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Research output: Contribution to Journal/Magazine › Journal article › peer-review
Research output: Contribution to Journal/Magazine › Journal article › peer-review
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TY - JOUR
T1 - Glocal Eco-politics and Overflowing Dramaturgy
T2 - Karin Beier's Production of Elfriede Jelinek's Das Werk / Im Bus / Ein Sturz
AU - Jürs-Munby, Karen
PY - 2025/5/12
Y1 - 2025/5/12
N2 - This article analyses Karin Beier’s production of Elfriede Jelinek’s Das Werk / Im Bus / Ein Sturz as an example of glocal eco-politics which connects local man-made catastrophes with national and global dynamics. It situates this extraordinary trilogy production within the context of an ideal of the municipal theatre that is modelled on the Greek ‘polis’ and appeals to active citizenship. With references to Timothy Morton’s ‘dark ecology’ and Jean-François Lyotard’s concept of the oikos as the ‘secluded’, it analyses how the performance creates an ecological tragic as well as comic experience through its dramaturgical devices. It argues that, together with the associative and overflowing qualities of Jelinek’s writing, the production’s increasingly overflowing dramaturgy works affectively as a disruption of political discourse and has the capacity to cause the audience to reflect on their civic and democratic responsibility, awakening their desire to intervene in the ecological politics of their city.
AB - This article analyses Karin Beier’s production of Elfriede Jelinek’s Das Werk / Im Bus / Ein Sturz as an example of glocal eco-politics which connects local man-made catastrophes with national and global dynamics. It situates this extraordinary trilogy production within the context of an ideal of the municipal theatre that is modelled on the Greek ‘polis’ and appeals to active citizenship. With references to Timothy Morton’s ‘dark ecology’ and Jean-François Lyotard’s concept of the oikos as the ‘secluded’, it analyses how the performance creates an ecological tragic as well as comic experience through its dramaturgical devices. It argues that, together with the associative and overflowing qualities of Jelinek’s writing, the production’s increasingly overflowing dramaturgy works affectively as a disruption of political discourse and has the capacity to cause the audience to reflect on their civic and democratic responsibility, awakening their desire to intervene in the ecological politics of their city.
M3 - Journal article
VL - 58
JO - Journal of Austrian Studies
JF - Journal of Austrian Studies
SN - 2327-1809
ER -