Music Festivals and the Everyday Nature of Extraordinary Experiences

Marketing

Text available via DOI:

https://doi.org/doi.org/10.4324/9781003021766
Final published version

Research output: Contribution in Book/Report/Proceedings - With ISBN/ISSN › Chapter (peer-reviewed) › peer-review

Published

Standard

Music Festivals and the Everyday Nature of Extraordinary Experiences. / Daskalopoulou, Athanasia; Skandalis, Alexandros.
Marketing the Arts. ed. / Finola Kerrigan; Chloe Preece. 2. ed. London: Routledge, 2022.

Research output: Contribution in Book/Report/Proceedings - With ISBN/ISSN › Chapter (peer-reviewed) › peer-review

Harvard

Daskalopoulou, A & Skandalis, A 2022, Music Festivals and the Everyday Nature of Extraordinary Experiences. in F Kerrigan & C Preece (eds), Marketing the Arts. 2 edn, Routledge, London. https://doi.org/doi.org/10.4324/9781003021766

APA

Daskalopoulou, A., & Skandalis, A. (2022). Music Festivals and the Everyday Nature of Extraordinary Experiences. In F. Kerrigan, & C. Preece (Eds.), Marketing the Arts (2 ed.). Routledge. https://doi.org/doi.org/10.4324/9781003021766

Vancouver

Daskalopoulou A, Skandalis A. Music Festivals and the Everyday Nature of Extraordinary Experiences. In Kerrigan F, Preece C, editors, Marketing the Arts. 2 ed. London: Routledge. 2022 doi: doi.org/10.4324/9781003021766

Author

Daskalopoulou, Athanasia ; Skandalis, Alexandros. / Music Festivals and the Everyday Nature of Extraordinary Experiences. Marketing the Arts. editor / Finola Kerrigan ; Chloe Preece. 2. ed. London : Routledge, 2022.

Bibtex

@inbook{d1b8026b592e4327916a3ba1ea1bf85d,

title = "Music Festivals and the Everyday Nature of Extraordinary Experiences",

abstract = "This chapter focuses on live music and music festival experiences and their conceptual treatment to date in the marketing and consumer research literature. We highlight the variety of ways in which music festivals have been hitherto theorised and we further identify two distinct conceptual strands which revolve around their extraordinary experiential nature. In contrast to standard conceptualisations, we argue that contemporary music festivals can be also perceived as significant places of societal ritualisation which are positioned within the confines of everyday life and the logics of specific music fields and scenes. In doing so, we extend O'Reilly et al.'s (2013) characteristics of the form and function of music festivals and highlight their role for music consumers, professionals, and scenes. We conclude by drawing theoretical implications and identifying potential areas for future research at the intersection of arts marketing, music, and experiential consumption.",

author = "Athanasia Daskalopoulou and Alexandros Skandalis",

year = "2022",

month = dec,

day = "20",

doi = "doi.org/10.4324/9781003021766",

language = "English",

isbn = "9780367898878",

editor = "Finola Kerrigan and Chloe Preece",

booktitle = "Marketing the Arts",

publisher = "Routledge",

address = "United Kingdom",

edition = "2",

}

RIS

TY - CHAP

T1 - Music Festivals and the Everyday Nature of Extraordinary Experiences

AU - Daskalopoulou, Athanasia

AU - Skandalis, Alexandros

PY - 2022/12/20

Y1 - 2022/12/20

N2 - This chapter focuses on live music and music festival experiences and their conceptual treatment to date in the marketing and consumer research literature. We highlight the variety of ways in which music festivals have been hitherto theorised and we further identify two distinct conceptual strands which revolve around their extraordinary experiential nature. In contrast to standard conceptualisations, we argue that contemporary music festivals can be also perceived as significant places of societal ritualisation which are positioned within the confines of everyday life and the logics of specific music fields and scenes. In doing so, we extend O'Reilly et al.'s (2013) characteristics of the form and function of music festivals and highlight their role for music consumers, professionals, and scenes. We conclude by drawing theoretical implications and identifying potential areas for future research at the intersection of arts marketing, music, and experiential consumption.

AB - This chapter focuses on live music and music festival experiences and their conceptual treatment to date in the marketing and consumer research literature. We highlight the variety of ways in which music festivals have been hitherto theorised and we further identify two distinct conceptual strands which revolve around their extraordinary experiential nature. In contrast to standard conceptualisations, we argue that contemporary music festivals can be also perceived as significant places of societal ritualisation which are positioned within the confines of everyday life and the logics of specific music fields and scenes. In doing so, we extend O'Reilly et al.'s (2013) characteristics of the form and function of music festivals and highlight their role for music consumers, professionals, and scenes. We conclude by drawing theoretical implications and identifying potential areas for future research at the intersection of arts marketing, music, and experiential consumption.

U2 - doi.org/10.4324/9781003021766

DO - doi.org/10.4324/9781003021766

M3 - Chapter (peer-reviewed)

SN - 9780367898878

BT - Marketing the Arts

A2 - Kerrigan, Finola

A2 - Preece, Chloe

PB - Routledge

CY - London

ER -

Research

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