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Memory and gender as migrant audience formations: Latin American women remembering cinema and films across borders

Research output: Contribution to Journal/Magazine › Journal article › peer-review

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Memory and gender as migrant audience formations: Latin American women remembering cinema and films across borders. / Missero, Dalila.
In: Participations, Vol. 18, No. 2, 30.11.2021, p. 436-453.

Research output: Contribution to Journal/Magazine › Journal article › peer-review

Harvard

Missero, D 2021, 'Memory and gender as migrant audience formations: Latin American women remembering cinema and films across borders', Participations, vol. 18, no. 2, pp. 436-453. <https://www.participations.org/18-02-22-missero.pdf>

APA

Missero, D. (2021). Memory and gender as migrant audience formations: Latin American women remembering cinema and films across borders. Participations, 18(2), 436-453. https://www.participations.org/18-02-22-missero.pdf

Vancouver

Missero D. Memory and gender as migrant audience formations: Latin American women remembering cinema and films across borders. Participations. 2021 Nov 30;18(2):436-453.

Author

Missero, Dalila. / Memory and gender as migrant audience formations : Latin American women remembering cinema and films across borders. In: Participations. 2021 ; Vol. 18, No. 2. pp. 436-453.

Bibtex

@article{bab683cc6b354eadbc2cbda208c5a57f,
title = "Memory and gender as migrant audience formations: Latin American women remembering cinema and films across borders",
abstract = "This article discusses the findings of a qualitative research project exploring the memories and habits of cinema-going of an intergenerational group of Latin American women living in Barcelona and Milan. Specifically, it offers a thematic analysis of migrant cinema-memories to read broader practices of home-making, mobility, transnational relationships, and digital ecologies. The article shows that an interdisciplinary methodology, combining feminist audience studies, memory studies and migration research, represents a valuable key to understanding contemporary audience formations. Such reflexive and gendered methods emphasize the potential of migrant memory to overcome limitations of audience research, such as methodological nationalism and fragmentation. It also suggests that a sensory approach to research tools and materials offers a key to overcome the challenges posed by the COVID-19 pandemic to fieldwork. In conclusion, the article calls for a broader exploration of migrant cinematic memory as a necessary, interdisciplinary perspective on the transnational and gendered aspects of the contemporary audience experience.",
author = "Dalila Missero",
year = "2021",
month = nov,
day = "30",
language = "English",
volume = "18",
pages = "436--453",
journal = "Participations",
number = "2",

}

RIS

TY - JOUR

T1 - Memory and gender as migrant audience formations

T2 - Latin American women remembering cinema and films across borders

AU - Missero, Dalila

PY - 2021/11/30

Y1 - 2021/11/30

N2 - This article discusses the findings of a qualitative research project exploring the memories and habits of cinema-going of an intergenerational group of Latin American women living in Barcelona and Milan. Specifically, it offers a thematic analysis of migrant cinema-memories to read broader practices of home-making, mobility, transnational relationships, and digital ecologies. The article shows that an interdisciplinary methodology, combining feminist audience studies, memory studies and migration research, represents a valuable key to understanding contemporary audience formations. Such reflexive and gendered methods emphasize the potential of migrant memory to overcome limitations of audience research, such as methodological nationalism and fragmentation. It also suggests that a sensory approach to research tools and materials offers a key to overcome the challenges posed by the COVID-19 pandemic to fieldwork. In conclusion, the article calls for a broader exploration of migrant cinematic memory as a necessary, interdisciplinary perspective on the transnational and gendered aspects of the contemporary audience experience.

AB - This article discusses the findings of a qualitative research project exploring the memories and habits of cinema-going of an intergenerational group of Latin American women living in Barcelona and Milan. Specifically, it offers a thematic analysis of migrant cinema-memories to read broader practices of home-making, mobility, transnational relationships, and digital ecologies. The article shows that an interdisciplinary methodology, combining feminist audience studies, memory studies and migration research, represents a valuable key to understanding contemporary audience formations. Such reflexive and gendered methods emphasize the potential of migrant memory to overcome limitations of audience research, such as methodological nationalism and fragmentation. It also suggests that a sensory approach to research tools and materials offers a key to overcome the challenges posed by the COVID-19 pandemic to fieldwork. In conclusion, the article calls for a broader exploration of migrant cinematic memory as a necessary, interdisciplinary perspective on the transnational and gendered aspects of the contemporary audience experience.

M3 - Journal article

VL - 18

SP - 436

EP - 453

JO - Participations

JF - Participations

IS - 2

ER -