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Psychedelic White: Goa Trance and the Viscosity of Race

Research output: Book/Report/ProceedingsBook

Published

Standard

Psychedelic White: Goa Trance and the Viscosity of Race. / Saldanha, Arun.
Minneapolis: University of Minnesota Press, 2007. 239 p.

Research output: Book/Report/ProceedingsBook

Harvard

Saldanha, A 2007, Psychedelic White: Goa Trance and the Viscosity of Race. University of Minnesota Press, Minneapolis.

APA

Vancouver

Saldanha A. Psychedelic White: Goa Trance and the Viscosity of Race. Minneapolis: University of Minnesota Press, 2007. 239 p.

Author

Saldanha, Arun. / Psychedelic White : Goa Trance and the Viscosity of Race. Minneapolis : University of Minnesota Press, 2007. 239 p.

Bibtex

@book{b8d640fc822344fe82b18c7f529dbe4f,
title = "Psychedelic White: Goa Trance and the Viscosity of Race",
abstract = "{"}Psychedelic White is one of the most innovative, refreshingly different analyses of race I have read in the last decade.{"} —Elizabeth Grosz, author of The Nick of Time: Politics, Evolution and the UntimelyThe village of Anjuna, located in the coastal Indian state of Goa, has been one of the premier destinations on the global rave scene for nearly two decades. The birthplace of Goa trance, the most psychedelic variety of electronic dance music, Anjuna first attracted adventurous Westerners in the 1970s who were drawn there by its tropical beaches, tolerant locals, and readily available drugs. Today, rave tourists travel to Goa to take part in round-the-clock dance parties and lose themselves in the crowds, the music, and the drugs. But do they really escape where they come from and who they are? A rich and theoretically sophisticated ethnography, Psychedelic White explains how race plays out in Goa{\textquoteright}s white counterculture and grapples with how to make sense of racism when it is not supposed to be there. Goa is a site of particularly revealing forms of interracial collision, and contrary to author Arun Saldanha{\textquoteright}s expectations that the nature of rave would create an inclusive atmosphere, he repeatedly witnessed stark segregation between white and Indian tourists. He came to understand race in its creative dimension as a shifting and fuzzy assemblage of practices, environments, sounds, and substances—dance skills, sunlight, conversation, cannabis, and tea. In doing so, his work shows how the rave scene in Goa harbors conflicting tendencies regarding race. The complicated intersection of cultures and phenotypes, Saldanha asserts, helps to consolidate whiteness. Race emerges not through rigid boundaries but rather through what he terms viscosity, the degree to which bodies gather together for pleasure and self-transformation. Challenging the prevailing conception of racial difference as a purely social construction and offering building on the works of Gilles Deleuze and Flix Guattari, Psychedelic White presents nothing less than a new materialist approach to race.",
keywords = "race, tourism, rave music, body, identity, drugs, India",
author = "Arun Saldanha",
year = "2007",
month = jul,
day = "11",
language = "English",
isbn = "0816649944",
publisher = "University of Minnesota Press",

}

RIS

TY - BOOK

T1 - Psychedelic White

T2 - Goa Trance and the Viscosity of Race

AU - Saldanha, Arun

PY - 2007/7/11

Y1 - 2007/7/11

N2 - "Psychedelic White is one of the most innovative, refreshingly different analyses of race I have read in the last decade." —Elizabeth Grosz, author of The Nick of Time: Politics, Evolution and the UntimelyThe village of Anjuna, located in the coastal Indian state of Goa, has been one of the premier destinations on the global rave scene for nearly two decades. The birthplace of Goa trance, the most psychedelic variety of electronic dance music, Anjuna first attracted adventurous Westerners in the 1970s who were drawn there by its tropical beaches, tolerant locals, and readily available drugs. Today, rave tourists travel to Goa to take part in round-the-clock dance parties and lose themselves in the crowds, the music, and the drugs. But do they really escape where they come from and who they are? A rich and theoretically sophisticated ethnography, Psychedelic White explains how race plays out in Goa’s white counterculture and grapples with how to make sense of racism when it is not supposed to be there. Goa is a site of particularly revealing forms of interracial collision, and contrary to author Arun Saldanha’s expectations that the nature of rave would create an inclusive atmosphere, he repeatedly witnessed stark segregation between white and Indian tourists. He came to understand race in its creative dimension as a shifting and fuzzy assemblage of practices, environments, sounds, and substances—dance skills, sunlight, conversation, cannabis, and tea. In doing so, his work shows how the rave scene in Goa harbors conflicting tendencies regarding race. The complicated intersection of cultures and phenotypes, Saldanha asserts, helps to consolidate whiteness. Race emerges not through rigid boundaries but rather through what he terms viscosity, the degree to which bodies gather together for pleasure and self-transformation. Challenging the prevailing conception of racial difference as a purely social construction and offering building on the works of Gilles Deleuze and Flix Guattari, Psychedelic White presents nothing less than a new materialist approach to race.

AB - "Psychedelic White is one of the most innovative, refreshingly different analyses of race I have read in the last decade." —Elizabeth Grosz, author of The Nick of Time: Politics, Evolution and the UntimelyThe village of Anjuna, located in the coastal Indian state of Goa, has been one of the premier destinations on the global rave scene for nearly two decades. The birthplace of Goa trance, the most psychedelic variety of electronic dance music, Anjuna first attracted adventurous Westerners in the 1970s who were drawn there by its tropical beaches, tolerant locals, and readily available drugs. Today, rave tourists travel to Goa to take part in round-the-clock dance parties and lose themselves in the crowds, the music, and the drugs. But do they really escape where they come from and who they are? A rich and theoretically sophisticated ethnography, Psychedelic White explains how race plays out in Goa’s white counterculture and grapples with how to make sense of racism when it is not supposed to be there. Goa is a site of particularly revealing forms of interracial collision, and contrary to author Arun Saldanha’s expectations that the nature of rave would create an inclusive atmosphere, he repeatedly witnessed stark segregation between white and Indian tourists. He came to understand race in its creative dimension as a shifting and fuzzy assemblage of practices, environments, sounds, and substances—dance skills, sunlight, conversation, cannabis, and tea. In doing so, his work shows how the rave scene in Goa harbors conflicting tendencies regarding race. The complicated intersection of cultures and phenotypes, Saldanha asserts, helps to consolidate whiteness. Race emerges not through rigid boundaries but rather through what he terms viscosity, the degree to which bodies gather together for pleasure and self-transformation. Challenging the prevailing conception of racial difference as a purely social construction and offering building on the works of Gilles Deleuze and Flix Guattari, Psychedelic White presents nothing less than a new materialist approach to race.

KW - race

KW - tourism

KW - rave music

KW - body

KW - identity

KW - drugs

KW - India

M3 - Book

SN - 0816649944

BT - Psychedelic White

PB - University of Minnesota Press

CY - Minneapolis

ER -