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  • Bettinson YWCCT 2020

    Rights statement: This is a pre-copy-editing, author-produced PDF of an article accepted for publication in Year's Work in Critical and Cultural Theory following peer review. The definitive publisher-authenticated version Gary Bettinson, 7 Film Theory, The Year's Work in Critical and Cultural Theory, Volume 28, Issue 1, 2020, Pages 124–145, https://doi.org/10.1093/ywcct/mbaa007 is available online at: https://academic.oup.com/ywcct/article-abstract/28/1/124/5854093

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Film Theory

Research output: Contribution to Journal/Magazine › Journal article › peer-review

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Film Theory. / Bettinson, Gary.
In: Year's Work in Critical and Cultural Theory, Vol. 8, No. 1, 7, 05.06.2020, p. 124-145.

Research output: Contribution to Journal/Magazine › Journal article › peer-review

Harvard

Bettinson, G 2020, 'Film Theory', Year's Work in Critical and Cultural Theory, vol. 8, no. 1, 7, pp. 124-145. https://doi.org/10.1093/ywcct/mbaa007

APA

Bettinson, G. (2020). Film Theory. Year's Work in Critical and Cultural Theory, 8(1), 124-145. Article 7. https://doi.org/10.1093/ywcct/mbaa007

Vancouver

Bettinson G. Film Theory. Year's Work in Critical and Cultural Theory. 2020 Jun 5;8(1):124-145. 7. doi: 10.1093/ywcct/mbaa007

Author

Bettinson, Gary. / Film Theory. In: Year's Work in Critical and Cultural Theory. 2020 ; Vol. 8, No. 1. pp. 124-145.

Bibtex

@article{5ec06b0f3d2141b78eaa9e0bb292e436,
title = "Film Theory",
abstract = "Six exemplary works of film theory, published in 2018–19, receive consideration in this chapter: Johannes Riis and Aaron Taylor{\textquoteright}s anthology Screening Characters: Theories of Character in Film, Television, and Interactive Media; Murray Pomerance{\textquoteright}s Virtuoso: Film Performance and the Actor{\textquoteright}s Magic; Jonathan Kirshner and Jon Lewis{\textquoteright}s edited collection When the Movies Mattered: The New Hollywood Revisited; Jeff Menne{\textquoteright}s Post-Fordist Cinema: Hollywood Auteurs and the Corporate Counterculture; Wieland Schwanebeck and Douglas McFarland{\textquoteright}s edited volume Patricia Highsmith on Screen; and Clara Bradbury-Rance{\textquoteright}s Lesbian Cinema after Queer Theory. The chapter is organized into three sections: 1. Character Engagement and Performance; 2. Revisiting the New Hollywood; 3. A Highsmith Hinge.",
author = "Gary Bettinson",
note = "This is a pre-copy-editing, author-produced PDF of an article accepted for publication in Year's Work in Critical and Cultural Theory following peer review. The definitive publisher-authenticated version Gary Bettinson, 7 Film Theory, The Year's Work in Critical and Cultural Theory, Volume 28, Issue 1, 2020, Pages 124–145, https://doi.org/10.1093/ywcct/mbaa007 is available online at: https://academic.oup.com/ywcct/article-abstract/28/1/124/5854093",
year = "2020",
month = jun,
day = "5",
doi = "10.1093/ywcct/mbaa007",
language = "English",
volume = "8",
pages = "124--145",
journal = "Year's Work in Critical and Cultural Theory",
issn = "1077-4254",
publisher = "Oxford University Press",
number = "1",

}

RIS

TY - JOUR

T1 - Film Theory

AU - Bettinson, Gary

N1 - This is a pre-copy-editing, author-produced PDF of an article accepted for publication in Year's Work in Critical and Cultural Theory following peer review. The definitive publisher-authenticated version Gary Bettinson, 7 Film Theory, The Year's Work in Critical and Cultural Theory, Volume 28, Issue 1, 2020, Pages 124–145, https://doi.org/10.1093/ywcct/mbaa007 is available online at: https://academic.oup.com/ywcct/article-abstract/28/1/124/5854093

PY - 2020/6/5

Y1 - 2020/6/5

N2 - Six exemplary works of film theory, published in 2018–19, receive consideration in this chapter: Johannes Riis and Aaron Taylor’s anthology Screening Characters: Theories of Character in Film, Television, and Interactive Media; Murray Pomerance’s Virtuoso: Film Performance and the Actor’s Magic; Jonathan Kirshner and Jon Lewis’s edited collection When the Movies Mattered: The New Hollywood Revisited; Jeff Menne’s Post-Fordist Cinema: Hollywood Auteurs and the Corporate Counterculture; Wieland Schwanebeck and Douglas McFarland’s edited volume Patricia Highsmith on Screen; and Clara Bradbury-Rance’s Lesbian Cinema after Queer Theory. The chapter is organized into three sections: 1. Character Engagement and Performance; 2. Revisiting the New Hollywood; 3. A Highsmith Hinge.

AB - Six exemplary works of film theory, published in 2018–19, receive consideration in this chapter: Johannes Riis and Aaron Taylor’s anthology Screening Characters: Theories of Character in Film, Television, and Interactive Media; Murray Pomerance’s Virtuoso: Film Performance and the Actor’s Magic; Jonathan Kirshner and Jon Lewis’s edited collection When the Movies Mattered: The New Hollywood Revisited; Jeff Menne’s Post-Fordist Cinema: Hollywood Auteurs and the Corporate Counterculture; Wieland Schwanebeck and Douglas McFarland’s edited volume Patricia Highsmith on Screen; and Clara Bradbury-Rance’s Lesbian Cinema after Queer Theory. The chapter is organized into three sections: 1. Character Engagement and Performance; 2. Revisiting the New Hollywood; 3. A Highsmith Hinge.

U2 - 10.1093/ywcct/mbaa007

DO - 10.1093/ywcct/mbaa007

M3 - Journal article

VL - 8

SP - 124

EP - 145

JO - Year's Work in Critical and Cultural Theory

JF - Year's Work in Critical and Cultural Theory

SN - 1077-4254

IS - 1

M1 - 7

ER -