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Performing Early Modern Libel: Expanding the Boundaries of Performance

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Performing Early Modern Libel: Expanding the Boundaries of Performance. / Egan, Clare.
In: Early Theatre, Vol. 23, No. 2, 18.02.2021, p. 155-168.

Research output: Contribution to Journal/MagazineJournal articlepeer-review

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Egan C. Performing Early Modern Libel: Expanding the Boundaries of Performance. Early Theatre. 2021 Feb 18;23(2):155-168. doi: 10.12745/et.23.2.4385

Author

Egan, Clare. / Performing Early Modern Libel : Expanding the Boundaries of Performance. In: Early Theatre. 2021 ; Vol. 23, No. 2. pp. 155-168.

Bibtex

@article{3beea239415c445e9aa334c47394bdf9,
title = "Performing Early Modern Libel: Expanding the Boundaries of Performance",
abstract = "This essay focuses on provincial libel cases between private individuals tried at the court of Star Chamber during the early seventeenth century. Libelling saw personal scandals creatively couched in verses, visual symbols, or mock-ceremonies, and read, sung, and posted in early modern communities. This essay identifies a range of {\textquoteleft}manners{\textquoteright} of libel, and compares a libellous {\textquoteleft}Stage plaie{\textquoteright} to a set of libellous mock-proclamations and a {\textquoteleft}book{\textquoteright} of playing card knaves. The essay argues that libels should be understood as functioning on a spectrum of performance. They should therefore prompt an expansion of the boundaries of early performance.",
keywords = "early modern England, performance, libel, mock proclamations, performativity",
author = "Clare Egan",
year = "2021",
month = feb,
day = "18",
doi = "10.12745/et.23.2.4385",
language = "English",
volume = "23",
pages = "155--168",
journal = "Early Theatre",
issn = "1206-9078",
publisher = "Early Theatre",
number = "2",

}

RIS

TY - JOUR

T1 - Performing Early Modern Libel

T2 - Expanding the Boundaries of Performance

AU - Egan, Clare

PY - 2021/2/18

Y1 - 2021/2/18

N2 - This essay focuses on provincial libel cases between private individuals tried at the court of Star Chamber during the early seventeenth century. Libelling saw personal scandals creatively couched in verses, visual symbols, or mock-ceremonies, and read, sung, and posted in early modern communities. This essay identifies a range of ‘manners’ of libel, and compares a libellous ‘Stage plaie’ to a set of libellous mock-proclamations and a ‘book’ of playing card knaves. The essay argues that libels should be understood as functioning on a spectrum of performance. They should therefore prompt an expansion of the boundaries of early performance.

AB - This essay focuses on provincial libel cases between private individuals tried at the court of Star Chamber during the early seventeenth century. Libelling saw personal scandals creatively couched in verses, visual symbols, or mock-ceremonies, and read, sung, and posted in early modern communities. This essay identifies a range of ‘manners’ of libel, and compares a libellous ‘Stage plaie’ to a set of libellous mock-proclamations and a ‘book’ of playing card knaves. The essay argues that libels should be understood as functioning on a spectrum of performance. They should therefore prompt an expansion of the boundaries of early performance.

KW - early modern England

KW - performance

KW - libel

KW - mock proclamations

KW - performativity

U2 - 10.12745/et.23.2.4385

DO - 10.12745/et.23.2.4385

M3 - Journal article

VL - 23

SP - 155

EP - 168

JO - Early Theatre

JF - Early Theatre

SN - 1206-9078

IS - 2

ER -