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Identifying colour use and knowledge in textile design practice

Research output: Contribution in Book/Report/Proceedings - With ISBN/ISSN › Chapter (peer-reviewed) › peer-review

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Identifying colour use and knowledge in textile design practice. / Mottram, Judith.
Progress in Colour Studies: Cognition, language and beyond . ed. / Lindsay W MacDonald; Carole P Biggam; Galina V Paramei. Amsterdam: John Benjamins, 2018. p. 371-389.

Research output: Contribution in Book/Report/Proceedings - With ISBN/ISSN › Chapter (peer-reviewed) › peer-review

Harvard

Mottram, J 2018, Identifying colour use and knowledge in textile design practice. in LW MacDonald, CP Biggam & GV Paramei (eds), Progress in Colour Studies: Cognition, language and beyond . John Benjamins, Amsterdam, pp. 371-389. https://doi.org/10.1075/z.217

APA

Mottram, J. (2018). Identifying colour use and knowledge in textile design practice. In L. W. MacDonald, C. P. Biggam, & G. V. Paramei (Eds.), Progress in Colour Studies: Cognition, language and beyond (pp. 371-389). John Benjamins. https://doi.org/10.1075/z.217

Vancouver

Mottram J. Identifying colour use and knowledge in textile design practice. In MacDonald LW, Biggam CP, Paramei GV, editors, Progress in Colour Studies: Cognition, language and beyond . Amsterdam: John Benjamins. 2018. p. 371-389 doi: 10.1075/z.217

Author

Mottram, Judith. / Identifying colour use and knowledge in textile design practice. Progress in Colour Studies: Cognition, language and beyond . editor / Lindsay W MacDonald ; Carole P Biggam ; Galina V Paramei. Amsterdam : John Benjamins, 2018. pp. 371-389

Bibtex

@inbook{d21721aba4c84ac2a099a820ba8e3a1a,
title = "Identifying colour use and knowledge in textile design practice",
abstract = "A survey of the colour understanding and practice of respondents undertaking a postgraduate programme in textile design is reported. Colour use and knowledge within creative practices was explored, with a view to providing a platform for the field to reflect on assumptions about preference, harmony and colour selectivity in design. Respondents reported on their acquisition of colour mixing knowledge and described their colour palette. Language terms used tended towards basic colour terms and descriptive references. The study confirmed the challenge for specification and variability in perception among this fairly expert group, who will enter a professional arena working with clients, customers and manufacturers on the design for goods that will be inherently coloured.",
keywords = "knowledge, preference, textile design, palette, language",
author = "Judith Mottram",
year = "2018",
doi = "10.1075/z.217",
language = "English",
isbn = "9789027201041",
pages = "371--389",
editor = "MacDonald, {Lindsay W} and Biggam, {Carole P} and Paramei, {Galina V }",
booktitle = "Progress in Colour Studies",
publisher = "John Benjamins",

}

RIS

TY - CHAP

T1 - Identifying colour use and knowledge in textile design practice

AU - Mottram, Judith

PY - 2018

Y1 - 2018

N2 - A survey of the colour understanding and practice of respondents undertaking a postgraduate programme in textile design is reported. Colour use and knowledge within creative practices was explored, with a view to providing a platform for the field to reflect on assumptions about preference, harmony and colour selectivity in design. Respondents reported on their acquisition of colour mixing knowledge and described their colour palette. Language terms used tended towards basic colour terms and descriptive references. The study confirmed the challenge for specification and variability in perception among this fairly expert group, who will enter a professional arena working with clients, customers and manufacturers on the design for goods that will be inherently coloured.

AB - A survey of the colour understanding and practice of respondents undertaking a postgraduate programme in textile design is reported. Colour use and knowledge within creative practices was explored, with a view to providing a platform for the field to reflect on assumptions about preference, harmony and colour selectivity in design. Respondents reported on their acquisition of colour mixing knowledge and described their colour palette. Language terms used tended towards basic colour terms and descriptive references. The study confirmed the challenge for specification and variability in perception among this fairly expert group, who will enter a professional arena working with clients, customers and manufacturers on the design for goods that will be inherently coloured.

KW - knowledge, preference, textile design, palette, language

U2 - 10.1075/z.217

DO - 10.1075/z.217

M3 - Chapter (peer-reviewed)

SN - 9789027201041

SP - 371

EP - 389

BT - Progress in Colour Studies

A2 - MacDonald, Lindsay W

A2 - Biggam, Carole P

A2 - Paramei, Galina V

PB - John Benjamins

CY - Amsterdam

ER -