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Das Triviale - 'sthetischer Naevus oder changierendes Geschmacksparadigma? Walsers St'cke der sechziger Jahre.

Research output: Contribution in Book/Report/Proceedings - With ISBN/ISSNChapter

Published

Standard

Das Triviale - 'sthetischer Naevus oder changierendes Geschmacksparadigma? Walsers St'cke der sechziger Jahre. / Waine, A. E.
Seelenarbeit an Deutschland: Martin Walser in Perspective, German Monitor, 60. Amsterdam, 2004.

Research output: Contribution in Book/Report/Proceedings - With ISBN/ISSNChapter

Harvard

Waine, AE 2004, Das Triviale - 'sthetischer Naevus oder changierendes Geschmacksparadigma? Walsers St'cke der sechziger Jahre. in Seelenarbeit an Deutschland: Martin Walser in Perspective, German Monitor, 60. Amsterdam.

APA

Waine, A. E. (2004). Das Triviale - 'sthetischer Naevus oder changierendes Geschmacksparadigma? Walsers St'cke der sechziger Jahre. In Seelenarbeit an Deutschland: Martin Walser in Perspective, German Monitor, 60 Amsterdam.

Vancouver

Waine AE. Das Triviale - 'sthetischer Naevus oder changierendes Geschmacksparadigma? Walsers St'cke der sechziger Jahre. In Seelenarbeit an Deutschland: Martin Walser in Perspective, German Monitor, 60. Amsterdam. 2004

Author

Waine, A. E. / Das Triviale - 'sthetischer Naevus oder changierendes Geschmacksparadigma? Walsers St'cke der sechziger Jahre. Seelenarbeit an Deutschland: Martin Walser in Perspective, German Monitor, 60. Amsterdam, 2004.

Bibtex

@inbook{6f5094bd312940afbf283d78448b1fd8,
title = "Das Triviale - 'sthetischer Naevus oder changierendes Geschmacksparadigma? Walsers St'cke der sechziger Jahre.",
abstract = "By the end of the 1960s Martin Walser was one of Germany's most popular playwrights, but his plays also enjoyed widespread acclaim abroad. However, West German critical opinion was divided. Criticism was frequently directed towards the plays' emphasis on entertaining audiences as well as towards their allegedly superficial subject matter. This essay shows how the author set out to dismantle Germany's tradition of theatre belonging to the realm of high culture and intellectual education. To this end, the essay refers to biographical sources as well as analysing the dramas themselves and essays written by Martin Walser on his vision of contemporary theatre. The criticisms levelled at the author do in fact underline how deeply rooted elitist ideas about the theatre still were in Germany and how rigidly the boundary between so-called serious culture and so-called 'light' culture was drawn.",
author = "Waine, {A. E.}",
note = "RAE_import_type : Chapter in book RAE_uoa_type : European Studies",
year = "2004",
language = "English",
isbn = "90-420-1993-X",
booktitle = "Seelenarbeit an Deutschland: Martin Walser in Perspective, German Monitor, 60",
publisher = "Amsterdam",

}

RIS

TY - CHAP

T1 - Das Triviale - 'sthetischer Naevus oder changierendes Geschmacksparadigma? Walsers St'cke der sechziger Jahre.

AU - Waine, A. E.

N1 - RAE_import_type : Chapter in book RAE_uoa_type : European Studies

PY - 2004

Y1 - 2004

N2 - By the end of the 1960s Martin Walser was one of Germany's most popular playwrights, but his plays also enjoyed widespread acclaim abroad. However, West German critical opinion was divided. Criticism was frequently directed towards the plays' emphasis on entertaining audiences as well as towards their allegedly superficial subject matter. This essay shows how the author set out to dismantle Germany's tradition of theatre belonging to the realm of high culture and intellectual education. To this end, the essay refers to biographical sources as well as analysing the dramas themselves and essays written by Martin Walser on his vision of contemporary theatre. The criticisms levelled at the author do in fact underline how deeply rooted elitist ideas about the theatre still were in Germany and how rigidly the boundary between so-called serious culture and so-called 'light' culture was drawn.

AB - By the end of the 1960s Martin Walser was one of Germany's most popular playwrights, but his plays also enjoyed widespread acclaim abroad. However, West German critical opinion was divided. Criticism was frequently directed towards the plays' emphasis on entertaining audiences as well as towards their allegedly superficial subject matter. This essay shows how the author set out to dismantle Germany's tradition of theatre belonging to the realm of high culture and intellectual education. To this end, the essay refers to biographical sources as well as analysing the dramas themselves and essays written by Martin Walser on his vision of contemporary theatre. The criticisms levelled at the author do in fact underline how deeply rooted elitist ideas about the theatre still were in Germany and how rigidly the boundary between so-called serious culture and so-called 'light' culture was drawn.

M3 - Chapter

SN - 90-420-1993-X

BT - Seelenarbeit an Deutschland: Martin Walser in Perspective, German Monitor, 60

PB - Amsterdam

ER -