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An Absent Father: Eadmer, Goscelin and the Cult of St Peter, the First Abbot of St Augustine’s Abbey, Canterbury

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An Absent Father: Eadmer, Goscelin and the Cult of St Peter, the First Abbot of St Augustine’s Abbey, Canterbury. / Hayward, Paul Antony.
In: Journal of Medieval History, Vol. 29, No. 3, 01.08.2003, p. 201-218.

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Hayward PA. An Absent Father: Eadmer, Goscelin and the Cult of St Peter, the First Abbot of St Augustine’s Abbey, Canterbury. Journal of Medieval History. 2003 Aug 1;29(3):201-218. doi: 10.1016/S0304-4181(03)00030-7

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@article{bcad81f234dc47eb8609259d16c678a0,
title = "An Absent Father: Eadmer, Goscelin and the Cult of St Peter, the First Abbot of St Augustine{\textquoteright}s Abbey, Canterbury",
abstract = "This article examines a late and enigmatic work by the Eadmer, his Life of Peter, the first abbot of St Augustine{\textquoteright}s Abbey, Canterbury. This work is usually read as yet another of Eadmer{\textquoteright}s attempts to rescue Anglo-Saxon culture from the disdain of the Norman colonial {\'e}lite. The present article argues that it is best understood as a significant departure from Eadmer{\textquoteright}s usual approach. A subtle assault on St Augustine{\textquoteright}s Abbey and its pretensions to an elevated position in the ecclesiastical hierarchy, the work represents a response on the archbishopric{\textquoteright}s part to the monumental cycle of saints{\textquoteright} lives that St Augustine{\textquoteright}s commissioned from the professional hagiographer Goscelin of St Bertin. What makes this text especially significant are the methods used by Eadmer: he responds to Goscelin{\textquoteright}s legerdemain with sarcasm and humour, shedding new light on the origins of the turn towards satire which is a marked feature of twelfth-century English historiography – a turn which would produce the works of Geoffrey of Monmouth and Walter Map. Secondary themes of the article comprise the functions of the cult of saints, and the intersections between local conflicts over ecclesiastical status and the larger conflicts over Church-State relations in the Middle Ages.",
author = "Hayward, {Paul Antony}",
year = "2003",
month = aug,
day = "1",
doi = "10.1016/S0304-4181(03)00030-7",
language = "English",
volume = "29",
pages = "201--218",
journal = "Journal of Medieval History",
issn = "0304-4181",
publisher = "Elsevier",
number = "3",

}

RIS

TY - JOUR

T1 - An Absent Father: Eadmer, Goscelin and the Cult of St Peter, the First Abbot of St Augustine’s Abbey, Canterbury

AU - Hayward, Paul Antony

PY - 2003/8/1

Y1 - 2003/8/1

N2 - This article examines a late and enigmatic work by the Eadmer, his Life of Peter, the first abbot of St Augustine’s Abbey, Canterbury. This work is usually read as yet another of Eadmer’s attempts to rescue Anglo-Saxon culture from the disdain of the Norman colonial élite. The present article argues that it is best understood as a significant departure from Eadmer’s usual approach. A subtle assault on St Augustine’s Abbey and its pretensions to an elevated position in the ecclesiastical hierarchy, the work represents a response on the archbishopric’s part to the monumental cycle of saints’ lives that St Augustine’s commissioned from the professional hagiographer Goscelin of St Bertin. What makes this text especially significant are the methods used by Eadmer: he responds to Goscelin’s legerdemain with sarcasm and humour, shedding new light on the origins of the turn towards satire which is a marked feature of twelfth-century English historiography – a turn which would produce the works of Geoffrey of Monmouth and Walter Map. Secondary themes of the article comprise the functions of the cult of saints, and the intersections between local conflicts over ecclesiastical status and the larger conflicts over Church-State relations in the Middle Ages.

AB - This article examines a late and enigmatic work by the Eadmer, his Life of Peter, the first abbot of St Augustine’s Abbey, Canterbury. This work is usually read as yet another of Eadmer’s attempts to rescue Anglo-Saxon culture from the disdain of the Norman colonial élite. The present article argues that it is best understood as a significant departure from Eadmer’s usual approach. A subtle assault on St Augustine’s Abbey and its pretensions to an elevated position in the ecclesiastical hierarchy, the work represents a response on the archbishopric’s part to the monumental cycle of saints’ lives that St Augustine’s commissioned from the professional hagiographer Goscelin of St Bertin. What makes this text especially significant are the methods used by Eadmer: he responds to Goscelin’s legerdemain with sarcasm and humour, shedding new light on the origins of the turn towards satire which is a marked feature of twelfth-century English historiography – a turn which would produce the works of Geoffrey of Monmouth and Walter Map. Secondary themes of the article comprise the functions of the cult of saints, and the intersections between local conflicts over ecclesiastical status and the larger conflicts over Church-State relations in the Middle Ages.

U2 - 10.1016/S0304-4181(03)00030-7

DO - 10.1016/S0304-4181(03)00030-7

M3 - Journal article

VL - 29

SP - 201

EP - 218

JO - Journal of Medieval History

JF - Journal of Medieval History

SN - 0304-4181

IS - 3

ER -