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Research output: Contribution to Journal/Magazine › Journal article › peer-review
Palestinian Postmemory : Melancholia and the Absent Subject in Larissa Sansour's In Vitro, Saleem Haddad's "Song of the Birds," and Adania Shibli's Touch. / Alammar, Layla.
In: Journal of Literature and Trauma Studies, Vol. 8, No. 1, 30.04.2021, p. 1-23.Research output: Contribution to Journal/Magazine › Journal article › peer-review
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TY - JOUR
T1 - Palestinian Postmemory
T2 - Melancholia and the Absent Subject in Larissa Sansour's In Vitro, Saleem Haddad's "Song of the Birds," and Adania Shibli's Touch
AU - Alammar, Layla
PY - 2021/4/30
Y1 - 2021/4/30
N2 - This article argues that Sansour's In Vitro, Saleem Haddad's short story "Song of the Birds," and Adania Shibli's novella Touch present a uniquely Palestinian postmemory, or what I call a postmemorial absence, which critiques the viability of a future when individuals feel trapped by memories of a traumatic past that prevent a meaningful present from materializing. I argue that these works further invite the question of a Palestinian identity that moves beyond the Nakba and what form such an identity might take. The first section discusses how Haddad's and Sansour's works exemplify the burden of collective memory, using the medium of science fiction to explore spatial imaginaries and the precarity of the Palestinian present. The second section illustrates how Shibli's Touch constitutes a powerful imagining of an identity unanchored to a collective traumatic past, whereby severing the inter- and transgenerational traumatic link is attempted. Her work, through its experimental form and style, suggests that negation of subjectivity—a breaking down to build anew—may be necessary to realize an identity unencumbered by past trauma.
AB - This article argues that Sansour's In Vitro, Saleem Haddad's short story "Song of the Birds," and Adania Shibli's novella Touch present a uniquely Palestinian postmemory, or what I call a postmemorial absence, which critiques the viability of a future when individuals feel trapped by memories of a traumatic past that prevent a meaningful present from materializing. I argue that these works further invite the question of a Palestinian identity that moves beyond the Nakba and what form such an identity might take. The first section discusses how Haddad's and Sansour's works exemplify the burden of collective memory, using the medium of science fiction to explore spatial imaginaries and the precarity of the Palestinian present. The second section illustrates how Shibli's Touch constitutes a powerful imagining of an identity unanchored to a collective traumatic past, whereby severing the inter- and transgenerational traumatic link is attempted. Her work, through its experimental form and style, suggests that negation of subjectivity—a breaking down to build anew—may be necessary to realize an identity unencumbered by past trauma.
KW - Palestinian postmemory
KW - melancholia
KW - literary trauma theory
KW - transgenerational transmission of trauma
KW - empathy
KW - identity
M3 - Journal article
VL - 8
SP - 1
EP - 23
JO - Journal of Literature and Trauma Studies
JF - Journal of Literature and Trauma Studies
SN - 2045-4740
IS - 1
ER -