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Patterns redefinition in Beijing Qianmen Kengo Kuma Office in “Damochang 220"

Research output: Contribution in Book/Report/Proceedings - With ISBN/ISSN › Chapter (peer-reviewed) › peer-review

Forthcoming

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Patterns redefinition in Beijing Qianmen Kengo Kuma Office in “Damochang 220". / Canclini, Andrea.
Building Technology and Culture in the Asia-Pacific Region: Construction, Materials, Encounters. ed. / Giaime Botti; Eugenio Mangi; Hiroyuki Shinohara. Singapore: Springer, 2024. (Transnational Histories of Design Cultures and Production).

Research output: Contribution in Book/Report/Proceedings - With ISBN/ISSN › Chapter (peer-reviewed) › peer-review

Harvard

Canclini, A 2024, Patterns redefinition in Beijing Qianmen Kengo Kuma Office in “Damochang 220". in G Botti, E Mangi & H Shinohara (eds), Building Technology and Culture in the Asia-Pacific Region: Construction, Materials, Encounters. Transnational Histories of Design Cultures and Production, Springer, Singapore. <https://link.springer.com/book/9789819717934>

APA

Canclini, A. (in press). Patterns redefinition in Beijing Qianmen Kengo Kuma Office in “Damochang 220". In G. Botti, E. Mangi, & H. Shinohara (Eds.), Building Technology and Culture in the Asia-Pacific Region: Construction, Materials, Encounters (Transnational Histories of Design Cultures and Production). Springer. https://link.springer.com/book/9789819717934

Vancouver

Canclini A. Patterns redefinition in Beijing Qianmen Kengo Kuma Office in “Damochang 220". In Botti G, Mangi E, Shinohara H, editors, Building Technology and Culture in the Asia-Pacific Region: Construction, Materials, Encounters. Singapore: Springer. 2024. (Transnational Histories of Design Cultures and Production).

Author

Canclini, Andrea. / Patterns redefinition in Beijing Qianmen Kengo Kuma Office in “Damochang 220". Building Technology and Culture in the Asia-Pacific Region: Construction, Materials, Encounters. editor / Giaime Botti ; Eugenio Mangi ; Hiroyuki Shinohara. Singapore : Springer, 2024. (Transnational Histories of Design Cultures and Production).

Bibtex

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title = "Patterns redefinition in Beijing Qianmen Kengo Kuma Office in “Damochang 220{"}",
abstract = "Kengo Kuma is one of Japan{\textquoteright}s leading architects and a key figure in contemporary architectural culture; he runs his practice, whose designs are widely published. From this position, he leads an international office whose projects and work have received widespread recognition and acclaim, establishing him as one of the most influential architects of his generation, renowned for his clarity and unwavering attention to detail.2 One of the key points of his design approach is the relationship between his buildings and their surroundings; Kuma often starts from the idea of establishing a confrontation with the immediate context, often pursuing the idea of a mediated merging with the context itself, a strategy often implemented through the repetition of textures and permeable materials that filter air and light to create a translucent or porous envelope.",
keywords = "Theory of Architecture, History of Architecture, Kengo Kuma",
author = "Andrea Canclini",
year = "2024",
month = jun,
day = "24",
language = "English",
isbn = "9789819717934",
series = "Transnational Histories of Design Cultures and Production",
publisher = "Springer",
editor = "Giaime Botti and Eugenio Mangi and Hiroyuki Shinohara",
booktitle = "Building Technology and Culture in the Asia-Pacific Region",

}

RIS

TY - CHAP

T1 - Patterns redefinition in Beijing Qianmen Kengo Kuma Office in “Damochang 220"

AU - Canclini, Andrea

PY - 2024/6/24

Y1 - 2024/6/24

N2 - Kengo Kuma is one of Japan’s leading architects and a key figure in contemporary architectural culture; he runs his practice, whose designs are widely published. From this position, he leads an international office whose projects and work have received widespread recognition and acclaim, establishing him as one of the most influential architects of his generation, renowned for his clarity and unwavering attention to detail.2 One of the key points of his design approach is the relationship between his buildings and their surroundings; Kuma often starts from the idea of establishing a confrontation with the immediate context, often pursuing the idea of a mediated merging with the context itself, a strategy often implemented through the repetition of textures and permeable materials that filter air and light to create a translucent or porous envelope.

AB - Kengo Kuma is one of Japan’s leading architects and a key figure in contemporary architectural culture; he runs his practice, whose designs are widely published. From this position, he leads an international office whose projects and work have received widespread recognition and acclaim, establishing him as one of the most influential architects of his generation, renowned for his clarity and unwavering attention to detail.2 One of the key points of his design approach is the relationship between his buildings and their surroundings; Kuma often starts from the idea of establishing a confrontation with the immediate context, often pursuing the idea of a mediated merging with the context itself, a strategy often implemented through the repetition of textures and permeable materials that filter air and light to create a translucent or porous envelope.

KW - Theory of Architecture

KW - History of Architecture

KW - Kengo Kuma

UR - https://buildingtechnologyandculture.com

M3 - Chapter (peer-reviewed)

SN - 9789819717934

SN - 9789819717965

T3 - Transnational Histories of Design Cultures and Production

BT - Building Technology and Culture in the Asia-Pacific Region

A2 - Botti, Giaime

A2 - Mangi, Eugenio

A2 - Shinohara, Hiroyuki

PB - Springer

CY - Singapore

ER -