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Este rastro de confeso: Converso Poets and Topics in Medieval and Early Modern Spanish Cancioneros

Research output: Contribution in Book/Report/Proceedings - With ISBN/ISSNChapter (peer-reviewed)peer-review

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Este rastro de confeso: Converso Poets and Topics in Medieval and Early Modern Spanish Cancioneros. / Perea-Rodriguez, Oscar.
Las ‘Obras de burlas’ del Cancionero general de Hernando del Castillo. ed. / Antonio Cortijo Ocaña; Marcial Rubio Árquez. Santa Barbara: Publications of eHumanista, 2015. p. 125-172.

Research output: Contribution in Book/Report/Proceedings - With ISBN/ISSNChapter (peer-reviewed)peer-review

Harvard

Perea-Rodriguez, O 2015, Este rastro de confeso: Converso Poets and Topics in Medieval and Early Modern Spanish Cancioneros. in A Cortijo Ocaña & M Rubio Árquez (eds), Las ‘Obras de burlas’ del Cancionero general de Hernando del Castillo. Publications of eHumanista, Santa Barbara, pp. 125-172. <https://www.academia.edu/14762700/Este_rastro_de_confeso_Converso_Poets_and_Topics_in_Medieval_and_Early_Modern_Spanish_Cancioneros>

APA

Perea-Rodriguez, O. (2015). Este rastro de confeso: Converso Poets and Topics in Medieval and Early Modern Spanish Cancioneros. In A. Cortijo Ocaña, & M. Rubio Árquez (Eds.), Las ‘Obras de burlas’ del Cancionero general de Hernando del Castillo (pp. 125-172). Publications of eHumanista. https://www.academia.edu/14762700/Este_rastro_de_confeso_Converso_Poets_and_Topics_in_Medieval_and_Early_Modern_Spanish_Cancioneros

Vancouver

Perea-Rodriguez O. Este rastro de confeso: Converso Poets and Topics in Medieval and Early Modern Spanish Cancioneros. In Cortijo Ocaña A, Rubio Árquez M, editors, Las ‘Obras de burlas’ del Cancionero general de Hernando del Castillo. Santa Barbara: Publications of eHumanista. 2015. p. 125-172

Author

Perea-Rodriguez, Oscar. / Este rastro de confeso : Converso Poets and Topics in Medieval and Early Modern Spanish Cancioneros. Las ‘Obras de burlas’ del Cancionero general de Hernando del Castillo. editor / Antonio Cortijo Ocaña ; Marcial Rubio Árquez. Santa Barbara : Publications of eHumanista, 2015. pp. 125-172

Bibtex

@inbook{0f4b33b361954ac39aafe711a2293f89,
title = "Este rastro de confeso: Converso Poets and Topics in Medieval and Early Modern Spanish Cancioneros",
abstract = "About four decades ago, the two modern editions of the Cancionero de obras de burlas (19OB), of Dom{\'i}nguez (1978) and Jauralde Pou-Bell{\'o}n Cazab{\'a}n (1974), finally condemned to its deserved obscurity Usoz y R{\'i}o{\textquoteright}s 1841 edition. Even though both his edition and his library on spiritual topics have an evident archaeological interest (Vilar), the Quaker sympathiser born in Spain presented an abbreviated version of this cancionero to prove that, by his lights, the obscene and decadent habits of the Spanish empire were built upon Catholicism. Thus, the first thing to point out is that scholars have only been able to read the complete 19OB since the late 20th century, which has made it impossible for us to understand in depth what we can consider to be the first catalogue of medieval and renaissance jibes and jests written in Spanish.",
author = "Oscar Perea-Rodriguez",
year = "2015",
language = "English",
isbn = "9786079646424",
pages = "125--172",
editor = "{Cortijo Oca{\~n}a}, Antonio and {Rubio {\'A}rquez}, Marcial",
booktitle = "Las {\textquoteleft}Obras de burlas{\textquoteright} del Cancionero general de Hernando del Castillo",
publisher = "Publications of eHumanista",

}

RIS

TY - CHAP

T1 - Este rastro de confeso

T2 - Converso Poets and Topics in Medieval and Early Modern Spanish Cancioneros

AU - Perea-Rodriguez, Oscar

PY - 2015

Y1 - 2015

N2 - About four decades ago, the two modern editions of the Cancionero de obras de burlas (19OB), of Domínguez (1978) and Jauralde Pou-Bellón Cazabán (1974), finally condemned to its deserved obscurity Usoz y Río’s 1841 edition. Even though both his edition and his library on spiritual topics have an evident archaeological interest (Vilar), the Quaker sympathiser born in Spain presented an abbreviated version of this cancionero to prove that, by his lights, the obscene and decadent habits of the Spanish empire were built upon Catholicism. Thus, the first thing to point out is that scholars have only been able to read the complete 19OB since the late 20th century, which has made it impossible for us to understand in depth what we can consider to be the first catalogue of medieval and renaissance jibes and jests written in Spanish.

AB - About four decades ago, the two modern editions of the Cancionero de obras de burlas (19OB), of Domínguez (1978) and Jauralde Pou-Bellón Cazabán (1974), finally condemned to its deserved obscurity Usoz y Río’s 1841 edition. Even though both his edition and his library on spiritual topics have an evident archaeological interest (Vilar), the Quaker sympathiser born in Spain presented an abbreviated version of this cancionero to prove that, by his lights, the obscene and decadent habits of the Spanish empire were built upon Catholicism. Thus, the first thing to point out is that scholars have only been able to read the complete 19OB since the late 20th century, which has made it impossible for us to understand in depth what we can consider to be the first catalogue of medieval and renaissance jibes and jests written in Spanish.

M3 - Chapter (peer-reviewed)

SN - 9786079646424

SP - 125

EP - 172

BT - Las ‘Obras de burlas’ del Cancionero general de Hernando del Castillo

A2 - Cortijo Ocaña, Antonio

A2 - Rubio Árquez, Marcial

PB - Publications of eHumanista

CY - Santa Barbara

ER -