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  • 2023changphd

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100 Rooms- Painting as a Means of Phenomenological Investigation of Being-there

Research output: Thesis › Doctoral Thesis

Published

Standard

100 Rooms- Painting as a Means of Phenomenological Investigation of Being-there. / Chang, Yun-Chu.
Lancaster University, 2023. 205 p.

Research output: Thesis › Doctoral Thesis

Harvard

Chang, Y-C 2023, '100 Rooms- Painting as a Means of Phenomenological Investigation of Being-there', PhD, Lancaster University. https://doi.org/10.17635/lancaster/thesis/2152

APA

Chang, Y.-C. (2023). 100 Rooms- Painting as a Means of Phenomenological Investigation of Being-there. [Doctoral Thesis, Lancaster University]. Lancaster University. https://doi.org/10.17635/lancaster/thesis/2152

Vancouver

Chang YC. 100 Rooms- Painting as a Means of Phenomenological Investigation of Being-there. Lancaster University, 2023. 205 p. doi: 10.17635/lancaster/thesis/2152

Author

Chang, Yun-Chu. / 100 Rooms- Painting as a Means of Phenomenological Investigation of Being-there. Lancaster University, 2023. 205 p.

Bibtex

@phdthesis{dc3f4f2682134d81bc6aac30333b200e,
title = "100 Rooms- Painting as a Means of Phenomenological Investigation of Being-there",
abstract = "I use oil painting portraits as a method to explore how we understand ourselves and others in our daily life through the theories of Heidegger and Taoism. Fifty-five students from twenty countries at Lancaster University were involved in this study which took an anthropological ethnographic fieldwork approach. I went into their rooms and met face- to-face to record their life stories and create portraits. Through my research, I found that this in-person art-making process can generate powerful emotional connections beyond words, eliminate stereotypes and racial discrimination. This artistic process is an “in-between” that can connect technology and humanity. The awareness of this “in-between” combined with the method of art-making provides not only a theoretical visualisation, but a powerful tool for ongoing investigation of racial, class and cultural diversity.",
keywords = "Heidegger, Taoism, Phenomenology, Oil painting portraiture, Ethnography, in-between",
author = "Yun-Chu Chang",
year = "2023",
doi = "10.17635/lancaster/thesis/2152",
language = "English",
publisher = "Lancaster University",
school = "Lancaster University",

}

RIS

TY - BOOK

T1 - 100 Rooms- Painting as a Means of Phenomenological Investigation of Being-there

AU - Chang, Yun-Chu

PY - 2023

Y1 - 2023

N2 - I use oil painting portraits as a method to explore how we understand ourselves and others in our daily life through the theories of Heidegger and Taoism. Fifty-five students from twenty countries at Lancaster University were involved in this study which took an anthropological ethnographic fieldwork approach. I went into their rooms and met face- to-face to record their life stories and create portraits. Through my research, I found that this in-person art-making process can generate powerful emotional connections beyond words, eliminate stereotypes and racial discrimination. This artistic process is an “in-between” that can connect technology and humanity. The awareness of this “in-between” combined with the method of art-making provides not only a theoretical visualisation, but a powerful tool for ongoing investigation of racial, class and cultural diversity.

AB - I use oil painting portraits as a method to explore how we understand ourselves and others in our daily life through the theories of Heidegger and Taoism. Fifty-five students from twenty countries at Lancaster University were involved in this study which took an anthropological ethnographic fieldwork approach. I went into their rooms and met face- to-face to record their life stories and create portraits. Through my research, I found that this in-person art-making process can generate powerful emotional connections beyond words, eliminate stereotypes and racial discrimination. This artistic process is an “in-between” that can connect technology and humanity. The awareness of this “in-between” combined with the method of art-making provides not only a theoretical visualisation, but a powerful tool for ongoing investigation of racial, class and cultural diversity.

KW - Heidegger

KW - Taoism

KW - Phenomenology

KW - Oil painting portraiture

KW - Ethnography

KW - in-between

U2 - 10.17635/lancaster/thesis/2152

DO - 10.17635/lancaster/thesis/2152

M3 - Doctoral Thesis

PB - Lancaster University

ER -