Home > Research > Publications & Outputs > Art as Research in Semiotic Technology

Research

Links

Text available via DOI:

View graph of relations

Art as Research in Semiotic Technology: The Case of David Hockney’s Digital Art

Research output: Contribution in Book/Report/Proceedings - With ISBN/ISSN › Chapter

Published

Standard

Art as Research in Semiotic Technology: The Case of David Hockney’s Digital Art. / Van Leeuwen, T.; Johannessen, C.M.
Mediation and Multimodal Meaning Making in Digital Environments. ed. / Ilaria Moschini; Maria Grazia Sindoni. New York: Routledge, 2021. p. 17-32.

Research output: Contribution in Book/Report/Proceedings - With ISBN/ISSN › Chapter

Harvard

Van Leeuwen, T & Johannessen, CM 2021, Art as Research in Semiotic Technology: The Case of David Hockney’s Digital Art. in I Moschini & M Grazia Sindoni (eds), Mediation and Multimodal Meaning Making in Digital Environments. Routledge, New York, pp. 17-32. https://doi.org/10.4324/9781003225423-1

APA

Van Leeuwen, T., & Johannessen, C. M. (2021). Art as Research in Semiotic Technology: The Case of David Hockney’s Digital Art. In I. Moschini, & M. Grazia Sindoni (Eds.), Mediation and Multimodal Meaning Making in Digital Environments (pp. 17-32). Routledge. https://doi.org/10.4324/9781003225423-1

Vancouver

Van Leeuwen T, Johannessen CM. Art as Research in Semiotic Technology: The Case of David Hockney’s Digital Art. In Moschini I, Grazia Sindoni M, editors, Mediation and Multimodal Meaning Making in Digital Environments. New York: Routledge. 2021. p. 17-32 doi: 10.4324/9781003225423-1

Author

Van Leeuwen, T. ; Johannessen, C.M. / Art as Research in Semiotic Technology : The Case of David Hockney’s Digital Art. Mediation and Multimodal Meaning Making in Digital Environments. editor / Ilaria Moschini ; Maria Grazia Sindoni. New York : Routledge, 2021. pp. 17-32

Bibtex

@inbook{e096ad823a554c2a98f4dc682ef0a1ff,
title = "Art as Research in Semiotic Technology: The Case of David Hockney{\textquoteright}s Digital Art",
abstract = "Many modern artists engage in semiotic research. They ask the same questions semioticians ask, even if they answer them in the form of artworks, rather than academic papers – questions such as:What kinds of meanings can be made with specific semiotic modes and media, 1 and how?How can semiotic modes and media be combined into multimodal wholes?How can the reach of semiotic modes and media be extended and how can new semiotic modes and media be developed?What are the semiotic affordances 2 of relevant technologies, whether technologies of the hand, recording technologies such as photography and tape recording, or the new synthesizing technologies?",
author = "{Van Leeuwen}, T. and C.M. Johannessen",
note = "Export Date: 14 July 2022",
year = "2021",
doi = "10.4324/9781003225423-1",
language = "English",
isbn = "9781032126180",
pages = "17--32",
editor = "Ilaria Moschini and {Grazia Sindoni}, Maria",
booktitle = "Mediation and Multimodal Meaning Making in Digital Environments",
publisher = "Routledge",

}

RIS

TY - CHAP

T1 - Art as Research in Semiotic Technology

T2 - The Case of David Hockney’s Digital Art

AU - Van Leeuwen, T.

AU - Johannessen, C.M.

N1 - Export Date: 14 July 2022

PY - 2021

Y1 - 2021

N2 - Many modern artists engage in semiotic research. They ask the same questions semioticians ask, even if they answer them in the form of artworks, rather than academic papers – questions such as:What kinds of meanings can be made with specific semiotic modes and media, 1 and how?How can semiotic modes and media be combined into multimodal wholes?How can the reach of semiotic modes and media be extended and how can new semiotic modes and media be developed?What are the semiotic affordances 2 of relevant technologies, whether technologies of the hand, recording technologies such as photography and tape recording, or the new synthesizing technologies?

AB - Many modern artists engage in semiotic research. They ask the same questions semioticians ask, even if they answer them in the form of artworks, rather than academic papers – questions such as:What kinds of meanings can be made with specific semiotic modes and media, 1 and how?How can semiotic modes and media be combined into multimodal wholes?How can the reach of semiotic modes and media be extended and how can new semiotic modes and media be developed?What are the semiotic affordances 2 of relevant technologies, whether technologies of the hand, recording technologies such as photography and tape recording, or the new synthesizing technologies?

U2 - 10.4324/9781003225423-1

DO - 10.4324/9781003225423-1

M3 - Chapter

SN - 9781032126180

SP - 17

EP - 32

BT - Mediation and Multimodal Meaning Making in Digital Environments

A2 - Moschini, Ilaria

A2 - Grazia Sindoni, Maria

PB - Routledge

CY - New York

ER -