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Spatial Authenticity and Extraordinary Experiences: Music Festivals and the Everyday Nature of Tourism Destinations

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Spatial Authenticity and Extraordinary Experiences: Music Festivals and the Everyday Nature of Tourism Destinations. / Skandalis, Alexandros; Banister, Emma; Byrom, John.
In: Journal of Travel Research, Vol. 63, No. 2, 01.02.2024, p. 357-370.

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Skandalis A, Banister E, Byrom J. Spatial Authenticity and Extraordinary Experiences: Music Festivals and the Everyday Nature of Tourism Destinations. Journal of Travel Research. 2024 Feb 1;63(2):357-370. Epub 2023 Mar 10. doi: 10.1177/00472875231159054

Author

Skandalis, Alexandros ; Banister, Emma ; Byrom, John. / Spatial Authenticity and Extraordinary Experiences : Music Festivals and the Everyday Nature of Tourism Destinations. In: Journal of Travel Research. 2024 ; Vol. 63, No. 2. pp. 357-370.

Bibtex

@article{953d973d900443e2bb777d9f2d07d3cc,
title = "Spatial Authenticity and Extraordinary Experiences: Music Festivals and the Everyday Nature of Tourism Destinations",
abstract = "Research taking into account the everyday nature of tourism destinations and its impact upon authenticity and attendees{\textquoteright} resulting extraordinary experiences is limited. Drawing upon a 3-year ethnography (including fieldnotes, photos/videos, artifact material) and interviews with festival attendees, we explore the interrelationships between authenticity and extraordinary experiences in the context of Primavera Sound music festival. Our emergent thematic categories—the festival{\textquoteright}s indie music character, its urban and quotidian configuration, and the instrumental orientation of the festival experience—suggest the festival is firmly positioned within the structures of the indie music industry, while also being located within the confines of day-to-day urban life. Attendees seek to achieve a sense of spatial authenticity by engaging with the features of tourism destinations. We contribute to discussions about authenticity and extraordinary experiences by unpacking the everyday nature of tourism destinations, demonstrating that not all music festivals need to be “extraordinary” muddy camping events.",
keywords = "authenticity, music festivals, popular music, tourism destinations, tourist experiences",
author = "Alexandros Skandalis and Emma Banister and John Byrom",
year = "2024",
month = feb,
day = "1",
doi = "10.1177/00472875231159054",
language = "English",
volume = "63",
pages = "357--370",
journal = "Journal of Travel Research",
issn = "0047-2875",
publisher = "Sage",
number = "2",

}

RIS

TY - JOUR

T1 - Spatial Authenticity and Extraordinary Experiences

T2 - Music Festivals and the Everyday Nature of Tourism Destinations

AU - Skandalis, Alexandros

AU - Banister, Emma

AU - Byrom, John

PY - 2024/2/1

Y1 - 2024/2/1

N2 - Research taking into account the everyday nature of tourism destinations and its impact upon authenticity and attendees’ resulting extraordinary experiences is limited. Drawing upon a 3-year ethnography (including fieldnotes, photos/videos, artifact material) and interviews with festival attendees, we explore the interrelationships between authenticity and extraordinary experiences in the context of Primavera Sound music festival. Our emergent thematic categories—the festival’s indie music character, its urban and quotidian configuration, and the instrumental orientation of the festival experience—suggest the festival is firmly positioned within the structures of the indie music industry, while also being located within the confines of day-to-day urban life. Attendees seek to achieve a sense of spatial authenticity by engaging with the features of tourism destinations. We contribute to discussions about authenticity and extraordinary experiences by unpacking the everyday nature of tourism destinations, demonstrating that not all music festivals need to be “extraordinary” muddy camping events.

AB - Research taking into account the everyday nature of tourism destinations and its impact upon authenticity and attendees’ resulting extraordinary experiences is limited. Drawing upon a 3-year ethnography (including fieldnotes, photos/videos, artifact material) and interviews with festival attendees, we explore the interrelationships between authenticity and extraordinary experiences in the context of Primavera Sound music festival. Our emergent thematic categories—the festival’s indie music character, its urban and quotidian configuration, and the instrumental orientation of the festival experience—suggest the festival is firmly positioned within the structures of the indie music industry, while also being located within the confines of day-to-day urban life. Attendees seek to achieve a sense of spatial authenticity by engaging with the features of tourism destinations. We contribute to discussions about authenticity and extraordinary experiences by unpacking the everyday nature of tourism destinations, demonstrating that not all music festivals need to be “extraordinary” muddy camping events.

KW - authenticity

KW - music festivals

KW - popular music

KW - tourism destinations

KW - tourist experiences

U2 - 10.1177/00472875231159054

DO - 10.1177/00472875231159054

M3 - Journal article

VL - 63

SP - 357

EP - 370

JO - Journal of Travel Research

JF - Journal of Travel Research

SN - 0047-2875

IS - 2

ER -