Research output: Contribution to Journal/Magazine › Journal article › peer-review
Research output: Contribution to Journal/Magazine › Journal article › peer-review
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TY - JOUR
T1 - Skin deep
T2 - surgical horror and the impossibility of becoming woman in Pedro Almodóvar's 'The Skin I Live In'
AU - Aldana Reyes, Xavier
PY - 2013
Y1 - 2013
N2 - Almodóvar's films have long been concerned with on-screen representations of masculine tyranny and the gender-blurring quality of the of the transgender body. The Skin I Live In (2011) analyses these tensions by exploring the possibilities of a complete alteration of the male body by means of transgenesis. Taking its cues from canonical surgical horror like Franju's Les yeux sans visage (1960), Almodóvar's film is both an indictment of the recent turn to clinical bodies in art and cinema, and a critique of what Susie Orbach has called ‘beauty terror’ (2009), or the horror inspired by the incapacity to have a perfect body. In this article I analyse these contextual coordinates through a productive dialogue with recent developments in Gender Studies, particularly transgender identities (Butler, Deleuze and Guattari, Salamon) and body modification (Orlan) and argue for the potential liberation of the sentient subject through dermography.
AB - Almodóvar's films have long been concerned with on-screen representations of masculine tyranny and the gender-blurring quality of the of the transgender body. The Skin I Live In (2011) analyses these tensions by exploring the possibilities of a complete alteration of the male body by means of transgenesis. Taking its cues from canonical surgical horror like Franju's Les yeux sans visage (1960), Almodóvar's film is both an indictment of the recent turn to clinical bodies in art and cinema, and a critique of what Susie Orbach has called ‘beauty terror’ (2009), or the horror inspired by the incapacity to have a perfect body. In this article I analyse these contextual coordinates through a productive dialogue with recent developments in Gender Studies, particularly transgender identities (Butler, Deleuze and Guattari, Salamon) and body modification (Orlan) and argue for the potential liberation of the sentient subject through dermography.
U2 - 10.3828/bhs.2013.50
DO - 10.3828/bhs.2013.50
M3 - Journal article
VL - 90
SP - 819
EP - 834
JO - Bulletin of Hispanic Studies
JF - Bulletin of Hispanic Studies
SN - 1475-3839
IS - 7
ER -