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Joseph Conrad, the Global and the Sea

Research output: Contribution in Book/Report/Proceedings - With ISBN/ISSNChapter

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Joseph Conrad, the Global and the Sea. / Greaney, Michael.

Globalization and Literary Studies. ed. / Joel Evans. Cambridge : Cambridge University Press, 2022. p. 97-109 (Cambridge Critical Concepts).

Research output: Contribution in Book/Report/Proceedings - With ISBN/ISSNChapter

Harvard

Greaney, M 2022, Joseph Conrad, the Global and the Sea. in J Evans (ed.), Globalization and Literary Studies. Cambridge Critical Concepts, Cambridge University Press, Cambridge , pp. 97-109. https://doi.org/10.1017/9781108887915.007

APA

Greaney, M. (2022). Joseph Conrad, the Global and the Sea. In J. Evans (Ed.), Globalization and Literary Studies (pp. 97-109). (Cambridge Critical Concepts). Cambridge University Press. https://doi.org/10.1017/9781108887915.007

Vancouver

Greaney M. Joseph Conrad, the Global and the Sea. In Evans J, editor, Globalization and Literary Studies. Cambridge : Cambridge University Press. 2022. p. 97-109. (Cambridge Critical Concepts). https://doi.org/10.1017/9781108887915.007

Author

Greaney, Michael. / Joseph Conrad, the Global and the Sea. Globalization and Literary Studies. editor / Joel Evans. Cambridge : Cambridge University Press, 2022. pp. 97-109 (Cambridge Critical Concepts).

Bibtex

@inbook{595cad96a2a6424abc48ced0e45b71bd,
title = "Joseph Conrad, the Global and the Sea",
abstract = "This chapter considers how the powerfully controversial modernist novelist Joseph Conrad acquired his reputation as the first truly {\textquoteleft}global{\textquoteright} writer. A trilingual Polish expatriate, Conrad{\textquoteright}s transnational identity was shaped by – and in turn helped shape our understandings of – a new sense of global interconnectedness in the late nineteenth and early twentieth centuries. In texts such as Heart of Darkness, Lord Jim and Nostromo, his engagement with what we would now call globalization is bedevilled by paradox and ambivalence. His writing scorns European globetrotters even as it beholds the world via a privileged Western gaze. His innocent fascination with maps is haunted by a guilty awareness of their political and ideological functions. Under no illusions about the vicious impact of European imperialism on non-European cultures, he often represents those cultures as voiceless, one-dimensional and exotically unknowable. Finally, his idealization of the sea as a bracingly pure alternative to the sordid political world of terra firma is steadily undercut by his sense that maritime space has long since been colonized by capitalist modernity.",
author = "Michael Greaney",
year = "2022",
month = apr,
day = "21",
doi = "10.1017/9781108887915.007",
language = "English",
series = "Cambridge Critical Concepts",
publisher = "Cambridge University Press",
pages = "97--109",
editor = "Joel Evans",
booktitle = "Globalization and Literary Studies",

}

RIS

TY - CHAP

T1 - Joseph Conrad, the Global and the Sea

AU - Greaney, Michael

PY - 2022/4/21

Y1 - 2022/4/21

N2 - This chapter considers how the powerfully controversial modernist novelist Joseph Conrad acquired his reputation as the first truly ‘global’ writer. A trilingual Polish expatriate, Conrad’s transnational identity was shaped by – and in turn helped shape our understandings of – a new sense of global interconnectedness in the late nineteenth and early twentieth centuries. In texts such as Heart of Darkness, Lord Jim and Nostromo, his engagement with what we would now call globalization is bedevilled by paradox and ambivalence. His writing scorns European globetrotters even as it beholds the world via a privileged Western gaze. His innocent fascination with maps is haunted by a guilty awareness of their political and ideological functions. Under no illusions about the vicious impact of European imperialism on non-European cultures, he often represents those cultures as voiceless, one-dimensional and exotically unknowable. Finally, his idealization of the sea as a bracingly pure alternative to the sordid political world of terra firma is steadily undercut by his sense that maritime space has long since been colonized by capitalist modernity.

AB - This chapter considers how the powerfully controversial modernist novelist Joseph Conrad acquired his reputation as the first truly ‘global’ writer. A trilingual Polish expatriate, Conrad’s transnational identity was shaped by – and in turn helped shape our understandings of – a new sense of global interconnectedness in the late nineteenth and early twentieth centuries. In texts such as Heart of Darkness, Lord Jim and Nostromo, his engagement with what we would now call globalization is bedevilled by paradox and ambivalence. His writing scorns European globetrotters even as it beholds the world via a privileged Western gaze. His innocent fascination with maps is haunted by a guilty awareness of their political and ideological functions. Under no illusions about the vicious impact of European imperialism on non-European cultures, he often represents those cultures as voiceless, one-dimensional and exotically unknowable. Finally, his idealization of the sea as a bracingly pure alternative to the sordid political world of terra firma is steadily undercut by his sense that maritime space has long since been colonized by capitalist modernity.

U2 - 10.1017/9781108887915.007

DO - 10.1017/9781108887915.007

M3 - Chapter

T3 - Cambridge Critical Concepts

SP - 97

EP - 109

BT - Globalization and Literary Studies

A2 - Evans, Joel

PB - Cambridge University Press

CY - Cambridge

ER -