Home > Research > Publications & Outputs > Poetry's total scandal

Electronic data

View graph of relations

Poetry's total scandal: Poets and postmen in Antonio Skármeta’s El cartero de Neruda

Research output: Contribution to Journal/MagazineJournal articlepeer-review

Published

Standard

Poetry's total scandal: Poets and postmen in Antonio Skármeta’s El cartero de Neruda. / Gräbner, Cornelia.
In: Tropelías: Revista de Teoría de la Literatura y Literatura Comparada, No. 18, 01.02.2012, p. 118-138.

Research output: Contribution to Journal/MagazineJournal articlepeer-review

Harvard

Gräbner, C 2012, 'Poetry's total scandal: Poets and postmen in Antonio Skármeta’s El cartero de Neruda', Tropelías: Revista de Teoría de la Literatura y Literatura Comparada, no. 18, pp. 118-138.

APA

Gräbner, C. (2012). Poetry's total scandal: Poets and postmen in Antonio Skármeta’s El cartero de Neruda. Tropelías: Revista de Teoría de la Literatura y Literatura Comparada, (18), 118-138.

Vancouver

Gräbner C. Poetry's total scandal: Poets and postmen in Antonio Skármeta’s El cartero de Neruda. Tropelías: Revista de Teoría de la Literatura y Literatura Comparada. 2012 Feb 1;(18):118-138.

Author

Gräbner, Cornelia. / Poetry's total scandal : Poets and postmen in Antonio Skármeta’s El cartero de Neruda. In: Tropelías: Revista de Teoría de la Literatura y Literatura Comparada. 2012 ; No. 18. pp. 118-138.

Bibtex

@article{16a2450b76d24dbc9b66a55e0fe68d91,
title = "Poetry's total scandal: Poets and postmen in Antonio Sk{\'a}rmeta{\textquoteright}s El cartero de Neruda",
abstract = "The argument put forward here takes Antonio Sk{\'a}rmeta's short novel El cartero de Neruda (Con ardiente paciencia) as a theorization of the relationship between poetry and politics, by way of the concept-metaphors (Mieke Bal) that are deployed in the novel. Sk{\'a}rmeta stages the public role of poetry through the telling of a story about the poet Pablo Neruda and his postman Mario Jim{\'e}nez. The relationship between poetry and politics is analysed with reference to Hazard Adams' concept of «the offense of poetry» and Roland Barthes' reflections on the total scandal of language in his essay «{\'E}crivains et {\'e}crivants» (1964), here adapted as «the total scandal of poetry». In contradistinction to Barthes, who argues that the total scandal of language is impossible because of the absorption of scandalous language by the literary institution, Sk{\'a}rmeta's short novel suggests that the total scandal of poetry is indeed possible when, as in the case of Pablo Neruda, Mario Jim{\'e}nez and Salvador Allende, poetry becomes a constitutive part of a political project, within which it functions as a reminder of dignity and as the touchstone for political integrity. ",
keywords = "poetic offense, scandal of language, Neruda, Barthes, Skarmeta",
author = "Cornelia Gr{\"a}bner",
year = "2012",
month = feb,
day = "1",
language = "English",
pages = "118--138",
journal = "Tropel{\'i}as: Revista de Teor{\'i}a de la Literatura y Literatura Comparada",
number = "18",

}

RIS

TY - JOUR

T1 - Poetry's total scandal

T2 - Poets and postmen in Antonio Skármeta’s El cartero de Neruda

AU - Gräbner, Cornelia

PY - 2012/2/1

Y1 - 2012/2/1

N2 - The argument put forward here takes Antonio Skármeta's short novel El cartero de Neruda (Con ardiente paciencia) as a theorization of the relationship between poetry and politics, by way of the concept-metaphors (Mieke Bal) that are deployed in the novel. Skármeta stages the public role of poetry through the telling of a story about the poet Pablo Neruda and his postman Mario Jiménez. The relationship between poetry and politics is analysed with reference to Hazard Adams' concept of «the offense of poetry» and Roland Barthes' reflections on the total scandal of language in his essay «Écrivains et écrivants» (1964), here adapted as «the total scandal of poetry». In contradistinction to Barthes, who argues that the total scandal of language is impossible because of the absorption of scandalous language by the literary institution, Skármeta's short novel suggests that the total scandal of poetry is indeed possible when, as in the case of Pablo Neruda, Mario Jiménez and Salvador Allende, poetry becomes a constitutive part of a political project, within which it functions as a reminder of dignity and as the touchstone for political integrity.

AB - The argument put forward here takes Antonio Skármeta's short novel El cartero de Neruda (Con ardiente paciencia) as a theorization of the relationship between poetry and politics, by way of the concept-metaphors (Mieke Bal) that are deployed in the novel. Skármeta stages the public role of poetry through the telling of a story about the poet Pablo Neruda and his postman Mario Jiménez. The relationship between poetry and politics is analysed with reference to Hazard Adams' concept of «the offense of poetry» and Roland Barthes' reflections on the total scandal of language in his essay «Écrivains et écrivants» (1964), here adapted as «the total scandal of poetry». In contradistinction to Barthes, who argues that the total scandal of language is impossible because of the absorption of scandalous language by the literary institution, Skármeta's short novel suggests that the total scandal of poetry is indeed possible when, as in the case of Pablo Neruda, Mario Jiménez and Salvador Allende, poetry becomes a constitutive part of a political project, within which it functions as a reminder of dignity and as the touchstone for political integrity.

KW - poetic offense

KW - scandal of language

KW - Neruda

KW - Barthes

KW - Skarmeta

M3 - Journal article

SP - 118

EP - 138

JO - Tropelías: Revista de Teoría de la Literatura y Literatura Comparada

JF - Tropelías: Revista de Teoría de la Literatura y Literatura Comparada

IS - 18

ER -