Home > Research > Publications & Outputs > Respect and Indignation

Associated organisational unit

Electronic data

  • Respect_and_Indignation_Accepted_Author_Manuscript

    Accepted author manuscript, 289 KB, PDF document

    Embargo ends: 1/01/40

    Available under license: CC BY: Creative Commons Attribution 4.0 International License

View graph of relations

Respect and Indignation: The Performance of Poetries as an Opposition to Attritional Violence

Research output: Contribution to Journal/MagazineJournal articlepeer-review

Forthcoming

Standard

Respect and Indignation: The Performance of Poetries as an Opposition to Attritional Violence. / Gräbner, Cornelia.
In: Cahiers de Littérature Orale, 13.07.2023.

Research output: Contribution to Journal/MagazineJournal articlepeer-review

Harvard

APA

Vancouver

Author

Bibtex

@article{ea47974e7b6f4e2881c1f6624fbc7e64,
title = "Respect and Indignation: The Performance of Poetries as an Opposition to Attritional Violence",
abstract = "This paper explores poetry performances as an opposition to the effects of attritional violence as it is perpetrated in the necropolitical regime of contemporary Mexico and in the austerity regime of contemporary Britain. Focusing on the corrosive, silencing and stifling psychosocial effects of attrition, it looks at four different poems that enact a {\textquoteleft}redirection{\textquoteright} of social energies, drawing on the ability of the poetry performance to join poetic verbalization with the capacity of sensibilit{\'a} as defined by Franco Berardi: the ability to communicate what cannot be verbalized. Poems by the Liverpool-based band She Drew The Gun and the Mexican poet Mar{\'i}a Rivera, counter the abjection of victims of violence and reclaim what Paulo Freire has referred to as the capacity to {\textquoteleft}give testimony to the respect for the Other{\textquoteright}. Poems by Bristol based poet Pete the Temp and by the Mexican poet P{\'a}jaro azul enact the {\textquoteleft}anger at the acceptance of fatalistic docility before the destructions of peoples{\textquoteright} (Freire) as a creative force that reclaims the future as possibility. ",
keywords = "poetry performance, Attrition, sensibilit{\'a}, pedagogy of indignation, poetry and politics, austerity, Necropolitics",
author = "Cornelia Gr{\"a}bner",
year = "2023",
month = jul,
day = "13",
language = "English",
journal = "Cahiers de Litt{\'e}rature Orale",
issn = "2266-1816",
publisher = "Institut national des langues et civilisations orientales",

}

RIS

TY - JOUR

T1 - Respect and Indignation

T2 - The Performance of Poetries as an Opposition to Attritional Violence

AU - Gräbner, Cornelia

PY - 2023/7/13

Y1 - 2023/7/13

N2 - This paper explores poetry performances as an opposition to the effects of attritional violence as it is perpetrated in the necropolitical regime of contemporary Mexico and in the austerity regime of contemporary Britain. Focusing on the corrosive, silencing and stifling psychosocial effects of attrition, it looks at four different poems that enact a ‘redirection’ of social energies, drawing on the ability of the poetry performance to join poetic verbalization with the capacity of sensibilitá as defined by Franco Berardi: the ability to communicate what cannot be verbalized. Poems by the Liverpool-based band She Drew The Gun and the Mexican poet María Rivera, counter the abjection of victims of violence and reclaim what Paulo Freire has referred to as the capacity to ‘give testimony to the respect for the Other’. Poems by Bristol based poet Pete the Temp and by the Mexican poet Pájaro azul enact the ‘anger at the acceptance of fatalistic docility before the destructions of peoples’ (Freire) as a creative force that reclaims the future as possibility.

AB - This paper explores poetry performances as an opposition to the effects of attritional violence as it is perpetrated in the necropolitical regime of contemporary Mexico and in the austerity regime of contemporary Britain. Focusing on the corrosive, silencing and stifling psychosocial effects of attrition, it looks at four different poems that enact a ‘redirection’ of social energies, drawing on the ability of the poetry performance to join poetic verbalization with the capacity of sensibilitá as defined by Franco Berardi: the ability to communicate what cannot be verbalized. Poems by the Liverpool-based band She Drew The Gun and the Mexican poet María Rivera, counter the abjection of victims of violence and reclaim what Paulo Freire has referred to as the capacity to ‘give testimony to the respect for the Other’. Poems by Bristol based poet Pete the Temp and by the Mexican poet Pájaro azul enact the ‘anger at the acceptance of fatalistic docility before the destructions of peoples’ (Freire) as a creative force that reclaims the future as possibility.

KW - poetry performance

KW - Attrition

KW - sensibilitá

KW - pedagogy of indignation

KW - poetry and politics

KW - austerity

KW - Necropolitics

M3 - Journal article

JO - Cahiers de Littérature Orale

JF - Cahiers de Littérature Orale

SN - 2266-1816

ER -