Final published version
Research output: Contribution to Journal/Magazine › Journal article › peer-review
Research output: Contribution to Journal/Magazine › Journal article › peer-review
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TY - JOUR
T1 - "auf keiner gültigen Karte verzeichnet”
T2 - situating Ulrike Almut Sandig’s poetry
AU - Thomas, Nicola
PY - 2018/10/31
Y1 - 2018/10/31
N2 - Ulrike Almut Sandig’s poetic output engages with the traditions of Romanticism, but it is apparent from her performance techniques and the visual qualities of her work, as well as some of its central thematic concerns, that her relationship to this tradition is complex. This essay illuminates Sandig’s relationship to German literary history, and particularly to the work of Annette von Droste-Hülshoff, by arguing that both Sandig and Droste negotiate between Romanticism and Realism — and, in doing so, emphasize the primacy of sensory engagement as a means of social engagement and resistance.
AB - Ulrike Almut Sandig’s poetic output engages with the traditions of Romanticism, but it is apparent from her performance techniques and the visual qualities of her work, as well as some of its central thematic concerns, that her relationship to this tradition is complex. This essay illuminates Sandig’s relationship to German literary history, and particularly to the work of Annette von Droste-Hülshoff, by arguing that both Sandig and Droste negotiate between Romanticism and Realism — and, in doing so, emphasize the primacy of sensory engagement as a means of social engagement and resistance.
U2 - 10.1080/00787191.2018.1503469
DO - 10.1080/00787191.2018.1503469
M3 - Journal article
VL - 47
SP - 298
EP - 312
JO - Oxford German Studies
JF - Oxford German Studies
SN - 0078-7191
IS - 3
ER -