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“Lullaby”: the story of a Niggun

Research output: Contribution to journalJournal articlepeer-review

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“Lullaby” : the story of a Niggun. / Beckerman, Michael; Tadmor, Naomi.

In: Music and Politics, Vol. X, No. I, 25.05.2016, p. 1-27.

Research output: Contribution to journalJournal articlepeer-review

Harvard

Beckerman, M & Tadmor, N 2016, '“Lullaby”: the story of a Niggun', Music and Politics, vol. X, no. I, pp. 1-27. https://doi.org/10.3998/mp.9460447.0010.101

APA

Vancouver

Author

Beckerman, Michael ; Tadmor, Naomi. / “Lullaby” : the story of a Niggun. In: Music and Politics. 2016 ; Vol. X, No. I. pp. 1-27.

Bibtex

@article{0bf57ea2e44f48fd9dec79b69b7a2421,
title = "“Lullaby”: the story of a Niggun",
abstract = "This article traces a Hasidic niggun from its origins in Ukraine around 1910, to mandate Palestine in the late 20's, where it acquired a text and became a highly popular song, and on to England, where it was recorded in 1943 - then back to Nazi Germany in 1935, where it appeared in two different publications. From there it follows the niggun to New York, where it was transcribed for the first time in 1948, and then back to Terezin in 1943, where the composer Gideon Klein created a powerful and highly symbolic art song based on the tune and part of the wording. Through detailed musical and textual analyses, drawing on archival and oral history research, we illuminate connections between the text and earlier biblical and musical passages to show that the tune and its contexts provide a history of the Jewish people in the 20th century in miniature.",
author = "Michael Beckerman and Naomi Tadmor",
year = "2016",
month = may,
day = "25",
doi = "10.3998/mp.9460447.0010.101",
language = "English",
volume = "X",
pages = "1--27",
journal = "Music and Politics",
issn = "1938-7687",
number = "I",

}

RIS

TY - JOUR

T1 - “Lullaby”

T2 - the story of a Niggun

AU - Beckerman, Michael

AU - Tadmor, Naomi

PY - 2016/5/25

Y1 - 2016/5/25

N2 - This article traces a Hasidic niggun from its origins in Ukraine around 1910, to mandate Palestine in the late 20's, where it acquired a text and became a highly popular song, and on to England, where it was recorded in 1943 - then back to Nazi Germany in 1935, where it appeared in two different publications. From there it follows the niggun to New York, where it was transcribed for the first time in 1948, and then back to Terezin in 1943, where the composer Gideon Klein created a powerful and highly symbolic art song based on the tune and part of the wording. Through detailed musical and textual analyses, drawing on archival and oral history research, we illuminate connections between the text and earlier biblical and musical passages to show that the tune and its contexts provide a history of the Jewish people in the 20th century in miniature.

AB - This article traces a Hasidic niggun from its origins in Ukraine around 1910, to mandate Palestine in the late 20's, where it acquired a text and became a highly popular song, and on to England, where it was recorded in 1943 - then back to Nazi Germany in 1935, where it appeared in two different publications. From there it follows the niggun to New York, where it was transcribed for the first time in 1948, and then back to Terezin in 1943, where the composer Gideon Klein created a powerful and highly symbolic art song based on the tune and part of the wording. Through detailed musical and textual analyses, drawing on archival and oral history research, we illuminate connections between the text and earlier biblical and musical passages to show that the tune and its contexts provide a history of the Jewish people in the 20th century in miniature.

U2 - 10.3998/mp.9460447.0010.101

DO - 10.3998/mp.9460447.0010.101

M3 - Journal article

VL - X

SP - 1

EP - 27

JO - Music and Politics

JF - Music and Politics

SN - 1938-7687

IS - I

ER -