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Graeme Gilloch supervises 4 postgraduate research students. If these students have produced research profiles, these are listed below:

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Professor Graeme Gilloch

Professor

Graeme Gilloch

Bowland North

LA1 4YN

Lancaster

Tel: +44 1524 594192

PhD supervision

My main areas of research and supervisory interest are:

Critical Theory and the Frankfurt School (especially, Walter Benjamin, Siegfried Kracauer)

Contemporary social and cultural theory (especially continental theory)

Visual culture (especially film and photography)

Metrropolitan and urban culture and theory

Sociology and literature

Autobiography, biography, history and memory

Holocaust studies

Current Teaching

UG teaching:

SOCL 101 Social Selves block

SOCL 200 Understanding Social Thought (core theory module)

SOCL 307 Modernity and its Discontents

SOCL 329 Classic Encounters: Bauman, Modernity and the Holocaust 

MCS. 101 Marginal Cultures block

MCS. 224 Media and Visual Culture

 

PGT teaching

SOCL 940 Critical Debates

SOCL 941 Digital Selfscapes and the Optics of Otherness 

My main areas of research and supervisory interest are:

Critical Theory and the Frankfurt School (especially, Walter Benjamin, Siegfried Kracauer)

Contemporary social and cultural theory (especially continental theory)

Visual culture (especially film and photography)

Metrropolitan and urban culture and theory

Sociology and literature

Autobiography, biography, history and memory

Holocaust studies

Research Interests

I joined the Department in January 2006 after ten years at the University of Salford.

The principal focus of my academic work is the sociology of culture and cultural theory, and more specifically, the writings of particular scholars associated with the Frankfurt Institut fuer Sozialforschung (the Frankfurt School): the Critical Theorists Walter Benjamin, Siegfried Kracauer and, more recently, Leo Lowenthal. For me, these writers, while offering no overarching or systematic theory of modernity and modern culture, nevertheless (or perhaps therefore) provide some of the most fascinating insights and tantalising (frustratingly nebulous) concepts and motifs for its illumination: aura, dialectical images, improvisation, the 'ornament'.

I have published extensively on Benjamin including two monographs, and have more recently published a number of pieces on Kracauer. My recently published book on Kracauer constitutes the first major analysis and assessment of his work as a whole in English.

With fieldwork funding from the Korea Foundation, I am presently collaborating (with Professor Ryu Ji-Seok, Puk-Yung National University) on a 'rhythmanalysis' of South Korea's second city, the port of Busan, drawing on urban and spatial motifs from the work of Henri Lefebvre, Marc Auge and Kracauer.    

Four themes which particularly fascinate me and continue to inform my work:

  1. The city, urban architecture, experience and representation from flanerie to film and especially the 'elective affinity' between the modern metropolis and cinema.
  2. Commodities, objects and the spectacle of consumption: from Benjamin's arcades to Baudrillard's drug store for instance.
  3. Memory (autobiography, societal biography, the tension between individual memory, collective memory and history), exile and melancholy and the role of the critical intellectual.
  4. Propaganda and prejudice, anti-Semitism and the relationship between totalitarianism and spectacle.

I am especially interested in the ways in which the Critical Theory of the Frankfurt School can be applied to the illumination of a wide range of contemporary texts and representations and have presented and/or published papers on the writings of Paul Auster, W.G. Sebald, Orhan Pamuk, the photographs of Sophie Calle, the art of Janet Cardiff, and films as diverse as Suzhou River and Toy Story 2! As part of my work of film, I gave the keynote address at the academci conference attending the 2014 Busan International Film Festival, discussing the films of Christopher Nolan and Nuri Bilge Ceylan.

I have undertaken archive research in Germany with the support of the Leverhulme Trust and the Alexander von Humboldt Foundation and have been a regular guest at the Nordic Summer University.

Funded by the Korea Foundation, my most recent research has been urban fieldwork in Busan, South Korea in autumn 2014.

I am very happy to supervise doctoral students in any area of Critical Theory, or in cultural theory more generally or in regard to any of the above themes.

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  • The Arca Project

    Activity: Participating in or organising an event typesFestival/Exhibition/Concert

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