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Foreshadowings and After Blows: Fiona Templeton’s The Medead

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Foreshadowings and After Blows: Fiona Templeton’s The Medead. / Harris, Geraldine.

In: Studies in Theatre and Performance, Vol. 23, No. 3, 2004, p. 165-177.

Research output: Contribution to journalJournal articlepeer-review

Harvard

Harris, G 2004, 'Foreshadowings and After Blows: Fiona Templeton’s The Medead', Studies in Theatre and Performance, vol. 23, no. 3, pp. 165-177. https://doi.org/10.1386/stap.23.3.165/1

APA

Vancouver

Author

Harris, Geraldine. / Foreshadowings and After Blows: Fiona Templeton’s The Medead. In: Studies in Theatre and Performance. 2004 ; Vol. 23, No. 3. pp. 165-177.

Bibtex

@article{2d4434284ee1428dbddc8976e46f6cef,
title = "Foreshadowings and After Blows: Fiona Templeton{\textquoteright}s The Medead",
abstract = "This article offers a {\textquoteleft}preview{\textquoteright} of Fiona Templeton's work in progress, The Medead. It arises from my {\textquoteleft}access{\textquoteright} to her process and explores certain aspects of that work, but primarily sets out to explore the piece as a performative deconstruction of the myth of Medea, as articulated and disseminated through the play by Euripides. I examine the manner in which the piece foregrounds the operation of intertextuality to disrupt normative notions of time and space, and works on the boundaries between the linguistic and the material, so as to stage the ways in which stories can shape bodies and construct {\textquoteleft}realities{\textquoteright}.",
keywords = "Fiona Templeton, The Medead , Medea , disrupted language , performative deconstruction , intertextuality ",
author = "Geraldine Harris",
year = "2004",
doi = "10.1386/stap.23.3.165/1",
language = "English",
volume = "23",
pages = "165--177",
journal = "Studies in Theatre and Performance",
issn = "1468-2761",
publisher = "Intellect Books",
number = "3",

}

RIS

TY - JOUR

T1 - Foreshadowings and After Blows: Fiona Templeton’s The Medead

AU - Harris, Geraldine

PY - 2004

Y1 - 2004

N2 - This article offers a ‘preview’ of Fiona Templeton's work in progress, The Medead. It arises from my ‘access’ to her process and explores certain aspects of that work, but primarily sets out to explore the piece as a performative deconstruction of the myth of Medea, as articulated and disseminated through the play by Euripides. I examine the manner in which the piece foregrounds the operation of intertextuality to disrupt normative notions of time and space, and works on the boundaries between the linguistic and the material, so as to stage the ways in which stories can shape bodies and construct ‘realities’.

AB - This article offers a ‘preview’ of Fiona Templeton's work in progress, The Medead. It arises from my ‘access’ to her process and explores certain aspects of that work, but primarily sets out to explore the piece as a performative deconstruction of the myth of Medea, as articulated and disseminated through the play by Euripides. I examine the manner in which the piece foregrounds the operation of intertextuality to disrupt normative notions of time and space, and works on the boundaries between the linguistic and the material, so as to stage the ways in which stories can shape bodies and construct ‘realities’.

KW - Fiona Templeton

KW - The Medead

KW - Medea

KW - disrupted language

KW - performative deconstruction

KW - intertextuality

U2 - 10.1386/stap.23.3.165/1

DO - 10.1386/stap.23.3.165/1

M3 - Journal article

VL - 23

SP - 165

EP - 177

JO - Studies in Theatre and Performance

JF - Studies in Theatre and Performance

SN - 1468-2761

IS - 3

ER -