contribution to Journal/MagazineJournal articlepeer-review

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Golding D. Rocko’s Magic Capitalism: Commodity Fetishism in the Magical Realism of Rocko’s Modern Life. animation: an interdisciplinary journal. 2019 Mar 1;14(1):52-67. doi: 10.1177/1746847719831365

Author

Golding, David. / Rocko’s Magic Capitalism : Commodity Fetishism in the Magical Realism of Rocko’s Modern Life. In: animation: an interdisciplinary journal. 2019 ; Vol. 14, No. 1. pp. 52-67.

Bibtex

@article{a68d364580064f05a4979154e348e8bd,
title = "Rocko{\textquoteright}s Magic Capitalism: Commodity Fetishism in the Magical Realism of Rocko{\textquoteright}s Modern Life",
abstract = "This article presents a textual analysis of the Nickelodeon animated series Rocko{\textquoteright}s Modern Life. Drawing from the theories of Guy Debord and Imamura Taihei, the series is posited as a revelatory lens into the spiritual crisis of late capitalism. The author then argues that the series employs magical realism to depict an animist capitalism in which the fetishization of commodities literally brings them to life. The show{\textquoteright}s characters experience the alienation of labour as the draining of their spirit, haunting their workplaces as dead labour reanimated through the necromancy of commodity fetishism. As consumers, the characters attempt to recapture the enervated agency of their alienated selves by populating their lives with commodities. Ultimately, they are unable to find meaningful agency and spiritual fulfilment amidst the distributed agency of animated commodities. Despite its often problematic engagement with both indigeneity and animism, this close analysis of Rocko{\textquoteright}s Modern Life supports Imamura{\textquoteright}s theory that Western animation appropriates elements of indigenous animism to bring dead labour back to life in the form of fetishized commodities. It also suggests further research into the interconnection and contestation between capitalist animism and indigenous animism within animation.",
keywords = "animation, animism, anthropomorphism, commodity fetishism, Nickelodeon, Rocko{\textquoteright}s Modern Life",
author = "David Golding",
note = "The final, definitive version of this article has been published in the Journal, Animation, 14 (1), 2019, {\textcopyright} SAGE Publications Ltd, 2019 by SAGE Publications Ltd at the Animation page: https://journals.sagepub.com/home/anm on SAGE Journals Online: http://journals.sagepub.com/ ",
year = "2019",
month = mar,
day = "1",
doi = "10.1177/1746847719831365",
language = "English",
volume = "14",
pages = "52--67",
journal = "animation: an interdisciplinary journal",
publisher = "SAGE Publications Ltd",
number = "1",

}

RIS

TY - JOUR

T1 - Rocko’s Magic Capitalism

T2 - Commodity Fetishism in the Magical Realism of Rocko’s Modern Life

AU - Golding, David

N1 - The final, definitive version of this article has been published in the Journal, Animation, 14 (1), 2019, © SAGE Publications Ltd, 2019 by SAGE Publications Ltd at the Animation page: https://journals.sagepub.com/home/anm on SAGE Journals Online: http://journals.sagepub.com/

PY - 2019/3/1

Y1 - 2019/3/1

N2 - This article presents a textual analysis of the Nickelodeon animated series Rocko’s Modern Life. Drawing from the theories of Guy Debord and Imamura Taihei, the series is posited as a revelatory lens into the spiritual crisis of late capitalism. The author then argues that the series employs magical realism to depict an animist capitalism in which the fetishization of commodities literally brings them to life. The show’s characters experience the alienation of labour as the draining of their spirit, haunting their workplaces as dead labour reanimated through the necromancy of commodity fetishism. As consumers, the characters attempt to recapture the enervated agency of their alienated selves by populating their lives with commodities. Ultimately, they are unable to find meaningful agency and spiritual fulfilment amidst the distributed agency of animated commodities. Despite its often problematic engagement with both indigeneity and animism, this close analysis of Rocko’s Modern Life supports Imamura’s theory that Western animation appropriates elements of indigenous animism to bring dead labour back to life in the form of fetishized commodities. It also suggests further research into the interconnection and contestation between capitalist animism and indigenous animism within animation.

AB - This article presents a textual analysis of the Nickelodeon animated series Rocko’s Modern Life. Drawing from the theories of Guy Debord and Imamura Taihei, the series is posited as a revelatory lens into the spiritual crisis of late capitalism. The author then argues that the series employs magical realism to depict an animist capitalism in which the fetishization of commodities literally brings them to life. The show’s characters experience the alienation of labour as the draining of their spirit, haunting their workplaces as dead labour reanimated through the necromancy of commodity fetishism. As consumers, the characters attempt to recapture the enervated agency of their alienated selves by populating their lives with commodities. Ultimately, they are unable to find meaningful agency and spiritual fulfilment amidst the distributed agency of animated commodities. Despite its often problematic engagement with both indigeneity and animism, this close analysis of Rocko’s Modern Life supports Imamura’s theory that Western animation appropriates elements of indigenous animism to bring dead labour back to life in the form of fetishized commodities. It also suggests further research into the interconnection and contestation between capitalist animism and indigenous animism within animation.

KW - animation

KW - animism

KW - anthropomorphism

KW - commodity fetishism

KW - Nickelodeon

KW - Rocko’s Modern Life

U2 - 10.1177/1746847719831365

DO - 10.1177/1746847719831365

M3 - Journal article

VL - 14

SP - 52

EP - 67

JO - animation: an interdisciplinary journal

JF - animation: an interdisciplinary journal

IS - 1

ER -