Research output: Contribution in Book/Report/Proceedings - With ISBN/ISSN › Chapter (peer-reviewed)
Research output: Contribution in Book/Report/Proceedings - With ISBN/ISSN › Chapter (peer-reviewed)
}
TY - CHAP
T1 - Music-dance (and design) relations in ballet productions of Ravel's Daphnis et Chloé.
AU - Mawer, Deborah
PY - 2012/9/1
Y1 - 2012/9/1
N2 - This paper looks at balletic challenges and music-dance interplay in Daphnis et Chloé, focusing on the Ravel-Ashton(-Craxton) production for The Royal Ballet (1951, 2004), in comparison with the Ravel-Fokine original (1912). Beyond issues of unity versus independence, or consonance versus dissonance, a case is made for complexes, transformation, and plurality.
AB - This paper looks at balletic challenges and music-dance interplay in Daphnis et Chloé, focusing on the Ravel-Ashton(-Craxton) production for The Royal Ballet (1951, 2004), in comparison with the Ravel-Fokine original (1912). Beyond issues of unity versus independence, or consonance versus dissonance, a case is made for complexes, transformation, and plurality.
M3 - Chapter (peer-reviewed)
VL - 13
SP - 77
EP - 85
BT - Danse et musique: dialogues en mouvement [refereed conference proceedings]
A2 - Huebner, Steven
PB - Cahiers de la Société québécoise de recherche en musique
CY - Montreal
ER -