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"auf keiner gültigen Karte verzeichnet”: situating Ulrike Almut Sandig’s poetry

Research output: Contribution to Journal/Magazine › Journal article › peer-review

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"auf keiner gültigen Karte verzeichnet”: situating Ulrike Almut Sandig’s poetry. / Thomas, Nicola.
In: Oxford German Studies, Vol. 47, No. 3, 31.10.2018, p. 298-312.

Research output: Contribution to Journal/Magazine › Journal article › peer-review

Harvard

Thomas, N 2018, '"auf keiner gültigen Karte verzeichnet”: situating Ulrike Almut Sandig’s poetry', Oxford German Studies, vol. 47, no. 3, pp. 298-312. https://doi.org/10.1080/00787191.2018.1503469

APA

Thomas, N. (2018). "auf keiner gültigen Karte verzeichnet”: situating Ulrike Almut Sandig’s poetry. Oxford German Studies, 47(3), 298-312. https://doi.org/10.1080/00787191.2018.1503469

Vancouver

Thomas N. "auf keiner gültigen Karte verzeichnet”: situating Ulrike Almut Sandig’s poetry. Oxford German Studies. 2018 Oct 31;47(3):298-312. Epub 2018 Oct 12. doi: 10.1080/00787191.2018.1503469

Author

Thomas, Nicola. / "auf keiner gültigen Karte verzeichnet” : situating Ulrike Almut Sandig’s poetry. In: Oxford German Studies. 2018 ; Vol. 47, No. 3. pp. 298-312.

Bibtex

@article{18347a5666334c989b83aca0985f7d10,
title = "{"}auf keiner g{\"u}ltigen Karte verzeichnet”: situating Ulrike Almut Sandig{\textquoteright}s poetry",
abstract = "Ulrike Almut Sandig{\textquoteright}s poetic output engages with the traditions of Romanticism, but it is apparent from her performance techniques and the visual qualities of her work, as well as some of its central thematic concerns, that her relationship to this tradition is complex. This essay illuminates Sandig{\textquoteright}s relationship to German literary history, and particularly to the work of Annette von Droste-H{\"u}lshoff, by arguing that both Sandig and Droste negotiate between Romanticism and Realism — and, in doing so, emphasize the primacy of sensory engagement as a means of social engagement and resistance.",
author = "Nicola Thomas",
year = "2018",
month = oct,
day = "31",
doi = "10.1080/00787191.2018.1503469",
language = "English",
volume = "47",
pages = "298--312",
journal = "Oxford German Studies",
issn = "0078-7191",
publisher = "Maney Publishing",
number = "3",

}

RIS

TY - JOUR

T1 - "auf keiner gültigen Karte verzeichnet”

T2 - situating Ulrike Almut Sandig’s poetry

AU - Thomas, Nicola

PY - 2018/10/31

Y1 - 2018/10/31

N2 - Ulrike Almut Sandig’s poetic output engages with the traditions of Romanticism, but it is apparent from her performance techniques and the visual qualities of her work, as well as some of its central thematic concerns, that her relationship to this tradition is complex. This essay illuminates Sandig’s relationship to German literary history, and particularly to the work of Annette von Droste-Hülshoff, by arguing that both Sandig and Droste negotiate between Romanticism and Realism — and, in doing so, emphasize the primacy of sensory engagement as a means of social engagement and resistance.

AB - Ulrike Almut Sandig’s poetic output engages with the traditions of Romanticism, but it is apparent from her performance techniques and the visual qualities of her work, as well as some of its central thematic concerns, that her relationship to this tradition is complex. This essay illuminates Sandig’s relationship to German literary history, and particularly to the work of Annette von Droste-Hülshoff, by arguing that both Sandig and Droste negotiate between Romanticism and Realism — and, in doing so, emphasize the primacy of sensory engagement as a means of social engagement and resistance.

U2 - 10.1080/00787191.2018.1503469

DO - 10.1080/00787191.2018.1503469

M3 - Journal article

VL - 47

SP - 298

EP - 312

JO - Oxford German Studies

JF - Oxford German Studies

SN - 0078-7191

IS - 3

ER -