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Mobile sound sources in two music theatre works: 2010 International Computer Music Conference - New York

Research output: Contribution in Book/Report/Proceedings - With ISBN/ISSNConference contribution/Paperpeer-review

Published

Standard

Mobile sound sources in two music theatre works : 2010 International Computer Music Conference - New York. / Otondo, Felipe.

Proceedings of the 2010 International Computer Music Conference (ICMC 2010). 2010. p. 446-449.

Research output: Contribution in Book/Report/Proceedings - With ISBN/ISSNConference contribution/Paperpeer-review

Harvard

Otondo, F 2010, Mobile sound sources in two music theatre works: 2010 International Computer Music Conference - New York. in Proceedings of the 2010 International Computer Music Conference (ICMC 2010). pp. 446-449, 2010 International Computer Music Conference (ICMC 2010), Stony Brook University, New York, United States, 1/06/10.

APA

Otondo, F. (2010). Mobile sound sources in two music theatre works: 2010 International Computer Music Conference - New York. In Proceedings of the 2010 International Computer Music Conference (ICMC 2010) (pp. 446-449)

Vancouver

Otondo F. Mobile sound sources in two music theatre works: 2010 International Computer Music Conference - New York. In Proceedings of the 2010 International Computer Music Conference (ICMC 2010). 2010. p. 446-449

Author

Otondo, Felipe. / Mobile sound sources in two music theatre works : 2010 International Computer Music Conference - New York. Proceedings of the 2010 International Computer Music Conference (ICMC 2010). 2010. pp. 446-449

Bibtex

@inproceedings{8f26b91f24ec4a1583fb6f3df75ea5ac,
title = "Mobile sound sources in two music theatre works: 2010 International Computer Music Conference - New York",
abstract = "This article describes the use of different types of tools for the spatialisation of sound in the context of two music theatre projects. In the first part of the article the different types of sonic relationships explored in the projects are outlined, considering a global framework where the voices of performers, transformed sounds and mobile sources can effectively be integrated on stage. In the second part of the article the specific spatial design developed for the two projects is explained in detail, focussing on the advantages and limitations of synchronised and non-synchronised mobile sound sources. The role of mobile technology as a driving force for audience engagement and the interaction with performers in the creative process is discussed considering future developments of the project in the form of a wireless body-worn speaker system.",
author = "Felipe Otondo",
year = "2010",
month = jul,
day = "1",
language = "English",
pages = "446--449",
booktitle = "Proceedings of the 2010 International Computer Music Conference (ICMC 2010)",
note = "2010 International Computer Music Conference (ICMC 2010) ; Conference date: 01-06-2010 Through 05-06-2010",

}

RIS

TY - GEN

T1 - Mobile sound sources in two music theatre works

T2 - 2010 International Computer Music Conference (ICMC 2010)

AU - Otondo, Felipe

PY - 2010/7/1

Y1 - 2010/7/1

N2 - This article describes the use of different types of tools for the spatialisation of sound in the context of two music theatre projects. In the first part of the article the different types of sonic relationships explored in the projects are outlined, considering a global framework where the voices of performers, transformed sounds and mobile sources can effectively be integrated on stage. In the second part of the article the specific spatial design developed for the two projects is explained in detail, focussing on the advantages and limitations of synchronised and non-synchronised mobile sound sources. The role of mobile technology as a driving force for audience engagement and the interaction with performers in the creative process is discussed considering future developments of the project in the form of a wireless body-worn speaker system.

AB - This article describes the use of different types of tools for the spatialisation of sound in the context of two music theatre projects. In the first part of the article the different types of sonic relationships explored in the projects are outlined, considering a global framework where the voices of performers, transformed sounds and mobile sources can effectively be integrated on stage. In the second part of the article the specific spatial design developed for the two projects is explained in detail, focussing on the advantages and limitations of synchronised and non-synchronised mobile sound sources. The role of mobile technology as a driving force for audience engagement and the interaction with performers in the creative process is discussed considering future developments of the project in the form of a wireless body-worn speaker system.

M3 - Conference contribution/Paper

SP - 446

EP - 449

BT - Proceedings of the 2010 International Computer Music Conference (ICMC 2010)

Y2 - 1 June 2010 through 5 June 2010

ER -