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  • 2021CharlesworthPhD

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Ark Shell: Archive as Sequence, Sequence as Collection

Research output: Thesis › Doctoral Thesis

Unpublished

Standard

Ark Shell: Archive as Sequence, Sequence as Collection. / Charlesworth, Natalie Sorrell.
Lancaster University, 2021. 215 p.

Research output: Thesis › Doctoral Thesis

Harvard

Charlesworth, NS 2021, 'Ark Shell: Archive as Sequence, Sequence as Collection', PhD, Lancaster University. https://doi.org/10.17635/lancaster/thesis/1417

APA

Charlesworth, N. S. (2021). Ark Shell: Archive as Sequence, Sequence as Collection. [Doctoral Thesis, Lancaster University]. Lancaster University. https://doi.org/10.17635/lancaster/thesis/1417

Vancouver

Charlesworth NS. Ark Shell: Archive as Sequence, Sequence as Collection. Lancaster University, 2021. 215 p. doi: 10.17635/lancaster/thesis/1417

Author

Charlesworth, Natalie Sorrell. / Ark Shell : Archive as Sequence, Sequence as Collection. Lancaster University, 2021. 215 p.

Bibtex

@phdthesis{4e11478c8f1046a0b16e8455b93ef9d5,
title = "Ark Shell: Archive as Sequence, Sequence as Collection",
abstract = "This PhD thesis is divided into two sections. The first section is comprised of a reflective essay (of approximately 20,000 words) that seeks to explore the process of creative practice which culminated in the second section, a collection of forty-four poems titled Ark Shell. The reflective essay aims to explore the manner in which poetry can interact with and draw inspiration from archives; these archives come in many forms including physical ruins, the UK census archive, the BBC archive and family archives (both documentary and anecdotal). It also investigates the link between poetic sequences and timelines, extrapolating from this to discuss {\textquoteleft}collection as sequence{\textquoteright}. Finally, it questions the manner in which a poem or poetry collection itself can give a {\textquoteleft}second life{\textquoteright} to forgotten or marginalised archival material.The collection of poems themselves contains two short narrative sequences and two miscellanies. These miscellanies in turn contain sequences and groupings of their own which I have consciously curated and encouraged.",
author = "Charlesworth, {Natalie Sorrell}",
year = "2021",
doi = "10.17635/lancaster/thesis/1417",
language = "English",
publisher = "Lancaster University",
school = "Lancaster University",

}

RIS

TY - BOOK

T1 - Ark Shell

T2 - Archive as Sequence, Sequence as Collection

AU - Charlesworth, Natalie Sorrell

PY - 2021

Y1 - 2021

N2 - This PhD thesis is divided into two sections. The first section is comprised of a reflective essay (of approximately 20,000 words) that seeks to explore the process of creative practice which culminated in the second section, a collection of forty-four poems titled Ark Shell. The reflective essay aims to explore the manner in which poetry can interact with and draw inspiration from archives; these archives come in many forms including physical ruins, the UK census archive, the BBC archive and family archives (both documentary and anecdotal). It also investigates the link between poetic sequences and timelines, extrapolating from this to discuss ‘collection as sequence’. Finally, it questions the manner in which a poem or poetry collection itself can give a ‘second life’ to forgotten or marginalised archival material.The collection of poems themselves contains two short narrative sequences and two miscellanies. These miscellanies in turn contain sequences and groupings of their own which I have consciously curated and encouraged.

AB - This PhD thesis is divided into two sections. The first section is comprised of a reflective essay (of approximately 20,000 words) that seeks to explore the process of creative practice which culminated in the second section, a collection of forty-four poems titled Ark Shell. The reflective essay aims to explore the manner in which poetry can interact with and draw inspiration from archives; these archives come in many forms including physical ruins, the UK census archive, the BBC archive and family archives (both documentary and anecdotal). It also investigates the link between poetic sequences and timelines, extrapolating from this to discuss ‘collection as sequence’. Finally, it questions the manner in which a poem or poetry collection itself can give a ‘second life’ to forgotten or marginalised archival material.The collection of poems themselves contains two short narrative sequences and two miscellanies. These miscellanies in turn contain sequences and groupings of their own which I have consciously curated and encouraged.

U2 - 10.17635/lancaster/thesis/1417

DO - 10.17635/lancaster/thesis/1417

M3 - Doctoral Thesis

PB - Lancaster University

ER -