Home > Research > Publications & Outputs > Participatory art for navigating political capa...

Electronic data

  • CTWQ-2020-0643.R3_Proof_hi(1)

    Accepted author manuscript, 1.52 MB, PDF document

    Available under license: CC BY: Creative Commons Attribution 4.0 International License

Links

Text available via DOI:

View graph of relations

Participatory art for navigating political capabilities and aspirations among rural youth in Zimbabwe

Research output: Contribution to Journal/MagazineJournal articlepeer-review

Published

Standard

Participatory art for navigating political capabilities and aspirations among rural youth in Zimbabwe. / Mkwananzi, Faith; Cin, Melis; Marovah, Tendayi.
In: Third World Quarterly, Vol. 42, No. 12, 31.12.2021, p. 2863-2882.

Research output: Contribution to Journal/MagazineJournal articlepeer-review

Harvard

APA

Vancouver

Mkwananzi F, Cin M, Marovah T. Participatory art for navigating political capabilities and aspirations among rural youth in Zimbabwe. Third World Quarterly. 2021 Dec 31;42(12):2863-2882. Epub 2021 Sept 27. doi: 10.1080/01436597.2021.1977620

Author

Bibtex

@article{77f7c8449b874506a5f1e12badab6e06,
title = "Participatory art for navigating political capabilities and aspirations among rural youth in Zimbabwe",
abstract = "While exploring the everyday experiences of Tonga youth, this paper draws on a participatory graffiti-on-board project in Binga, a rural community in Zimbabwe. Focus is placed on what shapes and drives youth aspirations in precarious contexts marked by unemployment and poverty. Using graffiti to create participatory and artistic engagements, the research aims to stretch the limited boundaries of social and political space available to the youth for discussing issues that concern their development pathways and livelihoods. The article presents everyday narratives that impact on Tonga youths{\textquoteright} aspirations, endeavouring to create a space where they can visualise their prospective futures. Additionally, exhibition spaces are seen as sites for the construction of a collective voice and political capabilities for the youth. We argue that aspirations among disadvantaged youth evidence the broader geopolitical conflict that exists in marginalised communities in Southern Africa. A lack of spaces to construct political voice among the youth curtails their capabilities and agency to choose from existing development opportunities in an uncertain future. We discuss the potential role of participatory art in relation to this in providing spaces for political voice, unsettling established power dynamics and developing a collective, unified voice that might influence governance processes in fragile contexts.",
keywords = "education, Global South, participatory arts, Zimbabwe, poverty, youth",
author = "Faith Mkwananzi and Melis Cin and Tendayi Marovah",
year = "2021",
month = dec,
day = "31",
doi = "10.1080/01436597.2021.1977620",
language = "English",
volume = "42",
pages = "2863--2882",
journal = "Third World Quarterly",
issn = "0143-6597",
publisher = "Routledge",
number = "12",

}

RIS

TY - JOUR

T1 - Participatory art for navigating political capabilities and aspirations among rural youth in Zimbabwe

AU - Mkwananzi, Faith

AU - Cin, Melis

AU - Marovah, Tendayi

PY - 2021/12/31

Y1 - 2021/12/31

N2 - While exploring the everyday experiences of Tonga youth, this paper draws on a participatory graffiti-on-board project in Binga, a rural community in Zimbabwe. Focus is placed on what shapes and drives youth aspirations in precarious contexts marked by unemployment and poverty. Using graffiti to create participatory and artistic engagements, the research aims to stretch the limited boundaries of social and political space available to the youth for discussing issues that concern their development pathways and livelihoods. The article presents everyday narratives that impact on Tonga youths’ aspirations, endeavouring to create a space where they can visualise their prospective futures. Additionally, exhibition spaces are seen as sites for the construction of a collective voice and political capabilities for the youth. We argue that aspirations among disadvantaged youth evidence the broader geopolitical conflict that exists in marginalised communities in Southern Africa. A lack of spaces to construct political voice among the youth curtails their capabilities and agency to choose from existing development opportunities in an uncertain future. We discuss the potential role of participatory art in relation to this in providing spaces for political voice, unsettling established power dynamics and developing a collective, unified voice that might influence governance processes in fragile contexts.

AB - While exploring the everyday experiences of Tonga youth, this paper draws on a participatory graffiti-on-board project in Binga, a rural community in Zimbabwe. Focus is placed on what shapes and drives youth aspirations in precarious contexts marked by unemployment and poverty. Using graffiti to create participatory and artistic engagements, the research aims to stretch the limited boundaries of social and political space available to the youth for discussing issues that concern their development pathways and livelihoods. The article presents everyday narratives that impact on Tonga youths’ aspirations, endeavouring to create a space where they can visualise their prospective futures. Additionally, exhibition spaces are seen as sites for the construction of a collective voice and political capabilities for the youth. We argue that aspirations among disadvantaged youth evidence the broader geopolitical conflict that exists in marginalised communities in Southern Africa. A lack of spaces to construct political voice among the youth curtails their capabilities and agency to choose from existing development opportunities in an uncertain future. We discuss the potential role of participatory art in relation to this in providing spaces for political voice, unsettling established power dynamics and developing a collective, unified voice that might influence governance processes in fragile contexts.

KW - education

KW - Global South

KW - participatory arts

KW - Zimbabwe

KW - poverty

KW - youth

U2 - 10.1080/01436597.2021.1977620

DO - 10.1080/01436597.2021.1977620

M3 - Journal article

VL - 42

SP - 2863

EP - 2882

JO - Third World Quarterly

JF - Third World Quarterly

SN - 0143-6597

IS - 12

ER -