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  • 07 Baker On the Sound-Sea

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On the Sound-Sea: Fifteen Ways of Thinking about Sand and Sound

Research output: Contribution in Book/Report/Proceedings - With ISBN/ISSN › Chapter

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On the Sound-Sea: Fifteen Ways of Thinking about Sand and Sound. / Baker, Brian.
Sandscapes: Writing the British Seaside. ed. / Jo Carruthers; Nour Dakkak. New York: Palgrave Macmillan, 2020. p. 107-123.

Research output: Contribution in Book/Report/Proceedings - With ISBN/ISSN › Chapter

Harvard

Baker, B 2020, On the Sound-Sea: Fifteen Ways of Thinking about Sand and Sound. in J Carruthers & N Dakkak (eds), Sandscapes: Writing the British Seaside. Palgrave Macmillan, New York, pp. 107-123. https://doi.org/10.1007/978-3-030-44780-9_7

APA

Baker, B. (2020). On the Sound-Sea: Fifteen Ways of Thinking about Sand and Sound. In J. Carruthers, & N. Dakkak (Eds.), Sandscapes: Writing the British Seaside (pp. 107-123). Palgrave Macmillan. https://doi.org/10.1007/978-3-030-44780-9_7

Vancouver

Baker B. On the Sound-Sea: Fifteen Ways of Thinking about Sand and Sound. In Carruthers J, Dakkak N, editors, Sandscapes: Writing the British Seaside. New York: Palgrave Macmillan. 2020. p. 107-123 doi: 10.1007/978-3-030-44780-9_7

Author

Baker, Brian. / On the Sound-Sea : Fifteen Ways of Thinking about Sand and Sound. Sandscapes: Writing the British Seaside. editor / Jo Carruthers ; Nour Dakkak. New York : Palgrave Macmillan, 2020. pp. 107-123

Bibtex

@inbook{b394f9e7370244a796551504f2b978ab,
title = "On the Sound-Sea: Fifteen Ways of Thinking about Sand and Sound",
abstract = "This chapter uses a formally granular approach to imagining the relation between sand and sound. It takes the beach as a key motif in both literature and music as a space between, a space in which the listener hears the call of the sea and responds to that call. In 15 different ways, including personal reflections as well as analysis, this chapter takes a critical-creative method to rethink the intertidal space as a place of possibility and transformation, and of beginnings and endings.",
author = "Brian Baker",
year = "2020",
month = jan,
day = "1",
doi = "10.1007/978-3-030-44780-9_7",
language = "English",
isbn = "978-3030447793",
pages = "107--123",
editor = "Jo Carruthers and Nour Dakkak",
booktitle = "Sandscapes",
publisher = "Palgrave Macmillan",

}

RIS

TY - CHAP

T1 - On the Sound-Sea

T2 - Fifteen Ways of Thinking about Sand and Sound

AU - Baker, Brian

PY - 2020/1/1

Y1 - 2020/1/1

N2 - This chapter uses a formally granular approach to imagining the relation between sand and sound. It takes the beach as a key motif in both literature and music as a space between, a space in which the listener hears the call of the sea and responds to that call. In 15 different ways, including personal reflections as well as analysis, this chapter takes a critical-creative method to rethink the intertidal space as a place of possibility and transformation, and of beginnings and endings.

AB - This chapter uses a formally granular approach to imagining the relation between sand and sound. It takes the beach as a key motif in both literature and music as a space between, a space in which the listener hears the call of the sea and responds to that call. In 15 different ways, including personal reflections as well as analysis, this chapter takes a critical-creative method to rethink the intertidal space as a place of possibility and transformation, and of beginnings and endings.

U2 - 10.1007/978-3-030-44780-9_7

DO - 10.1007/978-3-030-44780-9_7

M3 - Chapter

SN - 978-3030447793

SP - 107

EP - 123

BT - Sandscapes

A2 - Carruthers, Jo

A2 - Dakkak, Nour

PB - Palgrave Macmillan

CY - New York

ER -