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A presence of a constant end: contemporary art and popular culture in Japan

Research output: Contribution in Book/Report/Proceedings - With ISBN/ISSN › Chapter (peer-reviewed)

Published

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A presence of a constant end: contemporary art and popular culture in Japan. / Wong, Yoke-Sum.
The Ends of History: Questioning the Stakes of Historical Reason . ed. / Amy Swiffen; Joshua Nichols. London: Routledge, 2012.

Research output: Contribution in Book/Report/Proceedings - With ISBN/ISSN › Chapter (peer-reviewed)

Harvard

Wong, Y-S 2012, A presence of a constant end: contemporary art and popular culture in Japan. in A Swiffen & J Nichols (eds), The Ends of History: Questioning the Stakes of Historical Reason . Routledge, London.

APA

Wong, Y.-S. (2012). A presence of a constant end: contemporary art and popular culture in Japan. In A. Swiffen, & J. Nichols (Eds.), The Ends of History: Questioning the Stakes of Historical Reason Routledge.

Vancouver

Wong YS. A presence of a constant end: contemporary art and popular culture in Japan. In Swiffen A, Nichols J, editors, The Ends of History: Questioning the Stakes of Historical Reason . London: Routledge. 2012

Author

Wong, Yoke-Sum. / A presence of a constant end : contemporary art and popular culture in Japan. The Ends of History: Questioning the Stakes of Historical Reason . editor / Amy Swiffen ; Joshua Nichols. London : Routledge, 2012.

Bibtex

@inbook{bc1aae7dacd5441cb204c0560a532ac8,
title = "A presence of a constant end: contemporary art and popular culture in Japan",
abstract = "The paper proposes a historiography that is read through Japanese contemporary art and popular culture. It is not a historiography of Japanese history per se but posits a vantage point using Japanese art and pop culture to offer a different narrative of the {\textquoteleft}end of history{\textquoteright}. Neither teleological or cyclical, what does a {\textquoteleft}Superflat{\textquoteright} history mean, and how does it help contribute to different ways of thinking about time and modernity that is neither Eastern or Western in categorical description.",
author = "Yoke-Sum Wong",
year = "2012",
language = "English",
isbn = "978-0-415-67355-6",
editor = "Amy Swiffen and Joshua Nichols",
booktitle = "The Ends of History",
publisher = "Routledge",

}

RIS

TY - CHAP

T1 - A presence of a constant end

T2 - contemporary art and popular culture in Japan

AU - Wong, Yoke-Sum

PY - 2012

Y1 - 2012

N2 - The paper proposes a historiography that is read through Japanese contemporary art and popular culture. It is not a historiography of Japanese history per se but posits a vantage point using Japanese art and pop culture to offer a different narrative of the ‘end of history’. Neither teleological or cyclical, what does a ‘Superflat’ history mean, and how does it help contribute to different ways of thinking about time and modernity that is neither Eastern or Western in categorical description.

AB - The paper proposes a historiography that is read through Japanese contemporary art and popular culture. It is not a historiography of Japanese history per se but posits a vantage point using Japanese art and pop culture to offer a different narrative of the ‘end of history’. Neither teleological or cyclical, what does a ‘Superflat’ history mean, and how does it help contribute to different ways of thinking about time and modernity that is neither Eastern or Western in categorical description.

M3 - Chapter (peer-reviewed)

SN - 978-0-415-67355-6

BT - The Ends of History

A2 - Swiffen, Amy

A2 - Nichols, Joshua

PB - Routledge

CY - London

ER -