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Affordances and <i>platformed visual misogyny</i>: a call for feminist approaches in visual methods

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Affordances and <i>platformed visual misogyny</i> a call for feminist approaches in visual methods. / Özkula, Suay Melisa; Prieto-Blanco, Patricia; Tan, Xuanxuan et al.
In: Feminist Media Studies, Vol. 24, No. 5, 03.07.2024, p. 962-983.

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Özkula SM, Prieto-Blanco P, Tan X, Mdege N. Affordances and <i>platformed visual misogyny</i> a call for feminist approaches in visual methods. Feminist Media Studies. 2024 Jul 3;24(5):962-983. Epub 2024 Feb 18. doi: 10.1080/14680777.2024.2311355

Author

Özkula, Suay Melisa ; Prieto-Blanco, Patricia ; Tan, Xuanxuan et al. / Affordances and <i>platformed visual misogyny</i> a call for feminist approaches in visual methods. In: Feminist Media Studies. 2024 ; Vol. 24, No. 5. pp. 962-983.

Bibtex

@article{e50b22c6a4364ff2ac5d924067d3e223,
title = "Affordances and platformed visual misogyny: a call for feminist approaches in visual methods",
abstract = "With social media technologies, feminist perspectives have reached parts of society traditionally uninterested in or fundamentally opposed to them. While feminist activists and allies have employed technological affordances for support, belonging, and justice, the same tools are used by actors of the alt-right to gag feminist voices. As it circulates, anti-feminist content sustains heteropatriarchy and damages women beyond the symbolic by means of trolling, doxxing, and meme wars. We address this through a review of feminist visual methods applied to the analysis of imaginaries of digital gendered hate in four case studies: (1) Greta Thunberg memes in the DENY Facebook group; (2) “Fanquan Girls” meme wars in the Hong Kong Anti-Extradition Law Amendment Bill Movement; (3) visual artefacts shared under the Twitter hashtag #SisterIDoBelieveYou; and (4) cartoons of Grace Mugabe relating to presidential succession produced in seven African countries. By reflecting on the ethos behind these four cases, we identify specific benefits to be gained from working with feminist visual methods, and contour a novel phenomenon: platformed visual misogyny.",
keywords = "Visual methods, affordances, feminist methods, gendered visuals, visual misogyny",
author = "{\"O}zkula, {Suay Melisa} and Patricia Prieto-Blanco and Xuanxuan Tan and Norita Mdege",
year = "2024",
month = jul,
day = "3",
doi = "10.1080/14680777.2024.2311355",
language = "English",
volume = "24",
pages = "962--983",
journal = "Feminist Media Studies",
issn = "1468-0777",
publisher = "Routledge",
number = "5",

}

RIS

TY - JOUR

T1 - Affordances and platformed visual misogyny

T2 - a call for feminist approaches in visual methods

AU - Özkula, Suay Melisa

AU - Prieto-Blanco, Patricia

AU - Tan, Xuanxuan

AU - Mdege, Norita

PY - 2024/7/3

Y1 - 2024/7/3

N2 - With social media technologies, feminist perspectives have reached parts of society traditionally uninterested in or fundamentally opposed to them. While feminist activists and allies have employed technological affordances for support, belonging, and justice, the same tools are used by actors of the alt-right to gag feminist voices. As it circulates, anti-feminist content sustains heteropatriarchy and damages women beyond the symbolic by means of trolling, doxxing, and meme wars. We address this through a review of feminist visual methods applied to the analysis of imaginaries of digital gendered hate in four case studies: (1) Greta Thunberg memes in the DENY Facebook group; (2) “Fanquan Girls” meme wars in the Hong Kong Anti-Extradition Law Amendment Bill Movement; (3) visual artefacts shared under the Twitter hashtag #SisterIDoBelieveYou; and (4) cartoons of Grace Mugabe relating to presidential succession produced in seven African countries. By reflecting on the ethos behind these four cases, we identify specific benefits to be gained from working with feminist visual methods, and contour a novel phenomenon: platformed visual misogyny.

AB - With social media technologies, feminist perspectives have reached parts of society traditionally uninterested in or fundamentally opposed to them. While feminist activists and allies have employed technological affordances for support, belonging, and justice, the same tools are used by actors of the alt-right to gag feminist voices. As it circulates, anti-feminist content sustains heteropatriarchy and damages women beyond the symbolic by means of trolling, doxxing, and meme wars. We address this through a review of feminist visual methods applied to the analysis of imaginaries of digital gendered hate in four case studies: (1) Greta Thunberg memes in the DENY Facebook group; (2) “Fanquan Girls” meme wars in the Hong Kong Anti-Extradition Law Amendment Bill Movement; (3) visual artefacts shared under the Twitter hashtag #SisterIDoBelieveYou; and (4) cartoons of Grace Mugabe relating to presidential succession produced in seven African countries. By reflecting on the ethos behind these four cases, we identify specific benefits to be gained from working with feminist visual methods, and contour a novel phenomenon: platformed visual misogyny.

KW - Visual methods

KW - affordances

KW - feminist methods

KW - gendered visuals

KW - visual misogyny

U2 - 10.1080/14680777.2024.2311355

DO - 10.1080/14680777.2024.2311355

M3 - Journal article

VL - 24

SP - 962

EP - 983

JO - Feminist Media Studies

JF - Feminist Media Studies

SN - 1468-0777

IS - 5

ER -