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Professor Alan Marsden

Head of Department, Professor of Computational Musicology

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  1. Published

    A standard format proposal for hierarchical analyses and representations

    Rizo, D. & Marsden, A. A., 12/08/2016, DLfM 2016 Proceedings of the 3rd International workshop on Digital Libraries for Musicology. New York: ACM, p. 25-32 8 p.

    Research output: Contribution in Book/Report/Proceedings - With ISBN/ISSN › Conference contribution/Paper › peer-review

  2. Published

    A Study of Cognitive Demands in Listening to Mozart's Quintet for Piano and Wind Instruments, K.452

    Marsden, A. A., 04/1987, In: Psychology of Music. 15, 1, p. 30-57 28 p.

    Research output: Contribution to Journal/Magazine › Journal article › peer-review

  3. Published

    Ambiguity and multiplicity in music representation.

    Marsden, A., 01/2009. 3 p.

    Research output: Contribution to conference - Without ISBN/ISSN › Conference paper

  4. Published

    An MEI module proposal for hierarchical analysis

    Marsden, A. A. & Rizo, D., 05/2016.

    Research output: Contribution to conference - Without ISBN/ISSN › Conference paper › peer-review

  5. Published

    An MEI-based standard encoding for hierarchical music analyses

    Rizo, D. & Marsden, A. A., 1/03/2019, In: International Journal on Digital Libraries. 20, 1, p. 93-105 13 p.

    Research output: Contribution to Journal/Magazine › Journal article › peer-review

  6. Published

    Analysing symbolic music with probabilistic grammars

    Abdallah, S., Gold, N. & Marsden, A., 1/01/2016, Computational music analysis. Meredith, D. (ed.). Springer, p. 157-189 33 p.

    Research output: Contribution in Book/Report/Proceedings - With ISBN/ISSN › Chapter (peer-reviewed) › peer-review

  7. Published

    Automatic Derivation of Musical Structure: A Tool for Research on Schenkerian Analysis.

    Marsden, A. A., 23/09/2007, p. 55-58. 4 p.

    Research output: Contribution to conference - Without ISBN/ISSN › Other

  8. Published

    Big data optical music recognition with multi images and multi recognisers

    Ng, K., McLean, A. & Marsden, A., 2014, Electronic Visualisation and the Arts (EVA 2014). BCS, p. 215-218 4 p. (Electronic Workshops in Computing).

    Research output: Contribution in Book/Report/Proceedings - With ISBN/ISSN › Conference contribution/Paper › peer-review

  9. Published

    Computers and the concept of tonality

    Marsden, A., 1999, Information technology and scholarship : applications in the humanities and social sciences. Coppock, T. (ed.). Oxford: Oxford University Press for the British Academy, p. 33-52 20 p.

    Research output: Contribution in Book/Report/Proceedings - With ISBN/ISSN › Chapter

  10. Published

    Echoes in Plato's cave: ontology of sound objects in computer music and analysis

    Marsden, A., 2014, Music Technology Meets Philosophy: From digital echos to virtual ethos: Proceedings of the ICMC/SMC 2014. International Computer Music Association, USA, p. 41-46 6 p.

    Research output: Contribution in Book/Report/Proceedings - With ISBN/ISSN › Conference contribution/Paper › peer-review

  11. Published

    Extending a network-of-elaborations representation to polyphonic music: Schenker and species counterpoint.

    Marsden, A., 20/10/2004. 7 p.

    Research output: Contribution to conference - Without ISBN/ISSN › Conference paper › peer-review

  12. Published

    Generative Structural Representation of Tonal Music.

    Marsden, A. A., 27/06/2005, In: Journal of New Music Research. 34, 4, p. 409-428 20 p.

    Research output: Contribution to Journal/Magazine › Journal article › peer-review

  13. Published

    Identity dimensions and age as predictors of adult music preferences

    Leadbeater, R. & Marsden, A., 2013, Developing the musician: contemporary perspectives on teaching and learning. Stakelum, M. (ed.). Farnham: Ashgate, p. 7-28 22 p. (SEMPRE Studies in the Psychology of Music).

    Research output: Contribution in Book/Report/Proceedings - With ISBN/ISSN › Chapter

  14. Published

    Improving OMR for digital music libraries with multiple recognisers and multiple sources

    Padilla Martin-Caro, V., Marsden, A., McLean, A. & Ng, K., 2014, DLfM '14 Proceedings of the 1st International Workshop on Digital Libraries for Musicology. New York: ACM, p. 1-8 8 p.

    Research output: Contribution in Book/Report/Proceedings - With ISBN/ISSN › Conference contribution/Paper › peer-review

  15. Published

    Improving optical music recognition by combining outputs from multiple sources

    Padilla Martin-Caro, V. M., McLean, A., Marsden, A. A. & Ng, K., 30/10/2015, Proceedings of the 16th International Society for Music Information Retrieval Conference. Mueller, M. & Wiering, F. (eds.). p. 517-523 7 p.

    Research output: Contribution in Book/Report/Proceedings - With ISBN/ISSN › Conference contribution/Paper › peer-review

  16. Published

    Interrogating melodic similarity: a definitive phenomenon or the product of interpretation?

    Marsden, A., 2012, In: Journal of New Music Research. 41, 4, p. 323-335 13 p.

    Research output: Contribution to Journal/Magazine › Journal article › peer-review

  17. Published

    Listening as discovery learning

    Marsden, A. A., 1/01/1989, In: Contemporary Music Review. 4, 1, p. 327-340 14 p.

    Research output: Contribution to Journal/Magazine › Journal article › peer-review

  18. Published

    Making the invisible audible: Sonifying qualitative data

    Young, E., Marsden, A. & Coulton, P., 18/09/2019, AM'19: Proceedings of the 14th International Audio Mostly Conference: A Journey in Sound on. New York: ACM, p. 124-130 7 p. (ACM International Conference Proceeding Series).

    Research output: Contribution in Book/Report/Proceedings - With ISBN/ISSN › Conference contribution/Paper › peer-review

  19. Published

    Melodic Similarity: A Re-examination of the MIREX2005 Data

    Marsden, A., 23/07/2012, p. 653-659. 7 p.

    Research output: Contribution to conference - Without ISBN/ISSN › Conference paper

  20. Published

    Modelling musical cognition as a community of experts

    Marsden, A. & Pople, A., 1/01/1989, In: Contemporary Music Review. 3, 1, p. 29-42 14 p.

    Research output: Contribution to Journal/Magazine › Journal article › peer-review

  21. Published

    Music analysis by computer: ontology and epistemology

    Marsden, A., 2016, Computational music analysis. Meredith, D. (ed.). Springer, p. 3-28 26 p.

    Research output: Contribution in Book/Report/Proceedings - With ISBN/ISSN › Chapter (peer-reviewed) › peer-review

  22. Published

    Music, intelligence and artificiality.

    Marsden, A. A., 2000, Readings in music and artificial intelligence. Miranda, E. R. (ed.). Amsterdam: Harwood Academic, p. 15-28 14 p. (Contemporary music studies ; v. 20).

    Research output: Contribution in Book/Report/Proceedings - With ISBN/ISSN › Chapter

  23. Published

    Music: seeing and feeling with the ears

    Marsden, A. A. & Leadbeater, R., 2017, Sensory Arts and Design. Heywood, I. (ed.). London: Bloomsbury, p. 157-171 15 p.

    Research output: Contribution in Book/Report/Proceedings - With ISBN/ISSN › Chapter (peer-reviewed) › peer-review

  24. Published

    Musical pragmatics and computer modelling

    Marsden, A. A., 1995, Musical Signification: Essays in the Semiotic Theory and Analysis of Music. De Gruyter Mouton, p. 335-348 14 p.

    Research output: Contribution in Book/Report/Proceedings - With ISBN/ISSN › Chapter

  25. Published

    New Prospects for Information Theory in Arts Research

    Marsden, A. A., 1/06/2020, In: Leonardo. 53, 3, p. 274-280 7 p.

    Research output: Contribution to Journal/Magazine › Journal article › peer-review

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