Final published version, 333 KB, PDF document
Available under license: CC BY: Creative Commons Attribution 4.0 International License
Final published version
Licence: CC BY: Creative Commons Attribution 4.0 International License
Research output: Contribution in Book/Report/Proceedings - With ISBN/ISSN › Chapter (peer-reviewed) › peer-review
Research output: Contribution in Book/Report/Proceedings - With ISBN/ISSN › Chapter (peer-reviewed) › peer-review
}
TY - CHAP
T1 - Nocturnal Polyphony
T2 - Mobile Music-Making as Urban Composition
AU - Dunn, Nick
PY - 2023/5/26
Y1 - 2023/5/26
N2 - How does the night sound? More specifically, who provides the soundtrack? This chapter presents a soundscape walk of the urban night through the inner-city area of Cheetham Hill in Manchester, UK. The district is home to a multi-ethnic community, the result of several waves of immigration to Britain. In the mid-19th century, it drew Irish people fleeing the Great Famine, with Jews settling in the area in the late-19th and early 20th centuries as they fled persecution in continental Europe. During the 1950s and 1960s, migrants from the Indian subcontinent and Caribbean established new communities in Cheetham Hill. More recently it has become home for people from Africa, Eastern Europe, and the Far East. It is immigration policy as urban landscape and its music is vibrant, discordant, and ever-mutating. Of particular interest here is the way in which sounds bleed into one another, creating interstitial zones for the nightwalker where the city’s music is unintentionally remixed. By moving through place, the manifold tones and rhythms are recomposed in an improvisational way. This chapter discusses the mobile music of Cheetham Hill as an on-going entanglement that occurs at the boundaries of body and urban landscape, sound and time, identity and place.
AB - How does the night sound? More specifically, who provides the soundtrack? This chapter presents a soundscape walk of the urban night through the inner-city area of Cheetham Hill in Manchester, UK. The district is home to a multi-ethnic community, the result of several waves of immigration to Britain. In the mid-19th century, it drew Irish people fleeing the Great Famine, with Jews settling in the area in the late-19th and early 20th centuries as they fled persecution in continental Europe. During the 1950s and 1960s, migrants from the Indian subcontinent and Caribbean established new communities in Cheetham Hill. More recently it has become home for people from Africa, Eastern Europe, and the Far East. It is immigration policy as urban landscape and its music is vibrant, discordant, and ever-mutating. Of particular interest here is the way in which sounds bleed into one another, creating interstitial zones for the nightwalker where the city’s music is unintentionally remixed. By moving through place, the manifold tones and rhythms are recomposed in an improvisational way. This chapter discusses the mobile music of Cheetham Hill as an on-going entanglement that occurs at the boundaries of body and urban landscape, sound and time, identity and place.
KW - migrants
KW - identity
KW - improvisation
KW - remix
KW - sound
KW - night
KW - multisensory
M3 - Chapter (peer-reviewed)
SN - 9781789386967
SN - 9781789386998
SP - 67
EP - 78
BT - Sonic Signatures
A2 - Pardue, Derek
A2 - Kenny, Ailbhe
A2 - Young, Katherine
PB - Intellect
CY - Bristol
ER -