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Negotiating Space in Literary Representations of Holocaust Trauma: Jorge Semprún's Le grand voyage and Antonio Muñoz Molina's Sefarad

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Negotiating Space in Literary Representations of Holocaust Trauma: Jorge Semprún's Le grand voyage and Antonio Muñoz Molina's Sefarad. / O'Donoghue, Samuel.
In: Bulletin of Hispanic Studies, Vol. 93, No. 1, 2016, p. 45-62.

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@article{99a9a939b8c84e179e7209f21b0f5a34,
title = "Negotiating Space in Literary Representations of Holocaust Trauma: Jorge Sempr{\'u}n's Le grand voyage and Antonio Mu{\~n}oz Molina's Sefarad",
abstract = "This article examines the representation of travel in two Holocaust narratives: Jorge Sempr{\'u}n's Le grand voyage (1963) and Antonio Mu{\~n}oz Molina's Sefarad (2001). It argues that train journeys in these two texts function as a metaphor for the therapeutic process by which witnesses of a catastrophic event undertake a psychic journey back to the root of their trauma through the construction of a narrative. The centrality of trains and movement in these texts points to the necessity of negotiating space in order to work through trauma. While focusing specifically on the texts by Sempr{\'u}n and Mu{\~n}oz Molina, this article seeks, more generally, to put the mobility turn of cultural studies in dialogue with trauma studies by establishing a link between trauma and space in representations of the Holocaust.",
author = "Samuel O'Donoghue",
year = "2016",
doi = "10.3828/bhs.2016.04",
language = "English",
volume = "93",
pages = "45--62",
journal = "Bulletin of Hispanic Studies",
issn = "1475-3839",
publisher = "Liverpool University Press",
number = "1",

}

RIS

TY - JOUR

T1 - Negotiating Space in Literary Representations of Holocaust Trauma: Jorge Semprún's Le grand voyage and Antonio Muñoz Molina's Sefarad

AU - O'Donoghue, Samuel

PY - 2016

Y1 - 2016

N2 - This article examines the representation of travel in two Holocaust narratives: Jorge Semprún's Le grand voyage (1963) and Antonio Muñoz Molina's Sefarad (2001). It argues that train journeys in these two texts function as a metaphor for the therapeutic process by which witnesses of a catastrophic event undertake a psychic journey back to the root of their trauma through the construction of a narrative. The centrality of trains and movement in these texts points to the necessity of negotiating space in order to work through trauma. While focusing specifically on the texts by Semprún and Muñoz Molina, this article seeks, more generally, to put the mobility turn of cultural studies in dialogue with trauma studies by establishing a link between trauma and space in representations of the Holocaust.

AB - This article examines the representation of travel in two Holocaust narratives: Jorge Semprún's Le grand voyage (1963) and Antonio Muñoz Molina's Sefarad (2001). It argues that train journeys in these two texts function as a metaphor for the therapeutic process by which witnesses of a catastrophic event undertake a psychic journey back to the root of their trauma through the construction of a narrative. The centrality of trains and movement in these texts points to the necessity of negotiating space in order to work through trauma. While focusing specifically on the texts by Semprún and Muñoz Molina, this article seeks, more generally, to put the mobility turn of cultural studies in dialogue with trauma studies by establishing a link between trauma and space in representations of the Holocaust.

U2 - 10.3828/bhs.2016.04

DO - 10.3828/bhs.2016.04

M3 - Journal article

VL - 93

SP - 45

EP - 62

JO - Bulletin of Hispanic Studies

JF - Bulletin of Hispanic Studies

SN - 1475-3839

IS - 1

ER -