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Research output: Contribution to Journal/Magazine › Journal article › peer-review
Research output: Contribution to Journal/Magazine › Journal article › peer-review
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TY - JOUR
T1 - Microfascism and the Double Exclusion in Daniel Keyes' 'Flowers for Algernon'
AU - Ryder, Mike
PY - 2019/5/21
Y1 - 2019/5/21
N2 - In Flowers for Algernon (1966) protagonist Charlie Gordon is trapped in a world of biopolitical control. Not only is he outcast and framed as an Agambian homo sacer, but he is also ‘programmed’ much like a robot through microfascisms planted in him from an early age. This paper explores the biopolitical implications of Charlie’s exile, and the significance of exclusions and microfascisms as an effective means of social control. It asks: why does Charlie desire his own repression, and how does his double exclusion serve to replicate social codes and manufacture consent to sovereign rule?
AB - In Flowers for Algernon (1966) protagonist Charlie Gordon is trapped in a world of biopolitical control. Not only is he outcast and framed as an Agambian homo sacer, but he is also ‘programmed’ much like a robot through microfascisms planted in him from an early age. This paper explores the biopolitical implications of Charlie’s exile, and the significance of exclusions and microfascisms as an effective means of social control. It asks: why does Charlie desire his own repression, and how does his double exclusion serve to replicate social codes and manufacture consent to sovereign rule?
KW - biopolitics
KW - exclusion
KW - inclusion
KW - microfascism
KW - Flowers for Algernon
KW - science fiction
KW - Daniel Keyes
KW - Giorgio Agamben
KW - Gilles Deleuze
KW - robot
KW - subjectivity
KW - Charlie Gordon
KW - homo sacer
M3 - Journal article
VL - 132
SP - 54
EP - 65
JO - Foundation: The International Review of Science Fiction
JF - Foundation: The International Review of Science Fiction
IS - Spring 2019
ER -