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    Rights statement: This is an Accepted Manuscript of an article published by Taylor & Francis in Shakespeare on 25/07/2019, available online: https://www.tandfonline.com/doi/full/10.1080/17450918.2019.1634132

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Ceremonies and Time in Shakespeare

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Ceremonies and Time in Shakespeare. / Findlay, Alison Gail.
In: Shakespeare, Vol. 15, No. 3, 01.10.2019, p. 223-232.

Research output: Contribution to Journal/MagazineJournal articlepeer-review

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Findlay AG. Ceremonies and Time in Shakespeare. Shakespeare. 2019 Oct 1;15(3):223-232. Epub 2019 Jul 25. doi: 10.1080/17450918.2019.1634132

Author

Findlay, Alison Gail. / Ceremonies and Time in Shakespeare. In: Shakespeare. 2019 ; Vol. 15, No. 3. pp. 223-232.

Bibtex

@article{d984c9bc56ab4672878fc2384185b98a,
title = "Ceremonies and Time in Shakespeare",
abstract = "This essay considers some moments in Shakespeare's texts which exemplify the Janus-faced quality of ceremonies: their enactment in the present looking backwards to past traditions and forwards to inaugurate new social relations. The argument draws on Victor Turner's theorization of ritual as an event that gives shape to “liminality,” that which “eludes or slips through the network of classification that normally locate states and positions in cultural space,” and argues that this applies to time as well. It also considers the construction of time in terms of kairos, a moment of time infused with meaning. The essay analyses ceremony in three Shakespearean genres. First, it examines Bertram's and Helena's ring exchange in All's Well That Ends Well as a “distended” ritual that collapses time. It then turns to Richard III, unpacking its complex sequence of ceremonies of betrothal, mourning, and sovereignty that are “continuously disrupted”. The final section describes the ceremonial time of romance in The Winter's Tale, unfolding the power invested in the kairotic time evoked by the oracle of Delphi, the sheep-shearing ceremony, and Paulina's “resurrection” of Hermione.",
keywords = "Kairos, ceremony, comedy, romance, tragedy",
author = "Findlay, {Alison Gail}",
year = "2019",
month = oct,
day = "1",
doi = "10.1080/17450918.2019.1634132",
language = "English",
volume = "15",
pages = "223--232",
journal = "Shakespeare",
issn = "1745-0918",
publisher = "Taylor and Francis Ltd.",
number = "3",

}

RIS

TY - JOUR

T1 - Ceremonies and Time in Shakespeare

AU - Findlay, Alison Gail

PY - 2019/10/1

Y1 - 2019/10/1

N2 - This essay considers some moments in Shakespeare's texts which exemplify the Janus-faced quality of ceremonies: their enactment in the present looking backwards to past traditions and forwards to inaugurate new social relations. The argument draws on Victor Turner's theorization of ritual as an event that gives shape to “liminality,” that which “eludes or slips through the network of classification that normally locate states and positions in cultural space,” and argues that this applies to time as well. It also considers the construction of time in terms of kairos, a moment of time infused with meaning. The essay analyses ceremony in three Shakespearean genres. First, it examines Bertram's and Helena's ring exchange in All's Well That Ends Well as a “distended” ritual that collapses time. It then turns to Richard III, unpacking its complex sequence of ceremonies of betrothal, mourning, and sovereignty that are “continuously disrupted”. The final section describes the ceremonial time of romance in The Winter's Tale, unfolding the power invested in the kairotic time evoked by the oracle of Delphi, the sheep-shearing ceremony, and Paulina's “resurrection” of Hermione.

AB - This essay considers some moments in Shakespeare's texts which exemplify the Janus-faced quality of ceremonies: their enactment in the present looking backwards to past traditions and forwards to inaugurate new social relations. The argument draws on Victor Turner's theorization of ritual as an event that gives shape to “liminality,” that which “eludes or slips through the network of classification that normally locate states and positions in cultural space,” and argues that this applies to time as well. It also considers the construction of time in terms of kairos, a moment of time infused with meaning. The essay analyses ceremony in three Shakespearean genres. First, it examines Bertram's and Helena's ring exchange in All's Well That Ends Well as a “distended” ritual that collapses time. It then turns to Richard III, unpacking its complex sequence of ceremonies of betrothal, mourning, and sovereignty that are “continuously disrupted”. The final section describes the ceremonial time of romance in The Winter's Tale, unfolding the power invested in the kairotic time evoked by the oracle of Delphi, the sheep-shearing ceremony, and Paulina's “resurrection” of Hermione.

KW - Kairos

KW - ceremony

KW - comedy

KW - romance

KW - tragedy

U2 - 10.1080/17450918.2019.1634132

DO - 10.1080/17450918.2019.1634132

M3 - Journal article

VL - 15

SP - 223

EP - 232

JO - Shakespeare

JF - Shakespeare

SN - 1745-0918

IS - 3

ER -