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Searching for Redemption with Cardboard Wings: Forced Entertainment and the Sublime

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Searching for Redemption with Cardboard Wings : Forced Entertainment and the Sublime. / Quick, Andrew.

In: Contemporary Theatre Review, Vol. 2, No. 2, 01.09.1994, p. 25-35.

Research output: Contribution to journalJournal article

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Quick, Andrew. / Searching for Redemption with Cardboard Wings : Forced Entertainment and the Sublime. In: Contemporary Theatre Review. 1994 ; Vol. 2, No. 2. pp. 25-35.

Bibtex

@article{252a15a35ac641758e659d5251a42a89,
title = "Searching for Redemption with Cardboard Wings: Forced Entertainment and the Sublime",
abstract = "This essay examines the work of Forced Entertainment, in pticul Mina & Lee and Emanuelle Enchanted, and their relationship to Romanticism and Lyotd's re-workings of Kant's Sublime. The specul relationship between performer and audienceis positioned as the deconcatenated moment(s) of the inexpressible/unpresentable (the sublime) thatdisrupts the operations and opens out the limits of representation.",
keywords = "Forced Entertainment, Lyotd, Performance, Representation, The Event, The Sublime",
author = "Andrew Quick",
year = "1994",
month = sep
day = "1",
doi = "10.1080/10486809408568296",
language = "English",
volume = "2",
pages = "25--35",
journal = "Contemporary Theatre Review",
issn = "1048-6801",
publisher = "Taylor and Francis Ltd.",
number = "2",

}

RIS

TY - JOUR

T1 - Searching for Redemption with Cardboard Wings

T2 - Forced Entertainment and the Sublime

AU - Quick, Andrew

PY - 1994/9/1

Y1 - 1994/9/1

N2 - This essay examines the work of Forced Entertainment, in pticul Mina & Lee and Emanuelle Enchanted, and their relationship to Romanticism and Lyotd's re-workings of Kant's Sublime. The specul relationship between performer and audienceis positioned as the deconcatenated moment(s) of the inexpressible/unpresentable (the sublime) thatdisrupts the operations and opens out the limits of representation.

AB - This essay examines the work of Forced Entertainment, in pticul Mina & Lee and Emanuelle Enchanted, and their relationship to Romanticism and Lyotd's re-workings of Kant's Sublime. The specul relationship between performer and audienceis positioned as the deconcatenated moment(s) of the inexpressible/unpresentable (the sublime) thatdisrupts the operations and opens out the limits of representation.

KW - Forced Entertainment

KW - Lyotd

KW - Performance

KW - Representation

KW - The Event

KW - The Sublime

U2 - 10.1080/10486809408568296

DO - 10.1080/10486809408568296

M3 - Journal article

AN - SCOPUS:84906106957

VL - 2

SP - 25

EP - 35

JO - Contemporary Theatre Review

JF - Contemporary Theatre Review

SN - 1048-6801

IS - 2

ER -