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Keywords that characterise Shakespeare's (anti)heroes and villains

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Keywords that characterise Shakespeare's (anti)heroes and villains. / Archer, D.; Findlay, A.
Voices Past and Present : Studies of Involved, Speech-related and Spoken Texts: In honor of Merja Kytö. ed. / Ewa Jonsson; Tove Larsson. Amsterdam: John Benjamins Publishing Company, 2020. p. 32-46 (Studies in Corpus Linguistics; Vol. 97).

Research output: Contribution in Book/Report/Proceedings - With ISBN/ISSNChapter (peer-reviewed)peer-review

Harvard

Archer, D & Findlay, A 2020, Keywords that characterise Shakespeare's (anti)heroes and villains. in E Jonsson & T Larsson (eds), Voices Past and Present : Studies of Involved, Speech-related and Spoken Texts: In honor of Merja Kytö. Studies in Corpus Linguistics, vol. 97, John Benjamins Publishing Company, Amsterdam, pp. 32-46. https://doi.org/10.1075/scl.97.03arc

APA

Archer, D., & Findlay, A. (2020). Keywords that characterise Shakespeare's (anti)heroes and villains. In E. Jonsson, & T. Larsson (Eds.), Voices Past and Present : Studies of Involved, Speech-related and Spoken Texts: In honor of Merja Kytö (pp. 32-46). (Studies in Corpus Linguistics; Vol. 97). John Benjamins Publishing Company. https://doi.org/10.1075/scl.97.03arc

Vancouver

Archer D, Findlay A. Keywords that characterise Shakespeare's (anti)heroes and villains. In Jonsson E, Larsson T, editors, Voices Past and Present : Studies of Involved, Speech-related and Spoken Texts: In honor of Merja Kytö. Amsterdam: John Benjamins Publishing Company. 2020. p. 32-46. (Studies in Corpus Linguistics). doi: 10.1075/scl.97.03arc

Author

Archer, D. ; Findlay, A. / Keywords that characterise Shakespeare's (anti)heroes and villains. Voices Past and Present : Studies of Involved, Speech-related and Spoken Texts: In honor of Merja Kytö. editor / Ewa Jonsson ; Tove Larsson. Amsterdam : John Benjamins Publishing Company, 2020. pp. 32-46 (Studies in Corpus Linguistics).

Bibtex

@inbook{1f3129e8cfa64269a734f3b514f4ef5b,
title = "Keywords that characterise Shakespeare's (anti)heroes and villains",
abstract = "This chapter undertakes a keyword analysis of seven Shakespearean characters: Titus, Tamora, Aaron, Lear, Edmund, Macbeth and Lady Macbeth. The chapter discusses how, once contextualised, these keywords provide useful insights into their feelings/thoughts towards others, events, motivations to act, etc. In terms of findings, only Aaron denotes his {"}villainy{"} directly. Tamora, in contrast, draws upon a keyword that is denotatively positive; in context, though, {"}sweet{"} reveals her womanly wiles. {"}Weep{"}, for Lear, and {"}legitimate{"} and {"}base{"}, for Edmund, problematize their status as (one-dimensional) villains. Macbeth and Lady Macbeth draw upon grammatical keywords, {"}if {"} and {"}would{"} in ways that signal something about their (deteriorating) emotional and social positions as much as their villainous intentions. ",
keywords = "Context, Keywords, Log ratio, Shakespeare and villainy",
author = "D. Archer and A. Findlay",
year = "2020",
month = oct,
day = "5",
doi = "10.1075/scl.97.03arc",
language = "English",
isbn = "9789027207654",
series = "Studies in Corpus Linguistics",
publisher = "John Benjamins Publishing Company",
pages = "32--46",
editor = "Ewa Jonsson and Tove Larsson",
booktitle = "Voices Past and Present",

}

RIS

TY - CHAP

T1 - Keywords that characterise Shakespeare's (anti)heroes and villains

AU - Archer, D.

AU - Findlay, A.

PY - 2020/10/5

Y1 - 2020/10/5

N2 - This chapter undertakes a keyword analysis of seven Shakespearean characters: Titus, Tamora, Aaron, Lear, Edmund, Macbeth and Lady Macbeth. The chapter discusses how, once contextualised, these keywords provide useful insights into their feelings/thoughts towards others, events, motivations to act, etc. In terms of findings, only Aaron denotes his "villainy" directly. Tamora, in contrast, draws upon a keyword that is denotatively positive; in context, though, "sweet" reveals her womanly wiles. "Weep", for Lear, and "legitimate" and "base", for Edmund, problematize their status as (one-dimensional) villains. Macbeth and Lady Macbeth draw upon grammatical keywords, "if " and "would" in ways that signal something about their (deteriorating) emotional and social positions as much as their villainous intentions.

AB - This chapter undertakes a keyword analysis of seven Shakespearean characters: Titus, Tamora, Aaron, Lear, Edmund, Macbeth and Lady Macbeth. The chapter discusses how, once contextualised, these keywords provide useful insights into their feelings/thoughts towards others, events, motivations to act, etc. In terms of findings, only Aaron denotes his "villainy" directly. Tamora, in contrast, draws upon a keyword that is denotatively positive; in context, though, "sweet" reveals her womanly wiles. "Weep", for Lear, and "legitimate" and "base", for Edmund, problematize their status as (one-dimensional) villains. Macbeth and Lady Macbeth draw upon grammatical keywords, "if " and "would" in ways that signal something about their (deteriorating) emotional and social positions as much as their villainous intentions.

KW - Context

KW - Keywords

KW - Log ratio

KW - Shakespeare and villainy

U2 - 10.1075/scl.97.03arc

DO - 10.1075/scl.97.03arc

M3 - Chapter (peer-reviewed)

SN - 9789027207654

T3 - Studies in Corpus Linguistics

SP - 32

EP - 46

BT - Voices Past and Present

A2 - Jonsson, Ewa

A2 - Larsson, Tove

PB - John Benjamins Publishing Company

CY - Amsterdam

ER -