Home > Research > Publications & Outputs > Le jazz gallicisé et ravelisé: théorie pratique...

Research

Associated organisational unit

Links

View graph of relations

Le jazz gallicisé et ravelisé: théorie pratique du 'blues'.

Research output: Contribution in Book/Report/Proceedings - With ISBN/ISSN › Chapter

Published

Standard

Le jazz gallicisé et ravelisé: théorie pratique du 'blues'. / Mawer, Deborah.
Musique française: Esthétique et identité en mutation 1892-1992 : French Music: Aesthetics and Identity in Transition 1892-1992. ed. / Pascal Terrien. Sampzon: Editions Delatour France, 2012. p. 215-225.

Research output: Contribution in Book/Report/Proceedings - With ISBN/ISSN › Chapter

Harvard

Mawer, D 2012, Le jazz gallicisé et ravelisé: théorie pratique du 'blues'. in P Terrien (ed.), Musique française: Esthétique et identité en mutation 1892-1992 : French Music: Aesthetics and Identity in Transition 1892-1992. Editions Delatour France, Sampzon, pp. 215-225. <http://www.editions-delatour.com/extrait/pressefrdlt1957.pdf>

APA

Mawer, D. (2012). Le jazz gallicisé et ravelisé: théorie pratique du 'blues'. In P. Terrien (Ed.), Musique française: Esthétique et identité en mutation 1892-1992 : French Music: Aesthetics and Identity in Transition 1892-1992 (pp. 215-225). Editions Delatour France. http://www.editions-delatour.com/extrait/pressefrdlt1957.pdf

Vancouver

Mawer D. Le jazz gallicisé et ravelisé: théorie pratique du 'blues'. In Terrien P, editor, Musique française: Esthétique et identité en mutation 1892-1992 : French Music: Aesthetics and Identity in Transition 1892-1992. Sampzon: Editions Delatour France. 2012. p. 215-225

Author

Mawer, Deborah. / Le jazz gallicisé et ravelisé: théorie pratique du 'blues'. Musique française: Esthétique et identité en mutation 1892-1992 : French Music: Aesthetics and Identity in Transition 1892-1992. editor / Pascal Terrien. Sampzon : Editions Delatour France, 2012. pp. 215-225

Bibtex

@inbook{d1f7046268f0412380884f54023f5959,
title = "Le jazz gallicis{\'e} et ravelis{\'e}: th{\'e}orie pratique du 'blues'.",
abstract = "In order to illuminate a French musical identity of the 1920s achieved via foreign influence, my article examines two subtle transformations: on the one hand between Ravel{\textquoteright}s {\textquoteleft}theory{\textquoteright} of early jazz-blues and the actualities of early jazz, already partially Gallicized and classicized; and on the other between Ravel{\textquoteright}s theory (of transformation) and his practice in the Violin Sonata. His {\textquoteleft}Blues{\textquoteright} gives as much as it takes, catalyzing his late music, yet also anticipating popular developments of the 1930s, in France and abroad. ",
author = "Deborah Mawer",
year = "2012",
month = feb,
language = "French",
isbn = "978-2-7521-0106-8",
pages = "215--225",
editor = "Pascal Terrien",
booktitle = "Musique fran{\c c}aise: Esth{\'e}tique et identit{\'e} en mutation 1892-1992",
publisher = "Editions Delatour France",

}

RIS

TY - CHAP

T1 - Le jazz gallicisé et ravelisé: théorie pratique du 'blues'.

AU - Mawer, Deborah

PY - 2012/2

Y1 - 2012/2

N2 - In order to illuminate a French musical identity of the 1920s achieved via foreign influence, my article examines two subtle transformations: on the one hand between Ravel’s ‘theory’ of early jazz-blues and the actualities of early jazz, already partially Gallicized and classicized; and on the other between Ravel’s theory (of transformation) and his practice in the Violin Sonata. His ‘Blues’ gives as much as it takes, catalyzing his late music, yet also anticipating popular developments of the 1930s, in France and abroad.

AB - In order to illuminate a French musical identity of the 1920s achieved via foreign influence, my article examines two subtle transformations: on the one hand between Ravel’s ‘theory’ of early jazz-blues and the actualities of early jazz, already partially Gallicized and classicized; and on the other between Ravel’s theory (of transformation) and his practice in the Violin Sonata. His ‘Blues’ gives as much as it takes, catalyzing his late music, yet also anticipating popular developments of the 1930s, in France and abroad.

M3 - Chapter

SN - 978-2-7521-0106-8

SP - 215

EP - 225

BT - Musique française: Esthétique et identité en mutation 1892-1992

A2 - Terrien, Pascal

PB - Editions Delatour France

CY - Sampzon

ER -