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A Structured Space for Reflection: A conversation about The Quiet Volume, a site-specific autoteatro performance for libraries

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A Structured Space for Reflection: A conversation about The Quiet Volume, a site-specific autoteatro performance for libraries. / Hampton, Ant; Etchells, Timothy John.
In: Performance Research, Vol. 22, No. 1, 2017, p. 55-60.

Research output: Contribution to Journal/MagazineJournal articlepeer-review

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Hampton A, Etchells TJ. A Structured Space for Reflection: A conversation about The Quiet Volume, a site-specific autoteatro performance for libraries. Performance Research. 2017;22(1):55-60. Epub 2017 Mar 16. doi: 10.1080/13528165.2017.1285564

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Bibtex

@article{4edccaace9024d55a9eb0b51484728f3,
title = "A Structured Space for Reflection: A conversation about The Quiet Volume, a site-specific autoteatro performance for libraries",
abstract = "In their dialogue {\textquoteleft}A Structured Space for Reflection: A conversation about The Quiet Volume, a site-specific autoteatro performance for libraries{\textquoteright} the artists Ant Hampton and Tim Etchells discuss their interactive performance collaboration designed for two audience members at a time, which has been presented in libraries all over the world. Touching on the process of making the work and exploring its thematics in relation to language, speech, narrative and comprehension, the dialogue also dissects the kinds of experiences that the work opens for viewers and explores the relation between the work and the diverse architectural and social contexts of its presentation. Drawing on anecdotal material from the rehearsal process and on writings from the Slovenian philosopher Mladen Dollar and the cultural theorist Steven Connor, the dialogue proposes and nuances a concept of porousness as it may reflect the relation between performance and context, work and audience, artistic proposition and audiences{\textquoteright} reception.",
author = "Ant Hampton and Etchells, {Timothy John}",
year = "2017",
doi = "10.1080/13528165.2017.1285564",
language = "English",
volume = "22",
pages = "55--60",
journal = "Performance Research",
issn = "1352-8165",
publisher = "Taylor and Francis Ltd.",
number = "1",

}

RIS

TY - JOUR

T1 - A Structured Space for Reflection

T2 - A conversation about The Quiet Volume, a site-specific autoteatro performance for libraries

AU - Hampton, Ant

AU - Etchells, Timothy John

PY - 2017

Y1 - 2017

N2 - In their dialogue ‘A Structured Space for Reflection: A conversation about The Quiet Volume, a site-specific autoteatro performance for libraries’ the artists Ant Hampton and Tim Etchells discuss their interactive performance collaboration designed for two audience members at a time, which has been presented in libraries all over the world. Touching on the process of making the work and exploring its thematics in relation to language, speech, narrative and comprehension, the dialogue also dissects the kinds of experiences that the work opens for viewers and explores the relation between the work and the diverse architectural and social contexts of its presentation. Drawing on anecdotal material from the rehearsal process and on writings from the Slovenian philosopher Mladen Dollar and the cultural theorist Steven Connor, the dialogue proposes and nuances a concept of porousness as it may reflect the relation between performance and context, work and audience, artistic proposition and audiences’ reception.

AB - In their dialogue ‘A Structured Space for Reflection: A conversation about The Quiet Volume, a site-specific autoteatro performance for libraries’ the artists Ant Hampton and Tim Etchells discuss their interactive performance collaboration designed for two audience members at a time, which has been presented in libraries all over the world. Touching on the process of making the work and exploring its thematics in relation to language, speech, narrative and comprehension, the dialogue also dissects the kinds of experiences that the work opens for viewers and explores the relation between the work and the diverse architectural and social contexts of its presentation. Drawing on anecdotal material from the rehearsal process and on writings from the Slovenian philosopher Mladen Dollar and the cultural theorist Steven Connor, the dialogue proposes and nuances a concept of porousness as it may reflect the relation between performance and context, work and audience, artistic proposition and audiences’ reception.

U2 - 10.1080/13528165.2017.1285564

DO - 10.1080/13528165.2017.1285564

M3 - Journal article

VL - 22

SP - 55

EP - 60

JO - Performance Research

JF - Performance Research

SN - 1352-8165

IS - 1

ER -