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'Oh goodness, I am watching reality TV': How methods make class in audience research

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'Oh goodness, I am watching reality TV': How methods make class in audience research. / Skeggs, Bev; Thumim, Nancy; Wood, Helen.
In: European Journal of Cultural Studies, Vol. 11, No. 1, 01.02.2008, p. 5-24.

Research output: Contribution to Journal/MagazineJournal articlepeer-review

Harvard

Skeggs, B, Thumim, N & Wood, H 2008, ''Oh goodness, I am watching reality TV': How methods make class in audience research', European Journal of Cultural Studies, vol. 11, no. 1, pp. 5-24. https://doi.org/10.1177/1367549407084961

APA

Vancouver

Skeggs B, Thumim N, Wood H. 'Oh goodness, I am watching reality TV': How methods make class in audience research. European Journal of Cultural Studies. 2008 Feb 1;11(1):5-24. doi: 10.1177/1367549407084961

Author

Skeggs, Bev ; Thumim, Nancy ; Wood, Helen. / 'Oh goodness, I am watching reality TV' : How methods make class in audience research. In: European Journal of Cultural Studies. 2008 ; Vol. 11, No. 1. pp. 5-24.

Bibtex

@article{6fa7b5b3a8734ef3a81ca56815beb5e0,
title = "'Oh goodness, I am watching reality TV': How methods make class in audience research",
abstract = "One of the most striking challenges encountered during the empirical stages of our audience research project, 'Making Class and the Self through Televised Ethical Scenarios' (funded as part of the ESRC's Identities and Social Action programme), stemmed from how the different discursive resources held by our research participants impacted upon the kind of data collected. We argue that social class is reconfigured in each research encounter, not only through the adoption of moral positions in relation to 'reality' television as we might expect, but also through the forms of authority available for participants. Different methods enabled the display of dissimilar relationships to television: reflexive telling, immanent positioning and affective responses all gave distinct variations of moral authority. Therefore, understanding the form as well as the content of our participants' responses is crucial to interpreting our data. These methodological observations underpin our earlier theoretical critique of the 'turn' to subjectivity in social theory (Wood and Skeggs, 2004), where we suggest that the performance of the self is an activity that reproduces the social distinctions that theorists claim are in demise.",
keywords = "'reality' television, Affect, Audience research, Methodology, Morality, Reflexivity, Self, Social class",
author = "Bev Skeggs and Nancy Thumim and Helen Wood",
year = "2008",
month = feb,
day = "1",
doi = "10.1177/1367549407084961",
language = "English",
volume = "11",
pages = "5--24",
journal = "European Journal of Cultural Studies",
issn = "1367-5494",
publisher = "SAGE Publications Ltd",
number = "1",

}

RIS

TY - JOUR

T1 - 'Oh goodness, I am watching reality TV'

T2 - How methods make class in audience research

AU - Skeggs, Bev

AU - Thumim, Nancy

AU - Wood, Helen

PY - 2008/2/1

Y1 - 2008/2/1

N2 - One of the most striking challenges encountered during the empirical stages of our audience research project, 'Making Class and the Self through Televised Ethical Scenarios' (funded as part of the ESRC's Identities and Social Action programme), stemmed from how the different discursive resources held by our research participants impacted upon the kind of data collected. We argue that social class is reconfigured in each research encounter, not only through the adoption of moral positions in relation to 'reality' television as we might expect, but also through the forms of authority available for participants. Different methods enabled the display of dissimilar relationships to television: reflexive telling, immanent positioning and affective responses all gave distinct variations of moral authority. Therefore, understanding the form as well as the content of our participants' responses is crucial to interpreting our data. These methodological observations underpin our earlier theoretical critique of the 'turn' to subjectivity in social theory (Wood and Skeggs, 2004), where we suggest that the performance of the self is an activity that reproduces the social distinctions that theorists claim are in demise.

AB - One of the most striking challenges encountered during the empirical stages of our audience research project, 'Making Class and the Self through Televised Ethical Scenarios' (funded as part of the ESRC's Identities and Social Action programme), stemmed from how the different discursive resources held by our research participants impacted upon the kind of data collected. We argue that social class is reconfigured in each research encounter, not only through the adoption of moral positions in relation to 'reality' television as we might expect, but also through the forms of authority available for participants. Different methods enabled the display of dissimilar relationships to television: reflexive telling, immanent positioning and affective responses all gave distinct variations of moral authority. Therefore, understanding the form as well as the content of our participants' responses is crucial to interpreting our data. These methodological observations underpin our earlier theoretical critique of the 'turn' to subjectivity in social theory (Wood and Skeggs, 2004), where we suggest that the performance of the self is an activity that reproduces the social distinctions that theorists claim are in demise.

KW - 'reality' television

KW - Affect

KW - Audience research

KW - Methodology

KW - Morality

KW - Reflexivity

KW - Self

KW - Social class

U2 - 10.1177/1367549407084961

DO - 10.1177/1367549407084961

M3 - Journal article

AN - SCOPUS:38649117251

VL - 11

SP - 5

EP - 24

JO - European Journal of Cultural Studies

JF - European Journal of Cultural Studies

SN - 1367-5494

IS - 1

ER -