Research output: Contribution in Book/Report/Proceedings - With ISBN/ISSN › Chapter (peer-reviewed)
Publication date | 1/09/2012 |
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Host publication | Danse et musique: dialogues en mouvement [refereed conference proceedings] |
Editors | Steven Huebner |
Place of Publication | Montreal |
Publisher | Cahiers de la Société québécoise de recherche en musique |
Pages | 77-85 |
Number of pages | 9 |
Volume | 13 |
Edition | 1-2 |
<mark>Original language</mark> | English |
This paper looks at balletic challenges and music-dance interplay in Daphnis et Chloé, focusing on the Ravel-Ashton(-Craxton) production for The Royal Ballet (1951, 2004), in comparison with the Ravel-Fokine original (1912). Beyond issues of unity versus independence, or consonance versus dissonance, a case is made for complexes, transformation, and plurality.