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Modes of address in pictorial art: an eye movement study of Manet’s Bar at the Folies-Bergère

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Modes of address in pictorial art: an eye movement study of Manet’s Bar at the Folies-Bergère. / Harland, Beth; Gillett, John; Mann, Carl M. et al.
In: Leonardo, Vol. 47, No. 3, 06.2014, p. 241-248.

Research output: Contribution to Journal/Magazine › Journal article › peer-review

Harvard

Harland, B, Gillett, J, Mann, CM, Kass, J, Godwin, HJ, Liversedge, SP & Donnelly, N 2014, 'Modes of address in pictorial art: an eye movement study of Manet’s Bar at the Folies-Bergère', Leonardo, vol. 47, no. 3, pp. 241-248. https://doi.org/10.1162/LEON_a_00676

APA

Harland, B., Gillett, J., Mann, C. M., Kass, J., Godwin, H. J., Liversedge, S. P., & Donnelly, N. (2014). Modes of address in pictorial art: an eye movement study of Manet’s Bar at the Folies-Bergère. Leonardo, 47(3), 241-248. https://doi.org/10.1162/LEON_a_00676

Vancouver

Harland B, Gillett J, Mann CM, Kass J, Godwin HJ, Liversedge SP et al. Modes of address in pictorial art: an eye movement study of Manet’s Bar at the Folies-Bergère. Leonardo. 2014 Jun;47(3):241-248. Epub 2014 May 19. doi: 10.1162/LEON_a_00676

Author

Harland, Beth ; Gillett, John ; Mann, Carl M. et al. / Modes of address in pictorial art : an eye movement study of Manet’s Bar at the Folies-Bergère. In: Leonardo. 2014 ; Vol. 47, No. 3. pp. 241-248.

Bibtex

@article{6d57bfab082041a7ab271a85d5f5ff39,
title = "Modes of address in pictorial art: an eye movement study of Manet{\textquoteright}s Bar at the Folies-Berg{\`e}re",
abstract = "Art-historical accounts of the last 200 years identify developments in the types, or“modes,”of address that a picture can present to a viewer as critical to the experience and evaluation of paintings. The authors focus on “anti-theatrical” theories of pictorial address and the complex and innovative “double relation” of absorption and acknowledgment introduced by the painter Edouard Manet. They report a case study of Manet{\textquoteright}s A Bar at the Folies-Berg{\`e}re investigating expert and novice spectators{\textquoteright} eye movements and utterances in response to the painting to find evidence that viewers seek resolution of the complex “double relation” that the theories describe.",
author = "Beth Harland and John Gillett and Mann, {Carl M.} and Jason Kass and Godwin, {Hayward J.} and Liversedge, {Simon P.} and Nick Donnelly",
year = "2014",
month = jun,
doi = "10.1162/LEON_a_00676",
language = "English",
volume = "47",
pages = "241--248",
journal = "Leonardo",
issn = "0024-094X",
publisher = "MIT Press Journals",
number = "3",

}

RIS

TY - JOUR

T1 - Modes of address in pictorial art

T2 - an eye movement study of Manet’s Bar at the Folies-Bergère

AU - Harland, Beth

AU - Gillett, John

AU - Mann, Carl M.

AU - Kass, Jason

AU - Godwin, Hayward J.

AU - Liversedge, Simon P.

AU - Donnelly, Nick

PY - 2014/6

Y1 - 2014/6

N2 - Art-historical accounts of the last 200 years identify developments in the types, or“modes,”of address that a picture can present to a viewer as critical to the experience and evaluation of paintings. The authors focus on “anti-theatrical” theories of pictorial address and the complex and innovative “double relation” of absorption and acknowledgment introduced by the painter Edouard Manet. They report a case study of Manet’s A Bar at the Folies-Bergère investigating expert and novice spectators’ eye movements and utterances in response to the painting to find evidence that viewers seek resolution of the complex “double relation” that the theories describe.

AB - Art-historical accounts of the last 200 years identify developments in the types, or“modes,”of address that a picture can present to a viewer as critical to the experience and evaluation of paintings. The authors focus on “anti-theatrical” theories of pictorial address and the complex and innovative “double relation” of absorption and acknowledgment introduced by the painter Edouard Manet. They report a case study of Manet’s A Bar at the Folies-Bergère investigating expert and novice spectators’ eye movements and utterances in response to the painting to find evidence that viewers seek resolution of the complex “double relation” that the theories describe.

U2 - 10.1162/LEON_a_00676

DO - 10.1162/LEON_a_00676

M3 - Journal article

VL - 47

SP - 241

EP - 248

JO - Leonardo

JF - Leonardo

SN - 0024-094X

IS - 3

ER -