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Embodied history : reflections on the Jane Scott project.

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Embodied history : reflections on the Jane Scott project. / Newey, Kate.
In: Nineteenth Century Theatre and Film, Vol. 29, No. 2, 12.2002, p. 66-70.

Research output: Contribution to Journal/MagazineJournal articlepeer-review

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Newey K. Embodied history : reflections on the Jane Scott project. Nineteenth Century Theatre and Film. 2002 Dec;29(2):66-70.

Author

Newey, Kate. / Embodied history : reflections on the Jane Scott project. In: Nineteenth Century Theatre and Film. 2002 ; Vol. 29, No. 2. pp. 66-70.

Bibtex

@article{b94c4d48ad7047e4b60e1f78e102b4bb,
title = "Embodied history : reflections on the Jane Scott project.",
abstract = "This essay is a reflection on the theoretical implications for theatre historians of practical reconstructions, revivals, or recollections of past performance practices. It argues that the notion of `cultural memory' can be played out through performing bodies, and that the historicity of performers' bodies needs to be respected, observed, and analysed. The essay suggests that the embodied histories of style and professional practice encapsulated in classical dance performance practice can be instructive for twenty-first century researchers seeking to revive pre-Naturalist styles of acting and staging.",
keywords = "Romantic theatre, cultural memory, kinaesthesia, historiography",
author = "Kate Newey",
year = "2002",
month = dec,
language = "English",
volume = "29",
pages = "66--70",
journal = "Nineteenth Century Theatre and Film",
issn = "1748-3727",
publisher = "Sage Publications",
number = "2",

}

RIS

TY - JOUR

T1 - Embodied history : reflections on the Jane Scott project.

AU - Newey, Kate

PY - 2002/12

Y1 - 2002/12

N2 - This essay is a reflection on the theoretical implications for theatre historians of practical reconstructions, revivals, or recollections of past performance practices. It argues that the notion of `cultural memory' can be played out through performing bodies, and that the historicity of performers' bodies needs to be respected, observed, and analysed. The essay suggests that the embodied histories of style and professional practice encapsulated in classical dance performance practice can be instructive for twenty-first century researchers seeking to revive pre-Naturalist styles of acting and staging.

AB - This essay is a reflection on the theoretical implications for theatre historians of practical reconstructions, revivals, or recollections of past performance practices. It argues that the notion of `cultural memory' can be played out through performing bodies, and that the historicity of performers' bodies needs to be respected, observed, and analysed. The essay suggests that the embodied histories of style and professional practice encapsulated in classical dance performance practice can be instructive for twenty-first century researchers seeking to revive pre-Naturalist styles of acting and staging.

KW - Romantic theatre

KW - cultural memory

KW - kinaesthesia

KW - historiography

M3 - Journal article

VL - 29

SP - 66

EP - 70

JO - Nineteenth Century Theatre and Film

JF - Nineteenth Century Theatre and Film

SN - 1748-3727

IS - 2

ER -