Final published version
Research output: Contribution to Journal/Magazine › Journal article › peer-review
| <mark>Journal publication date</mark> | 1/09/1994 |
|---|---|
| <mark>Journal</mark> | Contemporary Theatre Review |
| Issue number | 2 |
| Volume | 2 |
| Number of pages | 11 |
| Pages (from-to) | 25-35 |
| Publication Status | Published |
| <mark>Original language</mark> | English |
This essay examines the work of Forced Entertainment, in pticul Mina & Lee and Emanuelle Enchanted, and their relationship to Romanticism and Lyotd's re-workings of Kant's Sublime. The specul relationship between performer and audienceis positioned as the deconcatenated moment(s) of the inexpressible/unpresentable (the sublime) thatdisrupts the operations and opens out the limits of representation.