Research output: Contribution in Book/Report/Proceedings - With ISBN/ISSN › Conference contribution/Paper › peer-review
Research output: Contribution in Book/Report/Proceedings - With ISBN/ISSN › Conference contribution/Paper › peer-review
}
TY - GEN
T1 - Lifemirror
T2 - ACM TVX2014
AU - Case, Oliver
PY - 2014
Y1 - 2014
N2 - Online crowdsourced art has received little attention from researchers or art historians [1] and online crowdsourced film perhaps even less. When Giles Deleuze began the first ontology of film image in his ‘cinema books’, he proposed the medium to be ‘a producer of ideas’ [2]. Through this lens, crowdsourced filmmaking promises to ask new questions on the evolution of the image. Due to the advancement of digital technology, instant and networked film-based media is destined to bypass traditional production and distribution systems. As recording acts become increasingly intimate through mobile phones and wearable technology, it is possible that camera use will emerge as something close to an expression of thought. This suggests a need to reevaluate the flow of user- generated media and investigate the behaviors of a camera- connected community. The Lifemirror project has been initiated to enable the creation and deconstruction of an unedited crowdsourced film image, the analysis of which might open questions of design and meaning in mobile video practices. Borrowing Gregory Ulmer’s words in his preface to Teletheory (2004), ‘My goal within this process is not to explain video, but to think with it’ [3].
AB - Online crowdsourced art has received little attention from researchers or art historians [1] and online crowdsourced film perhaps even less. When Giles Deleuze began the first ontology of film image in his ‘cinema books’, he proposed the medium to be ‘a producer of ideas’ [2]. Through this lens, crowdsourced filmmaking promises to ask new questions on the evolution of the image. Due to the advancement of digital technology, instant and networked film-based media is destined to bypass traditional production and distribution systems. As recording acts become increasingly intimate through mobile phones and wearable technology, it is possible that camera use will emerge as something close to an expression of thought. This suggests a need to reevaluate the flow of user- generated media and investigate the behaviors of a camera- connected community. The Lifemirror project has been initiated to enable the creation and deconstruction of an unedited crowdsourced film image, the analysis of which might open questions of design and meaning in mobile video practices. Borrowing Gregory Ulmer’s words in his preface to Teletheory (2004), ‘My goal within this process is not to explain video, but to think with it’ [3].
KW - Crowdsourcing
KW - cinema
KW - mobile
KW - video
KW - mass-creativity
KW - communication
M3 - Conference contribution/Paper
BT - ACM TVX2014
Y2 - 25 June 2012 through 27 June 2014
ER -