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A new method for the radiation representation of musical instruments in auralizations.

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A new method for the radiation representation of musical instruments in auralizations. / Otondo, Felipe; Holger-Rindel, Jens.

In: Acta Acustica united with Acustica, Vol. 91, No. 5, 09.2005, p. 902-906.

Research output: Contribution to journalJournal articlepeer-review

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Otondo F, Holger-Rindel J. A new method for the radiation representation of musical instruments in auralizations. Acta Acustica united with Acustica. 2005 Sep;91(5):902-906.

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Otondo, Felipe ; Holger-Rindel, Jens. / A new method for the radiation representation of musical instruments in auralizations. In: Acta Acustica united with Acustica. 2005 ; Vol. 91, No. 5. pp. 902-906.

Bibtex

@article{e092b0b9811843e08f35ba5f910bb756,
title = "A new method for the radiation representation of musical instruments in auralizations.",
abstract = "A new method for the representation of sound sources that vary their directivity in time in auralizations is introduced. A recording method with multi-channel anechoic recordings is proposed in connection with the use of a multiple virtual source reproduction system in auralizations. Listening experiments designed to validate the quality of the reproduction method compared with a fixed directivity representation have showed that there is a clear improvement in the timbral quality of the reproduced sound. The improvement represented by the system regarding the spaciousness of sound did not prove to be significant. Further applications of the method are considered for ensembles within room auralizations as well as in the field of studio recording techniques for large instruments. A part of this article was published previously in [1].",
author = "Felipe Otondo and Jens Holger-Rindel",
year = "2005",
month = sep,
language = "English",
volume = "91",
pages = "902--906",
journal = "Acta Acustica united with Acustica",
issn = "1610-1928",
publisher = "S. Hirzel Verlag GmbH",
number = "5",

}

RIS

TY - JOUR

T1 - A new method for the radiation representation of musical instruments in auralizations.

AU - Otondo, Felipe

AU - Holger-Rindel, Jens

PY - 2005/9

Y1 - 2005/9

N2 - A new method for the representation of sound sources that vary their directivity in time in auralizations is introduced. A recording method with multi-channel anechoic recordings is proposed in connection with the use of a multiple virtual source reproduction system in auralizations. Listening experiments designed to validate the quality of the reproduction method compared with a fixed directivity representation have showed that there is a clear improvement in the timbral quality of the reproduced sound. The improvement represented by the system regarding the spaciousness of sound did not prove to be significant. Further applications of the method are considered for ensembles within room auralizations as well as in the field of studio recording techniques for large instruments. A part of this article was published previously in [1].

AB - A new method for the representation of sound sources that vary their directivity in time in auralizations is introduced. A recording method with multi-channel anechoic recordings is proposed in connection with the use of a multiple virtual source reproduction system in auralizations. Listening experiments designed to validate the quality of the reproduction method compared with a fixed directivity representation have showed that there is a clear improvement in the timbral quality of the reproduced sound. The improvement represented by the system regarding the spaciousness of sound did not prove to be significant. Further applications of the method are considered for ensembles within room auralizations as well as in the field of studio recording techniques for large instruments. A part of this article was published previously in [1].

M3 - Journal article

VL - 91

SP - 902

EP - 906

JO - Acta Acustica united with Acustica

JF - Acta Acustica united with Acustica

SN - 1610-1928

IS - 5

ER -